The Blaze is back: after the release of their first album DANCEHALL, the producer-director duo went on a world tour of festivals and sold-out venues. Guillaume and Jonathan Alric composed and recorded their new album, JUNGLE, with this live perspective in mind: introspective electronic music carried by images and melodies that are always drunk with emotion.

Sylvie & Babs as a picture disc LP, with new Babs Santini artwork. Was it always supposed to be this way? Who knows? But it won't be around for long. One pressing and that's it, buy or die - you know the drill.

On limited Yellow & Black Marble color vinyl. Twenty-plus years into his career, producer/vocalist/songwriter/DJ Matthew Dear remains artistically unpredictable in pursuit of his prescient strain of electronically-formed, organically-delivered indie pop. His work traverses myriad musical worlds, belonging to none. But these fluid moves have not been without a few forks in the road, decisive turns, and what-ifs. Most notable is the pivot-point following Dear's acclaimed 2007 avant-pop LP, Asa Breed, in which he broke away from the 4/4 grid of his techno/house debut Leave Luck To Heaven and into something much more wild and idiosyncratic. Traveling between his adopted Detroit and his home state of Texas throughout 2008 and 2009, Dear amassed a set of personal, playful, looping guitar-centric recordings he'd consider for his next album. Given the new momentum of the hybrid electronic pop of Asa Breed which led to an opening slot for Hot Chip and remixes for '00 heroes like Spoon and Postal Service, Dear decided to shelf the material. He moved ahead to work on his watershed 2010 album, Black City, a steely noir set which earned him a Best New Music on Pitchfork and a worldwide tour with a besuited band. This "lost album" had a sound, a spirited country romp in the techno barn, and it had a rough title, a scribble on one of the CD-Rs passed to Ghostly label founder Sam Valenti IV, Preacher's Sigh & Potion. He never fully walked away from it, and merely kept moving down the road, waiting for the audience to catch up. Over a decade later, that time is now.Preacher's Sigh & Potion finds Dear unknowingly at an intersection in his young run, a burgeoning songwriter at his most freewheeling and unaffected. Dear reflects as he listens back, "I love hearing how free and raw a lot of the production is. As we age, we get trapped in thinking our output or creativity needs to mature as well. Some of that is unavoidable, but listening to these songs reminds me to not think so much. It's important to be in that world without consequence from time to time."In hindsight, there were hints of Preacher's sound on As Breed, but the set still registers endearingly out of step with his eventual direction. This was the first time Dear tapped so directly into his late father's influence as a fingerpicking guitar player in the 1960s and '70s and a gateway to the music of John Prine, Townes Van Zandt, and Emmylou Harris. Dear details: "On one trip down to Austin, I took some of my dad's equipment and tried to lay out a song using what I knew about techno arrangement but use his guitars and various small instruments to layer a more organic loop-based sound. I'd say that was the beginning of this album. Realizing I could apply what I'd been doing in the computer to the other music I loved and grew up with."The twang and tambourine stomp of album opener "Muscle Beach" gets right into it, with Dear's bluesy baritone narrating a country-folk tale of a young man on the run. "Hikers Y" is unmistakably Matthew Dear; building on a locked-in bassline, he delivers a dryly dismissive mantra as a metronome-like pulse that is equal parts porch music talking blues and minimal techno, unafraid to straddle those two worlds. "Supper Times" cycles hypnotically around a major scale loop that gyres off into minor chords skating underneath like a disorienting dream sequence; Dear's vocals hover luminously, obscured in the static as airy synth sounds percolate. It's a bait and switch for "Crash and Burn," the album's most fevered stretch, all bent up guitar strums and slacker-pop harmonica chaos. Brushing up against touchstones like Beck's Odelay era smash and grab-popcentrics, this one doesn't escape unstung by the cactus of Dear's whiz-bang production hallmarks.From the mid-song piano break in "All Her Fits" (a rare Dear chord change) to the gloomy carnival-leaving-town pomp of "Gutters and Beyond," Preacher's Sigh & Potion is filled with the reckless notions of an artist dashing the history of pop and rock, the twang of country, the build and release of techno. Dear is an auteur, and in retrospect, so many of his signatures crop up in these relics from his former self. Dear remembers him well: "It's crazy how music memory exists in a very deep and indescribable tangibility. I know the person who made all these, and remember glimpses of the desk, or studio set up for each recording. I know who wrote these lyrics, and where they were mentally during that process." Revisiting this material now also has Dear thinking about his father's legacy: "He also showed me that anyone can play, and perform for people, regardless of having albums or not. He was a very controlled and skilled guitar player but made it look natural and smooth. He had hundreds of songs in his repertoire and would play them nightly for us in the living room. He lived for music, and I hope I can pass that along to his grandkids."

