Acclaimed singer, songwriter and musician Molly Tuttle will release her anticipated Nonesuch Records debut, Crooked Tree, April 1 (on CD and digital. LP will be May 13) with her new bluegrass collective Golden Highway.

Recorded live at Nashville’s Oceanway Studios, Crooked Tree was produced by Tuttle and Jerry Douglas and features collaborations with Sierra Hull, Old Crow Medicine Show, Margo Price, Billy Strings, Dan Tyminski and Gillian Welch. The album explores Tuttle’s love of bluegrass, which she discovered through her father, a music teacher and multi-instrumentalist, and her grandfather, a banjo player. Across these thirteen tracks, all of which were written/co-written by Tuttle, she honors the bluegrass tradition while also pushing the genre in new directions.  

“I always knew I wanted to make a bluegrass record someday,” Tuttle says. “Once I started writing, everything flowed so easily: sometimes I’ve felt an internal pressure to come up with a sound no one’s heard before, but this time my intention was just to make an album that reflected the music that’s been passed down through generations in my family. I found a way to do that while writing songs that feel true to who I am, and it really helped me to grow as a songwriter.”

In celebration of the new music, Tuttle and Golden Highway—Bronwyn Keith-Hynes (fiddle), Dominick Leslie (mandolin), Shelby Means (bass) and Kyle Tuttle (banjo)—will embark on an extensive headline tour beginning tonight with shows at Seattle’s Tractor Tavern (two nights), Portland’s Mississippi Studios (two nights), Los Angeles’ Roxy, Salt Lake City’s State Room, Boulder’s Fox Theatre, Asheville’s The Grey Eagle and Nashville’s Station Inn, among several others. Full details can be found at mollytuttlemusic.com/tour.   

In addition to Tuttle (vocals, guitars), Douglas (dobro), Keith-Hynes (fiddle) and Leslie (mandolin), Crooked Tree also features musicians Darol Anger (fiddle), Ron Block (banjo), Mike Bub (upright bass), Jason Carter (fiddle), Viktor Krauss (upright bass), Todd Phillips (upright bass) and Christian Sedelmyer (fiddle) with additional harmony vocals from Tina Adair, Lindsay Lou and Melody Walker.

Heavyweight 180gm virgin vinyl LP repressing of this 1972 album. Nick Drake's third and final album, many consider to be his finest moment, was a radical departure from his previous work, stripped of the lush orchestral arrangements, Pink Moon featured Drake alone on vocals, acoustic guitar and the occasional piano accompaniment. This starkness was matched in brevity, with Pink Moon consisting of 11 short songs coming to less than half-an-hour of music. Though critically well received at the time, commercial success did not arrive till nearly 30 years later, when 30 seconds of 'Pink Moon' was used in a Volkswagen commercial.

Priscilla Block draws listeners in with her unfiltered, relatable songwriting and catchy melodies. "I love writing about real-life experiences and the ups and downs that I've gone through," Priscilla says. "I don't sugarcoat anything, and I think that's the beauty of songwriting and being an artist. It's a little sass, a little trash and a little sad," she describes with a knowing wink as her catalog rolls easily from heartbreak to laughter. Features the Country radio hit, "Just About Over You."

Vinyl LP pressing. 2009 release, the highly anticipated follow up to the Grammy Award winning album Washington Square Serenade. The 15-song set is comprised of songs written by Earle's friend and mentor, the late singer/songwriter, Townes Van Zandt. The songs selected for Townes were the ones that meant the most to Earle and the ones he personally connected to. Some of the selections chosen were songs that Earle has played his entire career ('Pancho and Lefty', 'Lungs', 'White Freightliner Blues'). He learned the song '(Quicksilver Daydreams of) Maria' directly from Van Zandt. Earle recorded the New York sessions solo and then added the instruments later on in order to preserve the spirit of Van Zandt's original solo performances to the best of his recollection. The track 'Lungs' was produced and mixed by the Dust Brothers' John King and features Tom Morello of Rage Against the Machine/The Night Watchmen on electric guitar.

