Blues & Jazz
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Hank Mobley, famously called the "middleweight champion of the tenor saxophone", had a round sound and an incredible rhythmic lightness. This remarkable 1957 session features a stunning cast of bop giants, including Art Farmer, Pepper Adams, Sonny Clark and more. "East of Brooklyn", a highlight on the album, is a masterpiece of lyrical construction. Part of the Blue Note Tone Poet Audiophile Vinyl Reissue Series, this 180g vinyl features all-analog, remastered audio in deluxe gatefold packaging.
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A Cornerstone of recoded music. The Greatest Jazz album of all time now on 1 LP, 180g, individually #'d and in MONO. Features the stellar lineup of John Coltrane, Bill Evans, Cannonball Adderley, Jimmy Cobb, Paul Chambers and Wynton Kelly.
This LP will be exclusive to indie stores through 1/6/14
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Sun Ra, the extraordinary, outlandish, and sometimes controversial pianist, is often described as an "acquired taste", with a massive and diverse catalog. This release is a good place to start for uninitiated or dismissive listeners. The album showcases Ra's grounding in the jazz tradition, with unique takes on standards like "Time After Time," "Easy to Love," and "But Not for Me". Not unordinary for Sun Ra, the recording process was informal; "Can This Be Love?" was recorded in his Chicago apartment in 1955; he is accompanied only by the great Wilbur Ware on bass. The other five tracks, which feature, among others, Ra's longtime associate John Gilmore on tenor saxophone, were recorded at the Choreographer's Workshop rehearsal space in 1962 and 1963.
2019 release. 20 year-old blues firebrand comes bursting out of Clarksdale, Mississippi, with a sensational debut packed with piercing guitar, husky, impassioned singing and potent songwriting. Kingfish reinvigorates the blues with Ingram's infectious, youthful fire. Ingram's mentor, Buddy Guy, makes a cameo on "Fresh Out," four-time Grammy winner Keb Mo is featured on a track and plays on five more, and Chicago blues harp master Billy Branch appears on one.
Janus is a compilation of rare material from Sun Ra and his Arkestra, drawing from tapes recorded between 1963 and 1970, taken from both live and studio performances. The space-age jazz shaman conjures up a variety of styles and moods along the way. The album has been remastered, and pressed on audiophile-grade vinyl at Pallas in Germany.
Blues music is revered for its timelessness. The best blues–no matter how old sounds as fresh and visceral today as it did when first recorded. The high-energy electric blues trio GA-20 –guitarist Matt Stubbs, guitarist/vocalist Pat Faherty, and drummer Tim Carman –know this well. The band’s dynamic self-penned songs sound and feel as fresh and real as the old blues they love and perform, including songs by Otis Rush, J.B. Lenoir, Howlin ’Wolf, Junior Wells and especially their favorite, Hound Dog Taylor.
Legendary six-fingered Chicago bluesman Theodore Roosevelt “Hound Dog” Taylor always knew how he wanted to be remembered, declaring, “When I die they’ll say, ‘he couldn’t play shit, but he sure made it sound good!’” His first full length recording in 1971 was also the first album on now world-famous Alligator Records, Hound Dog Taylor & The House Rockers. In fact, label president Bruce Iglauer founded Alligator for the sole purpose of recording and releasing that album. Now, Colemine Records–working in partnership with Alligator Records–will release GA-20’s new full-length album, Try It...You Might Like It! GA-20 Does Hound Dog Taylor, featuring 10 songs written or performed by the Chicago blues legend. From the fiery first single and album opener “She’s Gone” to the blistering “Sadie” to the all-time Hound Dog classic “Give Me Back My Wig”, GA-20 deliver one electrifying track after another. As a follow-up to their Billboard-chart-topping Lonely Soul LP, a full worldwide tour will accompany this release, surely to galvanize the blues scene around GA-20!
2020 release. If you want to travel America, take the Train. As the Grammy-nominated kingpin of American roots, Victor Wainwright's second release with the crack-squad band he assembled in 2018 is a snapshot of all the nation's great cities and genres - with a modern twist. And, as the title tells you, Memphis Loud's rattle-and-shout originals demand to be played at speaker-shaking volume. "Find a moment," he advises, "to sit back with your favorite headphones or speakers, turn it up, and listen. It's heavy, and I know you're gonna love it."
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