The mysterious Sault return with album number three that was announced when the whole album was played on BBC 6 Music's Gilles Peterson's show. This is the most essential album for 2020. The 18 track album is an absolute joy whilst delivering a powerful message. Each tracks title nods towards revolution, expression and a celebration of black culture. The sound once again mixes R&B, funk, soul and hip-hop together. For fans of classic soul, ESG and groove

Limited opaque red colored vinyl LP pressing. After spending nearly a decade recording and touring with the collaborative psych rock band Quilt, Anna Fox Rochinski has completed her first solo record, Cherry. Though this is her first solo outing, Quilt released three full length records on Mexican Summer between 2011-2016 and toured North America and Europe extensively via High Road Touring and Paper and Iron Booking, respectively. Quilt completed several headlining tours in both continents, as well as opening on tour for bands such as The War On Drugs, Luna, and Woods. Anna's songs have been licensed and used for sync placement extensively, most recently in Netflix's "You", and Quilt signed a publishing deal with Third Side Music in 2016. Their music was featured in many press outlets including NPR and Pitchfork, and was performed live on KEXP, Late Night with Carson Daly, and NPR's Tiny Desk.

Ship to Shore is proud to announce the release of Music System by Makeup And Vanity Set, on vinyl for the first time! Essentially a compilation album consisting of subscriber-exclusive tracks released over several months in 2018 and 2019, Music System is an electronic marvel. Modular synths are layered over one another as IDM beats merge into ambient soundscapes; a literal tangerine dream.

A new studio album of songs written, recorded and produced by visionary musician and artist BRIAN ENO � featuring his vocals on 8 of the 10 recordings.

FOREVERANDEVERNOMORE is Eno�s first studio album in six years and features appearances from longstanding collaborators Leo Abrahams, Roger Eno and Peter Chilvers, alongside Cecily Eno, Clodagh Simonds, Darla Eno and Jon Hopkins.

The album includes studio recordings of �There Were Bells� and �Garden Of Stars,� compositions that Eno penned to perform as part of his first live performance in 11 years at the Acropolis back in August 2021, it also includes �Making Gardens Out Of Silence� that features as part of the ongoing Serpentine interdisciplinary program, BACK TO EARTH.

Lydia Ainsworth's latest album Sparkles & Debris reflects her usual composer's mindset and instinct for idiosyncratic melodies and structures. It also marks a departure from the more solitary creative process that her previous releases were born from. The record blends live drums, guitars and bass with her signature vast electronic landscapes, samples, programming and voice to create the record's sonic tapestry. "Longing seems to be a major theme running through my songs on this album," says Ainsworth. "Whether that is longing in love, longing to be free from oppression, or longing for the muse of inspiration to make an appearance. I have included some spells and charms in there as well that have proven effective, if any of my listeners want to use them for help with their own desires."

Four years after Ghost Twin's debut for Artoffact Records, the Winnipeg, Canada-based duo returns with Love Songs for End Times, an album that promises to bring some much needed cathartic release through a prism of pop hooks, romantic ballads, heavy anthems and club stompers. Ghost Twin explores the darkness of nostalgia on the new album, due out on Artoffact on June 4th, an approach that signals a turning point for the band. Karen and Jaimz Asmundson, longtime artistic collaborators and husband-and-wife, take turns crooning fatalistic lyrics as elements of 80s synthpop, Industrial, German Techno, French House, and a knack for writing earworms, competing for your attentio

Tyondai Braxton releases Telekinesis�an eighty-seven-piece work for electric guitars, orchestra, choir and electronics�on November 11, 2022, via New Amsterdam and Nonesuch Records. Featuring the Metropolis Ensemble conducted by Andrew Cyr, the Brooklyn Youth Chorus conducted by Dianne Berkun Menaker, and chamber choir The Crossing conducted by Donald Nally, Telekinesis is the first studio recording of the work.

Telekinesis is the result of a co-commission by the Southbank Centre London and Musica Nova, Helsinki Festival. The world premiere took place on April 18, 2018 at Queen Elizabeth Hall with the BBC Concert Orchestra and BBC Singers, followed by a performance at Helsinki Festival by the Finnish Radio Symphony Orchestra. Andre de Ridder conducted both performances.

Vinyl pressing of the first official concert album from the hugely successful progressive rock band. Tracks were pulled from a large collection of live recordings from their 1974-75 concert tour.

Paradise Again came together in the wake of rediscovering Swedish House Mafia's musical synergy on the band's 2019 reunion tour, spending countless hours in the studio, exorcizing new sonic palettes, textures, and tones from an arsenal of analog synths. It represents an ambitious broadening of their musical scope, as evinced by the wide-ranging roster of collaborators and guests, including The Weeknd, A$AP Rocky, Sting, Ty Dolla $ign, 070 Shake and many more.