Limited 180gm vinyl LP pressing including download. 2013 solo album from the Roots/Americana singer/songwriter. Southeastern contains 12 new Isbell compositions and they are the most personal songs of self-reflection and discovery he has written to date. By no means is Southeastern a wholly solemn offering.

A lot can change in a year: markets boom and bust, trends come and go, presidents get elected. In 2015, Margo Price was a country underdog just trying to keep enough gas in the tank to get to the next gig, but by the end of 2016, she was one of the genre’s most celebrated new artists and a ubiquitous presence on late night television and at major festivals around the world.

It’s the kind of year most musicians can only dream of, and the arrival of Price’s spectacular sophomore album, “All American Made,” proves that she hasn’t taken a moment of it for granted. Delivering on the promise of her debut and then some, the record finds Price planting her flag firmly in the soil as a songwriter who’s here for the long haul, one with the chops to hang with the greats she so often finds herself sharing stages with these days.

A prolific writer with a knack for candid self-reflection, Price has never had to look too far for inspiration, and on ‘All American Made,’ she and her songwriting partner/ husband, Jeremy Ivey, continue to depict the trials of everyday life with un inching honesty, painting poetically plainspoken portraits of men and women just trying to get by.

Highs and lows, long nights and hard days, wild women and cocaine cowboys, politics and sexism, it’s all in there, singularly filtered through Price’s wry, no-bullshit perspective. Throughout the album, her contemporary take on classic sounds is at once familiar and daring, an infectious blend of Nashville country, Memphis soul, and Texas twang that tips its cap to everyone from Waylon and Willie (who makes a guest appearance) to Loretta and Dolly, all while flipping a middle finger to the cookie-cutter pop that dominates modern country radio. Rich with swirling pedal steel, honky-tonk rhythms, and Price’s stop-you-in-your-tracks vocals, ‘All American Made’ is deeply reverent of tradition even as it challenges conventions, a nuanced exploration of conflicted emotions for our deeply conflicted times.

John Prine's 2000 release Souvenirs was a reimagining and re-recording of some of John's favorite songs throughout the years. For the first time, this record will be available via a double LP vinyl.

Country/Bluegrass album, Run, Rose, Run that will be released along with a novel co-written with the famed author, James Patterson, sharing the title Run Rose Run. The 12 songs were inspired by the book storyline and feature Country and Bluegrass artists; Joe Nichols, Rhonda Vincent, The Issacs, and Dailey & Vincent. Dolly & James will be doing book and album promotions together - presenting a unique co-marketing opportunity.

The follow up to John Prine's Grammy winning record, In Spite of Ourselves, For Better, or Worse features duets with Miranda Lambert, Kacey Musgraves, Alison Krauss, Susan Tedeschi,Lee Ann Womack & More. “I’ve always been a sucker for a duet, you know?” says John Prine in his Chicago-infused Kentucky accent. “I always liked it on TV when two people that didn’t ordinarily sing together would do somethin’ like ‘Baby, It’s Cold Outside’ and ham it up, kinda jokin’ around with it.” He especially likes duets when they are sung by a couple. “A lot of character comes out when a man and a woman are singin’ back and forth—unless it’s one of those modern recordings when they haven’t even met each other and they’re both singin’ to tracks in the studio,” he says.

180g black vinyl with Bonus CD Produced by Simpson, A Sailor's Guide To Earth was written-beginning to end-as a letter to his first child who arrived during the summer of 2014 and features eight original songs as well as a rendition of Nirvana's "In Bloom." Recorded primarily at Nashville's The Butcher Shoppe, Simpson was joined in the studio by Grammy Award-winning engineer David Ferguson (Johnny Cash, John Prine, "Cowboy" Jack Clement) and assistant engineer Sean Sullivan. Along with members of his touring band, the album features Dave Roe on bass, Dan Dugmore on steel guitar, Dougie Wilkinson on bagpipes, Garo Yellin and Arthur Cook on cello, Jonathan Dinklage and Whitney LaGrange on violin and special guests The Dap-Kings.

