The first-ever official anthology of recordings from the iconic rock duo, Jack and Meg White, is an essential career-spanning collection highlighting 26 previously released songs. From late Nineties flashes of brilliance through early 2000s underground anthems, masterful MTV Moon Man moments, Grammy-grabbing greatness, and worldwide stadium chants, the songs here are as wide-ranging as you can imagine. In an era of streaming where the idea of a “Greatest Hits” album may seem irrelevant – that an act’s most streamed songs are considered their de facto “hits” – we wholeheartedly believe that great bands deserve “Greatest Hits” and that a large part of Third Man Records’ and The White Stripes’ successes have been built on zigging when the rest of the music business is zagging. Thus, for a great band with great fans, a greatest hits compilation for The White Stripes is not only appropriate, but absolutely necessary.

The band's commercial break through, this 2001 album went gold, spinning off the Top 20 Modern Rock hits 'Fell In Love With A Girl' and 'Dead Leaves And The Dirty Ground.'

'Jack White Acoustic Recordings 1998-2016' is the definitive Jack White songwriting collection, spanning his 20+ year career. It includes White's acoustic-based recordings with the White Stripes, the Raconteurs, and his acclaimed solo projects. The music included here is all-encompassing, highlighting White's versatility, and the songs are presented with unique character in chronological order. As noted American author and music journalist, Greil Marcus, conveys in the albums liner notes: "The lack of electric guitar opens songs up to their own contrivance, and cuts out pretentions of seriousness and grandiosity in favor of the quiet, the ridiculous, the sly." The completely remastered collection includes album tracks, B-Sides, remixes, alternate versions, and previously unreleased studio recordings and is a must for any fan of the genius that is Jack White.

Produced by Jack White and recorded at his own Third Man Studio in Nashville, Blunderbuss has been described by White as "an album I couldn't have released until now. I've put off making records under my own name for a long time but these songs feel like they could only be presented under my name. These songs were written from scratch, had nothing to do with anyone or anything else but my own expression, my own colors on my own canvas." This album is pressed on 180 gram vinyl and includes a download code.

The Raconteurs – Jack White, Brendan Benson, Jack Lawrence, and Patrick Keeler – have announced the release of their long-awaited new album, HELP US STRANGER, which is the GRAMMY® Award-winning rock band’s third studio LP and first new album in more than a decade. Out on Friday, June 21, HELP US STRANGER sees the mighty combo reassembled, stronger and perhaps even more vital than ever before as they continue to push rock 'n' roll forward into its future, bonding prodigious riffs, blues power, sinewy psychedelia, Detroit funk, and Nashville soul via Benson and White’s uncompromising songcraft and the band’s steadfast musical muscle. With HELP US STRANGER, The Raconteurs have returned right when they are needed most, unified and invigorated with boundless ambition, infinite energy and a collectivist spirit operating at the peak of its considerable powers, once again creating a sound and fury only possible when all four of its members come together.

Arctic Monkeys and War Child UK are proud to announce the release of Arctic Monkeys - Live At The Royal Albert Hall. All proceeds from the album will go to War Child UK to help fill what could be up to a £2 million deficit they are facing in 2021 caused by the devastating impact of Covid-19 on their fundraising. These funds are urgently needed to support those who are worst hit by the virus. 

Recorded at the start of the band’s Tranquility Base Hotel + Casino tour, Arctic Monkeys - Live At The Royal Albert Hall, features 20 of the band’s finest moments to date.

“On June 7, 2018 we played a very special show at London’s Royal Albert Hall. All the proceeds from that memorable night were donated to War Child UK in support of the vital work they do protecting, educating and rehabilitating children who have experienced the trauma of conflict and the horror of war. The situation that was bad in 2018 is now desperate and those children and their families need our help more than ever. To enable War Child UK to reduce their funding deficit and continue their valuable work, we are happy to be able to release a live album, recorded that evening at The Royal Albert Hall. All proceeds will go direct to the charity. We thank all our fans in advance for their support of this release and in turn for their support of War Child UK” - Arctic Monkeys.

Arctic Monkeys release their fifth album, entitled AM. AM was produced by James Ford and co-produced by Ross Orton at Sage & Sound Recording, LA and Rancho De La Luna, Joshua Tree. The album was engineered by Ian Shea and mixed by Tchad Blake. Josh Homme, Pete Thomas and Bill Ryder-Jones all make guest appearances on AM as do the words of John Cooper Clarke, on the track "I Wanna Be Yours."

