Indie Exclusive Releases
Grammy-winning and BRIT and Mercury-Prize-nominated artist La Roux returns with her first new material in five years - 'Supervision' out February 7th 2020 on her own label Supercolour Records. From cover to contents, this is unequivocally the album Elly Jackson always wanted to make - a claim that with some artists might ring alarm bells, but in this instance simply means that ‘Supervision’ sounds precisely, unmistakably, gloriously like La Roux.
La Roux shot to worldwide fame with her debut self-titled album in 2009 selling over 6 million singles worldwide and - in addition to collaborations with the likes of Skream, Kanye West, and Major Lazer – helped reshape pop as we now know it. Elly’s second album, 'Trouble In Paradise', was a critically-adored reinvention, topping the Dance/Electronic charts in the US and landing La Roux her second top 10 album in the UK.
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Los Angeles-based harpist Mary Lattimore returns with Silver Ladders, the full-length follow-up to acclaimed album Hundreds of Days. Since 2018, Lattimore has toured internationally, released collaborative albums with artists such as Meg Baird and Mac McCaughan, and shared a friends-based remix album featuring artists such as Jónsi and Julianna Barwick. At one of her festival appearances, Lattimore met Slowdive's Neil Halstead: "A friend introduced us because she knew how big of a fan I was and Neil and I had a little chat... The next day, I just thought maybe he'd be into producing my next record." He was. Lattimore traditionally records her albums holed up by herself, so the addition of Halstead's touches as a producer and collaborator leaves a profound trace. "I flew on a little plane to Newquay in Cornwall where he lives with his lovely partner Ingrid and their baby. I didn't know what his studio was like, he'd never recorded a harp, but somehow it really worked." Recorded over nine days at Halstead's studio stationed on an old airfield, Silver Ladders finds Lattimore exercising command and restraint. Her signature style is refined, the sprawling layers of harp reigned in and accented by flourishes of low-end synth and Halstead's guitar. The music can feel ominous but not by compromising vivid wonder, like oceanic overtones that shift with the tides. This material is colored by specific memories for Lattimore; "Neil has this poster of a surfer in his studio and I'd look at it each day, looking at the sunlight glinting on the dark wave. In these songs I like the contrast between the dark lows and the glittering highs. The gloom and the glimmer, the opposites, a lively surfing town in the winter turned kinda rainy and empty and quiet." Lattimore and Halstead reformed three existing demos and improvised the remaining four songs. Among the batch she brought with her, the title track recalls a trip she took to Stari Grad, Croatia on the island of Hvar. "I spent some days there just swimming in the bay, silver ladders right into the sea." The image stuck with her when she found herself performing at a cliffside wedding overlooking the Pacific. "Before anyone showed up, I had time to set up and play and this song came to me, 'Silver Ladders (to the sea)', so I made a little recording on my phone to remember it." This sketch expanded; a delicately glittering harp melody comes over the horizon, swelling and rolling towards the shore on ebbs of synth and refractory delay. Inspired by a story that Halstead shared with Lattimore, "Don't Look" is the score to a beach-side tragedy. "It was a stunning beach with big waves," Lattimore says, "and (Neil) told me that recently, some teenagers had been out there with these surfboards that were way too light and had found themselves in trouble. The four adults that went in to save them died but the teenagers survived." The power of undertow pulls the melody, which begins in a minimalist and elegiac mode, deeper and deeper. Heavy strikes on low harp strings summon up Neptune's wrath, dashing heroism against the roar of the sea, permitting those naive enough to enter that dangerous water to exit, now less naive. Lattimore's song titles often evoke fragments of things heard or misheard. In an anecdote from Lattimore, "I chose 'Chop on the Climbout' as a title because a pilot once said, 'Folks, there's going to be some light chop on the climb out' and I thought the language had an insider mystery that was compelling. The song reminds me of plane traveling." Listeners can feel the drama of aeronautics; the thrust of liftoff, the rumble of overhead luggage as the craft ascends into the belly of cloud cover. Passengers yearning to traverse wide distances in brief moments. The hum steadies into a mesmerizing drone, a synth on top of which Lattimore and Halstead take turns exchanging chiming leads smeared with static-laden air pressure.
