Sylvan Esso -"WITH" : In November 2019 Sylvan Esso staged a unique new tour called WITH. Through seven shows in four select cities, the group presented their music like never-before; collaborating with some of their favorite musicians to create an experience that was totally memorable. The sold-out shows took place in iconic venues like LA's Walt Disney Concert Hall, NYC's Beacon Theatre, Nashville's Ryman Auditorium and ended in their hometown at the Durham Performing Arts Center. Indie Exclusive Double LP

The fifth studio album from Baroness, Gold & Grey, is out on June 14th via the band's own label, Abraxan Hymns.

Deluxe double vinyl LP pressing. 2020 release from the alt-rock band led by singer/songwriter Mark Everett (AKA E). Earth to Dora is the follow-up to the band's 2018 release The Deconstruction.

Debut album from Paul McCartney. Apart from wife Linda's vocal contributions, McCartney performed the entire album by himself, playing every instrument. Including the monumental track 'Maybe I'm Amazed,' the album held the number one position for three weeks on the US Billboard 200 chart and peaked at number 2 in Britain. Now reissued on 180g vinyl with included download card to complete your collection.

Moby’s eclectic career has cast him in the roles of electronic dance music pioneer, singer and songwriter, producer, activist, and restaurateur, but for his latest venture he presents his music in a whole new light.

Together with Deutsche Grammophon, he is releasing an album of his best known tracks in stunning new arrangements for classical instruments – featuring Moby himself and a stellar lineup of collaborators from across the musical spectrum.

Always a daring and imaginative thinker, Moby’s first classical collaboration happened in October 2018, when he performed a selection of his songs alongside the LA Phil and conductor and friend Gustavo Dudamel. This was the inspiration for the current project, which features not only full orchestral versions but new electronic arrangements, as well as sophisticated smaller-scale acoustic interpretations.

The 14-track album includes classic Moby songs like “Porcelain”, “Why Does My Heart”, and “Extreme Ways” in innovative new versions, featuring eye-catching collaborations including both Jim James (My Morning Jacket) and Víkingur Ólafsson on “Porcelain”; Gregory Porter and Amythyst Kiah on “Natural Blues”; and Kris Kristofferson as well as original vocalist Mark Lanegan on “The Lonely Night”. The album concludes with a cover of David Bowie’s “Heroes”.

On limited Translucent Purple Ripple vinyl. Here is Sweep It Into Space, the fifth new studio album cut by Dinosaur Jr.. during the 13th year of their rebirth. Originally scheduled for issue in mid 2020, this record's temporal trajectory was thwarted by the coming of the Plague. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in. And Sweep It Into Space is a masterpiece of zoned dialing. Recorded, as usual, at Amherst's Biquiteen, the sessions for Sweep It Into Space began in the late Autumn of 2019, following a West Coast/South East tour. The only extra musician used this time with Kurt Vile. Indeed, Sweep It Into Space is a very cool album. As is typical, Lou Barlow writes and sings two of the album's dozen tunes and Murph's pure-Flinstonian drumming drives the record like a go cart from Hell. Lou's songs here are as elegant as always. But there are very few moments where you wouldn't know you were hearing Dinosaur Jr. In blindfolded needle drop. They have a signature sound as sure as the Stooges or Sonic Youth or Discharge ever did. They continue to expand their personal universe with Sweep It Into Space, without ever losing their central core.

The explosion of indie Hip Hop labels in the early 90s resulted in an ongoing snowball effect that started to shift the narrative around an artist’s need to sign to a major label. Coincidentally, quality home recording equipment was also becoming more easily accessible and, with the rising popularity of CD-R technology, this allowed artists to write, record, and manufacture their own albums right at home.

Appleseed was a highly celebrated and influential release from that era, cementing Aesop Rock as a new face whose talent could not be denied. The album explores creative concepts with inventive writing and stripped-down yet melodic and melancholic production. Six out of the eight songs were produced byAesop Rock, with OmegaOne producing “Sick Friend” and longtime collaborator Blockhead handling “1000 Deaths”, and the project’s sole guest lyricist was Doseone.

The DIY process was followed in every aspect, as Aesop himself recalls, “I did the Appleseed hand style while working at Tepper Galleries in NYC. The cover was made at Kinko’s. The first Appleseed CD’s were CD-R’s I duped at home and sold from my backpack at an MF DOOM show at Brownies, which was right below my apartment at the time. I continued to sell hand to hand inNY, while Blockhead started fielding some mail orders from a young internet. People would send us cash or a check, and he’d cut the covers out and mail them off.“

The two of them were able to move a couple thousand CDs that way before turning their attention to newer projects, particularly Float in Aesop’s case. As a result, Appleseed went out of print for many years before resurfacing as a merch item on tour. However, in all that time it was only available on CD, directly from Aesop.

Finally, 21 years after its debut, Appleseed officially returns, now available on vinyl for the first time!

AFI are leaders, not followers. A collective in a perpetual state of creative evolution as fluid as the evocative figures contorting on the cover of Bodies, their newest collection of songs. The record is a snapshot of unrelenting artists in motion, unconcerned with compromise or outside demands.