Nashville sounds like Nashville again on High Top Mountain, the debut release from singer-songwriter Sturgill Simpson. From furious honky-tonk and pre-outlaw country-rocking to spellbinding bluegrass pickin' and emotional balladry, the album serves as a one-stop guide to everything that made real country music such a force to be reckoned with.

Recorded at Nashville’s historic RCA Studio A (with additional production at The Castle and Blackbird Studio), Traveller was produced by Dave Cobb (Sturgill Simpson, Jason Isbell) and recorded by Vance Powell (Jack White). In addition to renditions of Dean Dillon and Linda Hargrove’s “Tennessee Whiskey” and Don Sampson’s “Was It 26,” the album features twelve original songs, including fan-favorite “Sometimes I Cry.”

Be Here is the fourth studio album by Keith Urban, originally released in 2004. The album produced three number 1 singles with "Days Go By", "Making Memories of Us" and "Better Life". Released for the first time on double vinyl for its 15th Anniversary!

“I’m starting to realize that being an outlier and a weirdo––it doesn’t have to be a bad thing,” says Sarah Shook. Shook pauses, then adds with a grin, “It can be whatever you want it to be.”

Shook is home in North Carolina, talking about Nightroamer, the hotly anticipated new album from their band, Sarah Shook & The Disarmers. Backed by white-knuckle playing from Eric Peterson on guitar, Aaron Oliva on upright bass, drummer Jack Foster, and Adam Kurtz on pedal steel, Shook has pulled from Hank Williams, Elliott Smith, the Sex Pistols, and Shook’s own inquisitive, open, outlying self to create pop-savvy, honky-tonk punk that’s both an escape and a reality check––a re-opened wound and a balm. Relationships and life-changing realizations are dissected with honesty and humor, three tight minutes at a time.

When Sarah Shook & The Disarmers released Sidelong four years ago, the irreverent quintet’s debut turned heads around the world. Then 2018’s follow-up Years hooked everyone from Rolling Stone to Vice. “This ain’t no country for hipsters or posers,” said No Depression. “It’s real, raw, mean-and-evil-bad-and-nasty bidness.” Then, the first two albums turned into a tease: The pandemic shut down the world, just as The Disarmers finished recording Nightroamer in Los Angeles. The band has had to sit on the album––until now.

Nightroamer is worth the wait. This is still a band whose recordings beg to be heard live, either in a punk-rock hole in the wall or honky-tonk roadhouse. Shook’s voice is crystalline––but boozy, too, with a cadence that sounds comfortable resting in the pocket before lagging, jumping, or cozying up to the offbeat. What initially may feel like a slip is actually a stroke––and listeners cannot get enough.

Produced by Pete Anderson, Nightroamer is the confident next step fans hoped The Disarmers could take. “I think this record is different than ones we’ve done in the past. It feels every bit as expansive as I wanted it to feel,” says Shook. “I didn’t want there to be a shocking, jarring difference, but I definitely wanted it to feel like things are opening up. It’s a bigger feeling experience.”

Asked what they hope listeners experience, Shook is clear. “Music is one of the ways we can connect to other people,” they say. “That’s my hope: That people feel seen and they feel connected to something that brings them a sense of peace.”

As the excitement mounts for Keith Urban s May 6th release of RIPCORD, and for his subsequent June 2nd launch of his ripCORD World Tour 2016, details of his eighth studio album are revealed. RIPCORD features a virtual who s who of creative collaborators for an album that Urban says was his most exhilarating album to make, both musically and creatively.