The Arctic Monkeys surely showed potential on their debut Whatever People Say I Am, but their youthful vigor often camouflaged their debt to other bands. Here on their sophomore album Favourite Worst Nightmare, they're absorbing their influences, turning their liberal borrowings from the Libertines, the Strokes, and the Jam into something that's their own distinct identity. Unlike any of those three bands, however, the Arctic Monkeys haven't stumbled on their second album; they haven't choked on hubris, they haven't overthought their sophomore salvo, nor have they cranked it out too quickly. That constant year of work resulted in startling growth as the band is testing the limits of what they can do and where they can go. The remarkable thing about the Arctic Monkeys -- which Favourite Worst Nightmare brings into sharp relief -- is their genuine guilelessness, how they restructure classic rock clichés in a way that pays little mind to how things were done in the past, and that all goes back to their youth.

Three Imaginary Boys is the debut studio album by English rock band the Cure, originally released on May 8, 1979. It was later released in the United States and Australia with a different song tracklist as Boys Don't Cry. This record will be released on 180 gram vinyl.

Remastered by Robert Smith. Fiction Records. 2016.

Double vinyl LP pressing including download insert. 2009 collection from Dave Grohl and the Foos including two brand new tracks, 'Wheels' and 'Word Forward', both recorded with producer Butch Vig (who also produced Grohl's former band, Nirvana!). This excellent collection features some of the finest melodic Rock released in the last 15 years including 'The Pretender', 'All My Life', 'Learn To Fly', 'Best of You', 'Times Like These', 'My Hero', 'Everlong', and many more.

The album that became Foo Fighters was originally just a bunch of songs that Dave Grohl had stored up over the years and finally recorded on his own. Dave had already lived the rock star life, and his only goal with the new tunes was to amuse himself and his friends. But as the tape changed hands and was copied over and over again, it quickly became clear that people were connecting to the music and that this was a project worth pursuing.

New Order fully emerged from the shadow of Joy Division with this early masterpiece. Their second album (1983) found the band rising up above their pain and loss and intoxicating with an irresistible, heartfelt, inspiring dance-rock sound that would prove to be as influential as it was infectious. This 180-gram vinyl reissue includes "Age of Consent," "We All Stand," "The Village," "Your Silent Face," "Ultraviolence," "Ecstasy" and more! WEA International.

180-gram Vinyl. Brotherhood is the fourth studio album by English rock band New Order, released on 29 September 1986 by Factory Records. It contains a mixture of post-punk and electronic styles, roughly divided between the two sides.

180-gram vinyl. Movement is the debut studio album by English rock band New Order, released on 13 November 1981 by Factory Records. At the time of it's release, the album was not particularly well-received by critics or audiences, only peaking at number thirty on the UK Albums Chart.

Vinyl LP pressing. Digitally remastered edition of this 1985 album from the legendary British quartet. With their second proper album Meat Is Murder, The Smiths began to branch out and diversify, while refining the jangling guitar pop of their debut. "The Headmaster Ritual" and "I Want the One I Can't Have" are fine elaborations of the formula they laid out on the debut, while "Rusholme Ruffians" is an infectious stab at Rockabilly. Such was their creative thrust at this point; they were seen as the most important British band since Joy Division. Above all though, there was no other British group making music quite like this in 1985.

Vinyl LP pressing. Digitally remastered edition of this 1986 album from the legendary British quartet. The Queen Is Dead is The Smiths' great leap forward, taking the band to new musical and lyrical heights. Opening with the storming track, the album is harder rocking record than anything the band had attempted before. Johnny Marr has created here a wide range of guitar styles that provide a musical bed for Morrissey's best set of lyrics. From which is crafted some of their finest, most affective songs, particularly "The Boy with the Thorn in His Side" and the epic "There Is a Light That Never Goes Out," two masterpieces that provide the foundation for a remarkable album.

Digitally remastered 180 gram vinyl edition of the classic 1987 collection from the legendary quartet. Compiling singles, B-sides, album tracks, and BBC sessions, LOUDER THAN BOMBS boasts a wealth of brilliant material including "Ask," "You Just Haven't Earned It Yet, Baby" and "Unlovable." LOUDER THAN BOMBS is a necessary purchase for any Smiths fan.

The Red Shoes is the seventh studio album by English musician Kate Bush. Released on 1 November 1993, it was accompanied by Bush's short film, The Line, the Cross and the Curve, and was her last album before a 12-year hiatus. In the United States, the album reached number 28 on the Billboard 200, her highest-peaking album on the chart to date.

