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The album is the final part of a concept trilogy, including Hombre Lobo (2009) and End Times (2010), which flourishes here into a bright and reflective piece. Lead singer/songwriter Mark Everett conflicts the optimistic concept by using the cold sound of electronic melodies and an array of loops and drum machines. Still, Everett produces a positive and uplifting album that finishes the trilogy on an uncharacteristic high.