It has been two years since the release of his chart-topping, record breaking album RIPCORD, Keith Urban returns with his ninth studio album, GRAFFITI U. The 13-track recording, which includes his current single “Coming Home,” featuring Julia Michaels. The intimate image on the GRAFFITI U album cover was taken by world-renowned photographer Mark Seliger.

Folk icon and cultural treasure Judy Collins continues her astounding career renaissance with a deeply introspective, lovingly crafted 29th studio album!This very special songcycle is a first in Collins' long career - it's her first collection of all original material written by entirely by her - and it unfolds as a curated exhibition of her remarkable life!Co-produced with longtime collaborator Alan Silverman as well as singer-songwriter Ari Hest, whose album with Judy (Silver Skies Blue) was nominated for a Grammy in 2016, along with multi-instrumentalist Thad DeBrock (Duncan Sheik, Nelly, Jonas Brothers), bassist Zev Katz (Marc Anthony, Elton John, Billy Joel), and drummer Doug Yowell (Suzanne Vega, Joe Jackson, Duncan Sheik)!Will be heavily promoted by PR veterans Shore Fire media as well as on Judy's new podcast Since You've Asked and at numerous live performances planned for 2022!Packaged in a deluxe digipak with 16 page booklet featuring full lyrics and personal liner notes penned by Collins"I always knew I was going to be a late bloomer." - Judy Collins

Introducing Jackson + Sellers and their debut album Breaking Point, on ANTI records. Jade Jackson and Aubrie Sellers, two rising stars who aligned during the pandemic to write one of the most compelling duo albums of the last decade.

Drawn together by instant chemistry, cosmic forces and their ability to write intuitive romantic breakup songs for each other, their album is a window into the dissolution of two different relationships and the formation of another: a perfect, platonic, creative union. United in their desire to write a record that reflected their expansive musical interest from 70s rock to raucous roots to indie pop, their LA written, Nashville recorded album is a masterclass in unexpected vocal harmonic convergence.

With Breaking Point, Jackson + Sellers will establish themselves as two individual artists who together, share a deep friendship, musical kinship and the ability to craft tight singular pop rock songs that will embed themselves in your ears for the rest of time.

Anais' first solo studio album in over a decade will be released January 28th 2022. The self-titled album was produced by Josh Kaufman (of Bonny Light Horseman) and it features other core players including Michael Lewis, JT Bates, Thomas Bartlett and Aaron Dessner.

Equally upbeat and mellow, Hayes writes clever songs that mirror his brand and artistry of unconventional, unique country music. Following the high from scoring his first No. 1 with hit song “Fancy Like,” Hayes’ latest album is a continuation of that success; a medley of beatboxing, sing-rapping, and witty lyrics with refreshing and vulnerable honesty that solidifies his place as a top-notch, one-of-a-kind player in the country music scene. After a long journey of fighting tooth and nail to make it in Nashville, but always sticking to his true self, Hayes’ record tells reminiscent stories of trials and triumphs of following a dream and trying to be better every day, with refreshing, catchy tunes about love and life mixed in that you can’t resist singing along to.

The Whitmore Sisters are real life sisters Eleanor Whitmore (The Mastersons, Steve Earle, Tanya Tucker) and Bonnie Whitmore (Hayes Carll, Jimmie Dale Gilmore, Butch Hancock)."Their sisterly harmonies add a sweetly assured, down-home sound that rings with immediate appeal." -HOLLER MAGAZINE Sisters Eleanor and Bonnie Whitmore, two of roots music's most accomplished songwriter/instrumentalist/ vocalists, are releasing their first album together as The Whitmore sisters. Titled Ghost Stories, it's inspired by the loss of family, friends, ex-boyfriends and - on the title track - people who died by police violence. These "ghosts" chose to appear right as Covid became entrenched - when live music evaporated and people were isolated from each other. Bonnie, whose four solo albums are all state-of-a-real-woman's-heart jewels, decided to join sister Eleanor and her husband Chris Masterson in their Los Angeles closed circle for a break. Chris, who's recorded four albums with his wife as The Mastersons, saw the visit as an opportunity to issue a mandate: If Bonnie was coming, it was time for the sisters to make a record. Not just an album, but "the album" - the musical inevitability that's been simmering since a 22-year-old Eleanor was protecting her curly-headed 15-year-old sister at gigs in local bars. The Whitmore Sisters' original songs, along with two covers - a song by their pal Aaron Lee Tasjan ("Big Heart Sick Mind" and "On the Wings of a Nightingale" (written by Paul McCartney for iconic siblings The Everly Brothers) - was produced by Chris Masterson and completes Ghost Stories, their debut album set for release on January 21, 2022.