Carrie & Lowell sounds like memory: it spans decades yet does not trade on pastiche or nostalgia. Stevens s gauzy double-tracked vocals wash across the dashboard of long-finned, drop-top Americana, yet as we race towards the coast we are reminded that sunshine leads to shadow, for this is a landscape of terminal roads, unsteady bridges, traumatic video stores, and unhappy beds that provide the scenery for tales of jackknifed cars, funerals, and forgiveness for the dead. Each track in this collection of eleven songs begins with a fragile melody that gathers steam until it becomes nothing less than a modern hymn. Sufjan recounts the indignities of our world, of technological distraction and sad sex, of an age without neither myths nor miracle and this time around, his voice carries the burden of wisdom. Carrie & Lowell accomplishes the rare thing that any art should achieve, particularly in these noisy and fragmented days: By seeking to understand, Sufjan makes us feel less alone.

The Ascension is the eighth studio album from singer, songwriter and composer Sufjan Stevens and is the long awaited follow-up to Stevens’ Carrie & Lowell. One of the most acclaimed albums of 2015, The New York Times praised Carrie & Lowell as “restrained and meticulous” while Pitchfork declared it “a masterpiece.”

In the time between Carrie & Lowell and the forthcoming The Ascension, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James Mcalister; The Decalogue, a solo piano work performed by Timo Andres; and scored several works for ballet: Reflections (Houston Ballet) and Principia (NYCB).

The Ascension is musically expansive and sweeping in thematic scope.

The Moon & Antarctica is the third full-length album by American rock band Modest Mouse, first released by Epic Records on June 13, 2000. The album was the band's first release on a major label and was released on both compact disc and vinyl LP. It has since been reissued twice on CD and once on vinyl. The album peaked at number 120 on the U.S. Billboard 200 albums chart. The album was praised by critics and fans alike for it's in-depth discussion of dense subject matter, as well as front man Isaac Brock's clever and introspective lyrics. The album was also hailed for being an expansion of the band's unique sound. This was due both to the band's new major label tools as well as the production of Brian Deck. The title of the album is taken from the opening scene of Blade Runner, where the main character is reading a newspaper, headlined: "Farming the Oceans, the Moon and Antarctica."

Their new album GOOD NEWS FOR PEOPLE WHO LOVE BAD NEWS, was produced by Dennis Herring and features a host of special guests such as: The Dirty Dozen Brass Band on "This Devil's Workday"; Tom Peloso playing upright bass and fiddle; and the Flaming Lips/Dave Fridmann, who remixed the track "The Good Times are Killing Me." Other tracks are "Float on," "The World at Large," "One chance," and many more....

Double vinyl 180 gram
WE WERE DEAD BEFORE THE SHIP EVEN SANK is MODEST MOUSE's first studio album since 2004's Good News for People Who Love Bad News, and it is also the first album with former The Smiths guitarist Johnny Marr. According to Pitchfork, James Mercer of The Shins sings backup vocals on the tracks "We've Got Everything", "Missed The Boat", and "Florida".

This album is the second consecutive Modest Mouse album recorded at Sweet Tea Studio in Oxford, Mississippi with producer Dennis Herring. According to lead singer Isaac Brock, Marr was involved in songwriting on the album, and will even tour with the band in support of it. In the interview, Brock described We Were Dead as a "nautical balalaika carnival romp."

Goo is a portrait of Sonic Youth at their most self-indulgently noisy and contentious, covering topics ranging from Karen Carpenter ('Tunic') to UFOs ('Disappearer') to dating Jesus' mom ('Mary-Christ'). Even Public Enemy's Chuck D joins the fracas on the single 'Kool Thing'.

Double vinyl LP repressing. Reissue of the Alt-Rock pioneers' 1987 album. Daydream Nation was Sonic Youth's sixth full-length, their first double-LP, and their last for an indie label before signing with Geffen. Widely considered to be their watershed moment, the album catapulted them into the mainstream and proved that indie bands could enjoy wide commercial success without compromising their artistic vision. More recently, Daydream Nation has been recognized as a classic of its time. It was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry in 2006.

180-gram vinyl LP pressing of the the British band's critically acclaimed 2000 debut album produced by Ken Nelson (Badly Drawn Boy, Gomez, Kings of Convenience) with the band. It yielded four singles "Shiver", "Trouble", "Don't Panic" & their breakthrough smash hit "Yellow" which remains one of the group's most popular songs.