AFI's unshakeable connection with their audience is a testament to the band's knack for reinvention, renewal, and exploration, anchored by an unblemished authenticity. AFI songs are embedded in the spiritual DNA of a legion of supporters and Bodies is further demonstration of AFI's unwavering commitment to artistic exploration, a dark conjuration of an uncapturable muse.

The band initially summoned a steady subcultural groundswell in the mid-90s, devoid of careerist ambitions. The band first made music as teenaged misfits in an obscure Northern California town, steadily assembling a dense catalog over the years marked by its diversity and authenticity. Davey Havok, Adam Carson, Hunter Burgan and Jade Puget keep their eyes fixed on the present and future, ensuring their position as a uniquely vibrant artistic force remains steadfast and strong.

Like similarly artistically-minded iconic bands, AFI's ever-evolving identity has kept their sound, themes, and overall image fresh. A place in rock n' roll history assured by magical musical androgyny, both post-modern and timeless, AFI remains guided by the flames of authenticity and determination that defined their first ten albums and are sure to drive the next ten and beyond.

Mammoth WVH is the debut, self-titled album of Mammoth WVH – the band created by Wolfgang Van Halen. This collection includes the chart topping new single, "Distance” plus “Don’t Back Down,” “Epiphany,” “Mammoth” and more.

At the beginning of 2015, Wolf broke ground on what would become Mammoth WVH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC, Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. In addition to writing and singing every song on the self-title debut album, remarkably Wolfgang plays every instrument.

“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much.”

On Wage War's fifth studio album, STIGMA, the band pushes their signature sound with industrial grit and electronic sheen, completely leveling up. Inspirations on this album come from musical heavyweights including Rammstein, Static-X and iconic films such as The Matrix and Blade. There is a song for every emotion on the record encouraging fans to dance, mosh, vibe and reflect. 

Nowhere Generation’s unabashedly outspoken 11 songs explore the tight bonds and the distances we share, the struggles of everyday life, our personal failings and triumphs, as well as how the social and economic decks can be stacked against us. But Nowhere Generation also hints at the reclamation of ourselves, a call to resurrect who we are at our core, who we want to be and what we want to do with our lives, despite the rampant weaponizing of our culture. As lyricist Tim McIlrath wrote on “The Numbers”:  …these cold nights are almost unbearable, but purpose keeps us warm.

Nowhere Generation was recorded at The Blasting Room in Fort Collins, Colorado under the tutelage of Jason Livermore, Andrew Berlin, Chris Beeble and long-time producer/engineer Bill Stevenson (Black Flag, The Descendents) who has worked with the band on nearly all of their acclaimed releases since their sophomore effort, 2003’s Revolutions Per Minute, and is often described as Rise Against’s fifth member.

The Go! Team return with Get Up Sequence Part One featuring the singles 'Cookie Scene', 'World Remember Me Now' and 'Pow'. On Get Up Sequence Part One, Ian, Ninja, Nia, Simone, Sam and Adam have created a musical world distinctly of their own making. A place where routine is outlawed and perfection is the enemy. Where Ennio Morricone meets the Monkees armed with flutes, glockenspiels, steel drums and a badass analogue attitude. We're talking widescreen, four-track, channel hopping sounds that are instantly recognizable.

After three years, one-million concert tickets sold across five continents, four consecutive #1 singles, a GRAMMY Award, and performances on The Tonight Show Starring Jimmy Fallon and Saturday Night Live, GRETA VAN FLEET is hurtling into the future with its second album, The Battle at Garden's Gate on Lava/Republic Records. Indie Exclusive on white vinyl.

Finding Wildflowers (Alternate Versions)—the latest offering of Tom Petty music, curated with help from his loving family, bandmates and collaborators—will be released on April 16 via Warner Records. The tracks, which were previously released on the limited-edition Super Deluxe 9-LP version of 2020’s Wildflowers & All The Rest, will now be available on limited edition gold vinyl for indie retail, and CD.  A black vinyl release will follow on May 7.

Finding Wildflowers (Alternate Versions) features 16 studio recordings of alternate takes, long cuts and jam versions of Wildflowers songs as Tom, band members and co-producer Rick Rubin worked to finalize the album in 1994. The release offers fans further deep access into the writing and recording of Wildflowers, as well as realizing the full vision of the project as Tom had always intended.

The collection was produced by Tom’s longtime engineer and co-producer Ryan Ulyate who listened to 245 reels of 24-track tape, revealing Tom and his collaborators’ evolutionary process, and finding the group willing to do whatever it took to discover the essence and magic in the material.

Indie Exclusive - Includes 2 Bonus Tracks! - 2014 marks the 10th anniversary of the 3rd studio album ‘Great Western Valkyrie’. Originally released in June 2014, this album propelled Rival Sons to Rock N Roll royalty featuring the fan favourites ‘Electric Man, ‘Open My Eyes’ & ‘Good Things’ . It became the first Rival Sons album to achieve Top 20 status in the UK Album charts (peaking at #14). This very special anniversary edition includes 2 bonus studio tracks from the original album sessions for the first time on vinyl.