Jelly Roll, the giant underground genre-bending singer/songwriter/rapper today released a new album Ballads of the Broken, ahead of his sold-out show at the iconic Ryman Auditorium. In celebration of the new record

The extraordinary career of superstar Lorrie Morgan, one of the biggest and best selling female artists in country music history, is celebrated on this very special anthology that finds Morgan revisiting her greatst moments as well as covering a handful of country classics and more!Includes fresh new recordings of the blockbuster singles "Five Minutes," "What Part Of No," and "Something In Red" plus beautiful renditions of Tammy Wynette's "Till I Can Make It On My Own," George Jones's "Loving You Could Never Be Better" and a special acoustic set of all new songs that fans are gonna love!Now available for the first time on vinyl in a gorgeous gatefold jacket with PINK colored vinyl!

Out on dBpm Records, Love Is The King, a “beautifully honest ode to love and hope,” is the follow-up to 2018’s WARM and 2019’s WARMER, and comes on the heels of Tweedy’s second book, How To Write One Song. “At the beginning of the lockdown I started writing country songs to console myself. Folk and country type forms being the shapes that come most easily to me in a comforting way. 'Guess Again' is a good example of the success I was having at pushing the world away, counting my blessings — taking stock in my good fortune to have love in my life,” comments Tweedy. “A few weeks later things began to sound like 'Love Is The King' — a little more frayed around the edges with a lot more fear creeping in. Still hopeful but definitely discovering the limits of my own ability to self soothe." This deluxe edition will include a second disc of live material, all in the same sequence as the studio recording plus a Neil Young cover bonus track titled “The Old Country Waltz."

Body Language has already yielded Platinum-certified No. 1 smash "Happy Anywhere" with Gwen Stefani. The deluxe edition also features brand new single "Come Back As A Country Boy". The anthem boasts a "muscular lead voice... driving rhythm and gritty melody" (Billboard) as it extolls the virtues of living the country lifestyle, rooted deep within the Oklahoma native.

Bear's Sonic Journals: Johnny Cash, At the Carousel Ballroom, April 24, 1968 - Bear's Sonic Journals: Johnny Cash, At the Carousel Ballroom, April 24, 1968 - Johnny Cash

Two CDs. The consummate collection curated by Bruce Cockburn himself, presents 30 songs over a double album that defines the acclaimed singer-songwriters' 50 year career. These songs are both the ones that shot to the top of the charts when they were released, and also are the fan favourites most often requested at Bruce's concerts. With over 125 minutes of music, and notes on each song by the artist.

Vinyl collection of early and rare recordings from the biggest legend of outlaw country, Willie Nelson!Nelson's matchless songwriting and rebellious spirit made him one of the most influential music icons of all-time and songs such as "Things To Remember," "A Moment Isn't Very Long," and "The Face Of A Fighter" show why!Comes in a gatefold jacket with unique multi-color vinyl!

In 2007, Plant and Alison Krauss released Raising Sand, one of the most acclaimed albums of the 21st Century. It was an unlikely, mesmerizing pairing of one of rock’s greatest frontmen with one of country music’s finest and most honored artists, produced by the legendary T Bone Burnett. Now, after fourteen years, the two icons return with Raise the Roof, a dozen songs from a range of traditions and styles that extend this remarkable collaboration in new and thrilling directions.