Vinyl: $19.98 Buy
Following twenty albums over 50 years, Yoko Ono's Warzone is a strikingly different record from those she has previously made. Revisiting and reimagining 13 songs from her past work, spanning 1970-2009, the lyrics and messages are still pertinent perhaps even more pertinent-in 2018. Recent US presidents and many of our world leaders have never served in the military, yet they continually nourish and serve the corporate-infused military industrial complex, keeping the world in a perpetual warfare. Warzone further builds the legacy of an artist unparalleled in her unique and singular vision. With it's stripped down recordings and arrangements, and a particular emphasis on Yoko's voice and lyrics, the content of her message rings clear and unencumbered, with wisdom and fortitude her power has intensified with time and life experience.
Gallipoli, Beirut’s fifth album, started life when Zach Condon returned to his old Farfisa organ, the same one he used to write his first two albums, Gulag Orkestar (2006) and The Flying Club Cup (2007). After stints writing and recording in both New York and Berlin, with time for Zach to recover from a broken arm factored in, band plus producer Gabe Wax (Speedy Ortiz, Soccer Mommy, Adrianne Lenker / Big Thief) headed to Puglia in Italy to finish the album. With the remote rural setting “the right amount of isolated”, an intense month of 12 to 16-hour days in the studio with day trips around the coastline followed. Inspired by the surroundings, Gallipoli is unintentionally more visceral than Beirut’s more recent albums, alive with an energy that is further enhanced by every creak and groan of their instruments, every detuned note, and all amp buzz and technical malfunction being left in the cracks of the songs.
Vinyl: $249.98 Buy
Limited Indies Exclusive Signed Edition! Demon Records presents Distortion: 2008-2019, the third in a series of four expansive vinyl box sets chronicling the solo career of legendary American musician Bob Mould. Bob Mould's career began in 1979 with the iconic underground punk group Hüsker Dü before forming the beloved alternative rock band Sugar and releasing numerous critically acclaimed solo albums. Volume three in this new series covers the period 2008-2019 and contains many of Bob Mould's most celebrated recordings including Silver Age (2012), Patch The Sky (2016), and Sunshine Rock (2019). 7 LPs including - 6 studio albums -District Line (2008), Life And Times (2009), Silver Age (2012), Beauty & Ruin (2014), Patch The Sky (2016), and Sunshine Rock (2019). Each album is presented with brand new artwork designed by illustrator Simon Marchner and pressed on 140g clear vinyl with unique splatter effects. Bonus LP Distortion Plus: 2008-2019 which features Mould's collaborations with Foo Fighters and Butch Walker plus the 2019 single 'I Don't Mind'. Pressed on clear vinyl with an etched B-side. Mastered by Jeff Lipton and Maria Rice at Peerless Mastering in Boston. Plus a 28-page companion booklet featuring: liner notes by journalist Keith Cameron; contributions from J Mascis and Shirley Manson; lyrics and memorabilia.
Vol.1: Distortion: 1989-1995 [8LP Box Set]
Vol.2: Distortion: 1996-2007 [Signed 140-Gram Clear Splatter Vinyl]
Vol.3: Distortion: 2008-2019 [Signed 140-Gram Clear Splatter Vinyl]
Vol.4: Distortion: Live [Indie Exclusive Limited Edition Signed 140-Gram Clear Splatter 8LP Box Set]
A special Record Store Day reissue of the first full length album ever released by Merge Records. This edition's artwork contains images from the singles that make up the track listing of Tossing Seeds. Bonus audio on the download card & new liner notes celebrate its return to vinyl after a long hiatus.
Vinyl: $22.98 Buy
With their powerful harmonies and imaginative songwriting in full force, Girlpool are making new creative leaps with their new album, What Chaos Is Imaginary. Combining elements of shoegaze, folk, and 80’s postpunk with their own melodic gifts, these two great songwriters come up with a modern classic full of great tunes and sonic surprises. Impressive growth for this already celebrated band.