The Chemical Brothers share a re-issue of breakthrough second album 'Dig Your Own Hole'. Originally released in�1997, the record blended house and techno with aspects of hip-hop production, psychedelia, and more, a visionary�sonic brew that still resonates today.

William Orbit returns with his first new album in over eight years. Entitled �The Painter��it is�unmistakeably�William Orbit�and features vocal�collaborations�from an array of artists including�Katie Melua,�Beth Orton,�Georgia, Polly Scattergood,�Ali Love�and more.

AREA21 are two alien travelers tripping through the cosmos spreading a message of unity and good vibes. After�hitting a satellite they came crashing to earth... and that�s where the real journey begins. Join their mission and let�yourself be immersed in the world of AREA21. Indie Exclusive Purple LP.

GRAMMY�-nominated U.K. duo Disclosure will release their new album, ENERGY on the August 28th. A spectrum of talented artists are featured; Common, Kelis, Kehlani & Syd, Amin�, slowthai and more. The duo has worked diligently to use environmentally responsible products by focusing on recycled and sustainable materials across all formats. Indie Limited-Edition 2LP on clear 180-gram vinyl. Recycled/FSC packaging mix with printed inner bag, sugarcane wrap. Includes download card.

Vinyl LP pressing. Includes digital download.

For a duo whose youthful energy rejuvenated the world of house music at the start of the 2010s, it seems incredible that Disclosure are now into their second decade of musical life. The incredible vigour of those early records, the spark of invention and ever-onward musical thrust, remains with the Disclosure brothers, Howard and Guy Lawrence, to this day.

The emphasis throughout DJ-Kicks is on motion. After a brief ambient introduction from P�pe's Life Signs, Disclosure keep the energy high, in a mix that showcases the wonderful malleability of a house beat in the right hands. From sub bass to disco samples, African funk to 303 tweak, all is welcome in Disclosure's house, with the mix allowing individual songs space to breath even as the pace remains harefooted.

On Time Out of Time is a suite of works originally commissioned for the 2017 installations 'ER=EPR' and 'Orbihedron' by artists Evelina Domnitch and Dmitry Gelfand (in collaboration with Jean-Marc Chomaz and LIGO) for the exhibition, 'Limits of Knowing' at Martin-Gropius-Bau, Berlin by curator, Isabel de Sena. These works utilize, among other things, exclusive source recordings from the interferometers of LIGO (Laser Interferometer Gravitational-Wave Observatory) capturing the sounds of the merging of two distant massive black holes, 1.3 billion years ago. The CD and Digital formats feature two tracks: The 40-minute title track, "On Time Out of Time," as well as "4(E+D)4(ER+EPR)", a live track recorded during the aforementioned installation. The vinyl LP format features two exclusive mixes of the title track: "On Time Out of Time" on the a-side; and "On Time Out of Time (The Lovers)" on the b-side, made especially for the vinyl format.

Information Society's breakout single from this album, released in 1988, was "What's on Your Mind (Pure Energy)", a synth-pop song, which spent 39 weeks on the dance chart, going straight to number one and also peaked at number three on the Hot 100 pop chart. The track included a vocal sample of Mr. Spock (Leonard Nimoy) from Star Trek, saying "pure energy". The album which was certified gold, also contained the tracks "Walking Away" and "Running", which was initially released in 1985 and reached #2 on the Dance/Club Airplay charts and became an enduring classic of the Freestyle genre.

An expanded reissue of the classic Wax Trax collection, featuring 9 bonus tracks covering the complete early '80s output from Ministry on Wax Trax, including B-sides and unreleased tracks! This edition features 2 bonus tracks - a never-before-head track plus an alternate version of Same Old Madness!" the previously unreleased track "Same Old Madness!"

LP version. Holy Fuck have announced new album Deleter, previewed with the video for acclaimed latest single "Luxe" featuring Hot Chip's Alexis Taylor. Arriving at a moment where attention spans are shot and anxieties are going into overdrive, Deleter, Canadian band Holy Fuck's fifth studio album, is a defiantly full-bodied affair. Polyrhythmic and pleasure-focused, Deleter sees Brian Borcherdt, Graham Walsh, Matt Schulz, and Matt "Punchy" McQuaid utilizes their signature sound - seamlessly fusing the gauzy drive of krautrock and deep house's dreamy ineffability, expertly blending purring motorik percussion with the sort of fuggy synthetic fizz and tang they are renowned for. From the thrusting minimalism of opener "Luxe" through to the triumphant chug of closing track "Ruby", via club-ready rollocker "Free Gloss" and the cosmic clatter of "San Sebastian", Deleter is a record that joins the Holy Fuck dots within their widescreen, technicolor, crescendo-heavy sound. Also features Angus Andrew and Nicholas Allbrook.