Viva la Vida or Death and All His Friends, often referred to as simply Viva la Vida, is the fourth studio album by British alternative rock band Coldplay, released in 2008 on Parlophone Records. The album was named after a Spanish phrase that translates in English as "Live the life", although it can also be taken as "Long live life". Lyrically, the album contains references to love, life, death, and war. Recording sessions for the album took place during June 2007 to April 2008 and featured production by Jon Hopkins, Rik Simpson, Markus Dravs, and Brian Eno. The album was their first to be produced by Eno as the band explored more experimental styles. The album cover of Viva la Vida is the painting Liberty Leading the People by Eugène Delacroix. Viva la Vida was both a critical and commercial success with fives songs released as singles to promote the album. "Viva la Vida" became the band's first song to reach number one in both the United States and the United Kingdom. It won Best Rock Album at the 2009 Grammy Awards and was also nominated for Album of the Year. It was the best selling album of 2008 and by 2011, the album had sold more than 10 million copies. This album is on black vinyl housed in a gatefold sleeve with a 12 page booklet insert, pressed in Europe via Parlophone Records.

Vinyl LP repressing of this 1992 album, released to coincide with the album's 20th Anniversary. Pi*ed off and angry is the best way to describe Rage Against the Machine's first album. A fierce mix of hip-hop, punk & heavy rock exploded all over the music scene in 1992. At first sight an unlikely band; Tom Morello, a nerdy guitar hero who played his guitar like a DJ, political activist Zack de la Rocha who spitted out his lyrics with a vengeance. Together with Brad Wilk on drums and Tim C. on bass they produced one of the most angry records of 90's. The album even contained, dare we say it, hit singles like 'Killing in the name of' and 'Bullet in the head'. Put the needle on the record and get blown away (again)!

Limited 180 gram vinyl LP pressing. Evil Empire is the second studio album by Rage Against the Machine, released on April 16, 1996 by Epic Records. It's title refers to a term used in the early 1980s by President Ronald Reagan and many American conservatives to describe the former Soviet Union. Evil Empire debuted at #1 on the US Billboard 200, and their song "Tire Me" won a 1996 Grammy Award for Best Metal Performance; "Bulls on Parade" and "People of the Sun" were also nominated for Grammys for Best Hard Rock Performance. Formed in 1991, Rage Against The Machine consists of vocalist Zack de la Rocha, bassist and backing vocalist Tim Commerford, guitarist Tom Morello, and drummer Brad Wilk. Rage Against the Machine is well known for the members' revolutionary political views, which are expressed in many of the band's songs.

Limited 180 gram vinyl LP pressing. The Battle of Los Angeles is the third studio album by rock band Rage Against the Machine, released on November 2, 1999 by Epic Records. The album was nominated at the 43rd Annual Grammy Awards for Best Rock Album. "Voice of the Voiceless", a song referring to Mumia Abu Jamal, references a letter written by Mao Zedong, called "A Single Spark Can Start a Prairie Fire." Another Rage-Mumia-Mao connection can be seen in Mumia's paraphrased words from Mao's "power grows out of the barrel of a gun" when Mumia gave his court testimony: "It is America who has seized political power from the Indian [Native American] race, not by God, not by Christianity, not by goodness, but by the barrel of a gun." Formed in 1991, Rage Against The Machine consists of vocalist Zack de la Rocha, bassist and backing vocalist Tim Commerford, guitarist Tom Morello, and drummer Brad Wilk. Rage Against the Machine is well known for the members' revolutionary political views, which are expressed in many of the band's songs.

Import 180-gram vinyl pressing. Unknown Pleasures is the debut studio album by English rock band Joy Division, released on 15 June 1979 by Factory Records. The album was recorded and mixed over three successive weekends at Stockport's Strawberry Studios in April 1979, and was produced by Martin Hannett who incorporated a number of unconventional production techniques into the group's sound. The cover artwork was designed by artist Peter Saville, using a data plot of signals from a radio pulsar. It is the only Joy Division album released during lead singer Ian Curtis's lifetime.

Limited 40th anniversary edition of Joy Division's sophomore album Closer, pressed on crystal clear vinyl. Closer is the second and final studio album by English rock band Joy Division, originally released on 18 July 1980. Produced by Martin Hannett, it was released two months after the suicide of the band's lead singer and lyricist Ian Curtis.

Limited 180gm vinyl LP repressing of the New Wave band's 1983 album.