Two queens of contemporary country music join forces on this powerful album, combining voices, vision and talents!Altogether, these two artists have sold well over 10 million albums worldwide, not to mention they both come from country royalty - Pam is the daughter of icon Mel Tillis and Lorrie, the daughter of hitmaker George Morgan!Pam's grit meets Lorrie's glamour on such country classics as the title track, originally made famous by Dottie West, Billie Jo Spears' "Blanket On The Ground," and Dwight Yoakam's "Guitars, Cadillacs" PLUS early rock favorites such as Roy Orbison's "It's Over" and The Everly Brothers' "Walk Right Back!"Special guest appearances by Joe Diffie & Darryl Worley!

Just a few weeks after the surprise release of the Cuttin' Grass (Vol. 1): Butcher Shoppe Sessions album—which Uproxx called “the most sublime and delightful music he’s yet made on record”—Sturgill Simpson returns with the next installment of his bluegrass series, Cuttin' Grass (Vol. 2): The Cowboy Arms Sessions. The genre-defying singer/songwriter reconvened an A-Team of acoustic players (now dubbed "The Hillbilly Avengers") for another round of reinterpretations of his catalogue, this time largely focusing on 2016's A Sailor's Guide to Earth, which won the Grammy for Country Album of the Year and was nominated for Album of the Year. This volume also includes "Jesus Boogie," originally performed by Simpson's first band, Sunday Valley, and two previously unreleased songs, "Tennessee" and "Hobo Cartoon," the latter of which was co-written with the incomparable Merle Haggard—who once said that Simpson was "about the only thing I've heard that was worth listening to in a long time."

Cuttin' Grass Vol. 1 (Butcher Shoppe Sessions) is now available on Vinyl & CD.

During the middle decades of the 20th century, the factories of southwestern Ohio drew hundreds of thousands of migrants from Appalachia, including innumerable musicians. Industrial Strength Bluegrass celebrates the music that these migrants made and loved, and explores a pivotal moment in the history of bluegrass and country music at large. Produced by beloved performer and radio personality Joe Mullins, the collection features many modern legends like Lee Ann Womack, Mo Pitney, and Vince Gill, plus a stellar lineup of bluegrass stalwarts including Rhonda Vincent, Bobby Osborne, and Mullins himself, taking on tunes that have echoed across Ohio for decades. This group of some of the biggest names in bluegrass today pays tribute to the jubilant highs and lonesome lows of life amongst the factories and warehouses, reflecting the region's rich culture and resilient people.

Honoring the enduring inspiration of Frank Sinatra, That’s Life is Willie Nelson’s second album of classics made famous by The Chairman Of The Board. Willie’s first ode to Frank, 2018's My Way, earned Willie the Grammy for Best Traditional Pop Solo Album, and That's Life finds Nelson (who has penned a few standards himself) inhabiting 11 more of the most treasured songs in the Great American Songbook including the title track, "Luck Be A Lady,” "Nice Work If You Can Get It," "I've Got You Under My Skin," "You Make Me Feel So Young," and "I Won't Dance" (a duet featuring Diana Krall). Produced by Buddy Cannon and Matt Rollings, That's Life was recorded at Capitol Studios in Hollywood--where Frank Sinatra, created a string of album masterpieces--with additional recording at Pedernales Studios in Austin, Texas. Willie delivers 11 new studio performances, coming alive in a musical landscape animated by lush string and vibrant horn arrangements on an album mixed by recording industry legend Al Schmitt (who's recorded and mixed more than 150 gold and platinum albums and won more Grammy Awards than any other engineer or mixer). The album cover features a brand new painting of Willie and his iconic guitar, Trigger, standing in the glow of a twilight streetlamp, evoking classic Sinatra album covers of yore.