Vinyl: $33.98 Buy
Vinyl: $26.98 Buy
Tune-Yards ' the celebrated Oakland- based duo of Merrill Garbus & Nate Brenner ' release sketchy. , their fifth album and their first album in 3 years, on March 26. Teased last fall with single 'nowhere, man', the album is being announced with the lead track 'hold yourself'; a moment of self-realisation - 'We all have trouble being brave enough to turn the page'.
WOMB is Purity Ring's long-awaited third album, following the much-loved and extremely influential Shrines (2012) and Another Eternity (2015). The 5-year gap between albums has only served to distill the gorgeous and ethereal Future Pop for which the band is known.
Madonna's soundtrack album to "Who's That Girl" released in 1987 to accompany the film.
Vinyl: $20.98 Buy
Limited pressing of blue colored vinyl ONLY available via your local indie record store
The groundbreaking band’s 10thstudio album, HOTEL LAST RESORT resides among Violent Femmes’ finest work, simultaneously refining and redefining their one-of-a-kind take on American music, mingling front porch folk, post-punk, spiritual jazz, country blues, avant garde improvisation, and golden age rock ‘n’ roll. Founded and fronted of course by Gano and Ritchie, the group remains as warm, wise and weird as ever before, with such new favorites as “Another Chorus” and “Everlasting You” continuing to mine the vast range of ideas, melodic complexity, and organic sonic craftsmanship that has characterized the band’s body of work since their landmark 1983 debut.
Vinyl: $26.98 PREORDER
The fictional band from the NBC series Parks & Recreation is finally getting their due with a new album set to arrive on Aug. 27. And to mark the 10th anniversary of their Pawnee reunion performance where they debuted "5,000 Candles in the Wind" after the death of town mascot Lil' Sebastian, a new video and digital release for the song has arrived.
Led by Andy Dwyer, who previously fronted A.D and the D Bags, The Andy Andy Andies, Andy Dwyer Experience, Angelsnack, Crackfinger, Death of a Scam Artist, Department of Homeland Obscurity, Everything Rhymes with Orange, Fiveskin, Flames for Flames, Fleetwood Mac Sexpants, Fourskin, God Hates Figs, Handrail Suicide, Jet Black Pope, Just The Tip, Malice in Chains, Muscle Confusion, Ninjadick, Nothing Rhymes with Blorange, Nothing Rhymes with Orange, Penis Pendulum, Possum Pendulum, Punch Face Champions, Puppy Pendulum, Radwagon, Razordick, Scrotation Marks, Tackleshaft, Teddy Bear Suicide, Threeskin, Two Doors Down and Scarecrow Boat, the group is finally issuing their debut album.
The buzz from Mouse Rat’s performances at Pawnee’s Snakehole Lounge led to Dualtone’s partnership with Entertainment 720 co-founder and Snakehole Lounge part owner Tom Haverford. “Any creative business coming out of Pawnee is tied to Haverford” said Dualtone President Paul Roper, “From Rent-a-Swag to Tommy Fresh cologne and Tom’s Bistro, not to mention his business ideas not yet formed like the scented phone, talking tissues, contact lenses that display text messages and the glitter-infused laundry detergent Sparkle Suds, partnering with Entertainment 720’s hype machine was essential. The man is an idea factory.”
Roper continues, “This is about the team as much as it is the music. Andy’s wife and manager April Ludgate Dwyer is a marketing genius. Selling CDs at the Parks and Recreation shoeshine stand for $18 each, $40 for the set?? I don’t know anyone else who could pull that off.”
Mouse Rat's The Awesome Album will feature guest turns by Duke Silver and Land Ho!. The album will be available via Dualtone in partnership with Entertainment 20.
Vinyl: $21.98 PREORDER
Single LP on orange vinyl in same jacket as standard LP w/ plain-sleeve CD of bonus tracks & 24” x 24” folded poster insert. Full album download included. Ltd edition. Indie Only.
From Mac McCaughan of Superchunk: To write the songs for Here's to Shutting Up, we gathered in Jim's garage (he lived way out in the woods) a couple times a week for what seemed like months. We started from actual scratch with no demos or concepts, just playing instrumental music with our usual gear plus a Casio. We recorded the album in the Cabbagetown neighborhood of Atlanta at Zero Return, the studio built by Brian and Rob (aka Birdstuff and Coco the Electronic Monkey Wizard) of Man or Astro-man? Brian Paulson came with us to produce it.Here's to Shutting Up was meant to be released on September 18, 2001. On September 11, the world changed. Our release date moved a couple weeks, but our tour dates remained and we flew to Japan in October. It was a WILD time to be traveling the world. Receptions ranged from "thank you for giving us something else to think about" to "why are you here?" We flew home from Japan and left for the UK the day the US started bombing Afghanistan. This was the climate, and the climate was not great for playing rock music.
Vinyl: $23.98 PREORDER
Vinyl: $34.98 PREORDER
“Devolution Series #2 - Galactic Quarantine” was recorded between July and September 2020 in various places around the world. Originally streamed on September 5th, 2020 on StageIt.com as a replacement show for the COVID affected “Empath Vol 2 European Tour” and various cancelled Summer festivals. The show features Devin on vocals and guitars, Samus Paulicelli III on drums, Wes Hauch on guitars and Diego Tejeida on keys.
"Music is medicine to the people" – Common A Beautiful Revolution finds Common returning to his hip-hop roots. A full length continuous listening experience, the EP features 2 interludes and 7 new songs that Common refers to as “Movement Music”; music to uplift, heal, and inspire listeners dealing with racial and social injustices. It’s recognition. It’s elevation. It’s music to go with a movement. To help channel pain and outrage into something productive, inspirational and good. Includes the song, “Don’t Forget Who You Are,” which was written and recorded by Common for Bookmarks, an impactful new children’s show produced by the Obamas for Netflix. Lead single and performance video "Say Peace" featuring Black Thought is set to air on The Tonight Show with Jimmy Fallon in late 2020. Limited Indie Red/White/Blue Marble LP
On Fast Idol, LA-based Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem.
Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson’s San Francisco. ‘Somewhere’ opens in sombre herald, before dropping into a fast freeway tempo; the glassy synths and crisp beats cut through the anxious moods on ‘Bodies’ and ‘Try’ sits in a lineage with cult bands like Asylum Party. ‘The Garden’ is a journey through a post-apocalyptic cityscape, earthed by the pulse of a drum machine whereas ‘Ship To Shore’ could be a lost Oppenheimer Analysis B-side, and the album’s closer ‘Brighter and Bigger’ catches a sentiment like The Dadacomputer has learned to feel emotions. He captures the loneliness of Ray Bradbury’s atomic-era sci-fi and the apocalyptic but revolutionary spirit of Godard’s Sympathy for the Devil, as in ‘Preoccupation’, the beating heart of the album, which conjures ambivalent scenes of an empty world and the comfort to be found in a shared humanity.
Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.
The Pretty Reckless’ fourth full-length album, 'Death By Rock And Roll,’ is proving to be the band’s most ambitious release yet. With earliest ideas for the album tracing back to 2017, Taylor Momsen and co had to write through the heartbreaking loss of Chris Cornell, who was one of frontwoman Taylor Momsen’s musical muses. Shortly after, producer and longtime collaborator Kato Khandwala passed in a motorcycle accident. Despite the setbacks, the group pushed through the tragedy to complete the record; as soon as the band released the titular first single, they were launched into the spotlight once again. “Death By Rock And Roll” became the band’s fifth #1 song at Active Rock radio, a feat that hasn’t been accomplished by a female-fronted band. The album also features the singles “And So It Went” (featuring Tom Morello), “Only Love Can Save Me Now (featuring Matt Cameron and Kim Thayil)” and “25.”
Death From Above 1979 , is the boundary pushing musical alliance made up of Sebastien Grainger and Jesse F. Keeler. Is 4 Lovers, produced, mastered and recorded entirely by themselves, captures the creation of a totally new sound and a reimagining of the format they created more than 20 years ago.