Delve into the dark side of the occult with this special collection of tracks featuring the the voice of the Beast himself, famed occultist Aleister Crowley! All new remixes feature the production talents of witch house artists Ritualz and ?aimon plus dark synth act NeoSlave, Alan Davey's Hawkestrel, internationally renowned instrumentalist Jozef Van Wissem, and lots more! Also features all-new sonically de-noised and remastered versions of the famous wax cylinder recordings Crowley made from 1910 to 1914! Now available in deluxe RED MARBLE vinyl!

A superb collection of rare early tracks from electronic pioneers Tangerine Dream!Features 2 tracks from the '60s psych-rock band that preceded Tangerine Dream, The Ones, plus rare tracks from the early '70s era of the band when they were at their most adventurous, composing epic pieces that clocked in at over 10 minutes each such as "Asteroid Agenda" and "Overture!"CD jewel case with special metallic silver o-card!

Limited 180gm gold colored vinyl LP pressing.�

Vinyl LP pressing. Digitally remastered edition of this 1971 album from the Canadian-born electronic music pioneer. Garson is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers.

Trance pioneer BT has released his 14th studio album, Metaversal.

Daft Punk - Discovery - Discovery is the second studio album by French electronic music duo Daft Punk, originally released 2001.

Limited 180gm vinyl LP pressing. Everything Is Wrong is the third studio album by Moby, originally released in March 1995. Moby was one of the most controversial figures in techno music, alternately praised for bringing a face to the notoriously anonymous electronic genre and scorned by hordes of techno artists and fans for diluting and trivializing the form. In either case, Moby was one of the most important dance music figures of the early 1990s, helping bring the music to a mainstream audience both in England and in America. Last available on vinyl in 1995.

Vinyl LP pressing includes digital download and housed in a gatefold sleeve. Incunabula, the debut full-length offering from Autechre finally made available again on vinyl, having been out of print on vinyl since 2001. Having first emerged onto a post-acid house 1993, Incunabula was released as part 7 of the now legendary Artificial Intelligence series of albums and compilations from Warp. A series that gave us early records from artists who went on to sculpt the electronic landscape both in and out of the club. Being lined up against such contemporaries as Black Dog Productions (Balil and Plaid) Aphex under his Polygon Window guise, Richie Hawtin's FUSE project, Speedy J, B12 & on the series' closing compilation, artists as diverse as Seefeel, Richard H Kirk & The Higher Intelligence Agency. Incunabula set the tone for the following landmark albums from Ae, huge caustic dissections of sound that almost resemble vast mathematical equations more than they do club fodder (though tracks like the breakbeat whip crack of Doctrine and the acidic euphoria of Maetl, which when deployed by the right DJ will go off). For those just arriving at the edge of Ae's world and are looking for an entry point into the sprawling discography of the group, or those of you looking to delve into the pre-MaxMSP archives, this is the record for you. There is not much we can say that has not been said before, but this truly is a landmark album of UK electronica, a legendary recording that still even after twenty-six years still sounds like a future we are yet to arrive at. Included with this release is a download of an original Autechre live set, previously only available in the Autechre webstore, with artwork by long time creative collaborators The Designers Republic.

Anamanaguchi's driving & dynamic debut EP, recorded while the band was still in high school. First released on the legendary chip music netlabel, 8bitpeoples, these are the seeds of the band's hyper-melodic, digital powerpop flavor - "It is recommended that you sing along with the squarewaves."

2020 release. Oneohtrix Point Never returns with a new self-titled album, Magic Oneohtrix Point Never, out on October 30th 2020. It is the fourth full-length for Warp Records and follows his last, Age Of (2018). The eponymous title is taken from Lopatin's original Oneohtrix Point Never moniker - a misheard play on the Boston soft-rock radio station Magic 106.7. Musically, the album takes in all elements of OPN's output of the last 13 years, from the deconstructed New Age plunderphonics of Replica and R Plus Seven, to the alt rock and chamber pop songwriting of Garden Of Delete and Age Of and the symphonic, cinematic nature of the scores for Uncut Gems, Good Time and his production work for other artists; making self-titling the record both a reference to his roots while entrenched in the present. Lopatin has long been engaged with radio as a mode of aleatory listening.

The Third Chimpanzee is the brand new EP from Martin Gore, one of the founding members and primary songwriter of Depeche Mode. Over five brand new tracks Gore explores euphoric modular sounds and develops his career long relationship with electronic music. The EP follows his eponymous album MG in 2015 and SSSS, his collaboration with Erasure's Vince Clarke for their VCMG project. The artwork was created by Pockets Warhol, a capuchin monkey based in Canada who paints for charity. Martin Gore was inducted into The Rock & Roll Hall of Fame as a member of Depeche Mode in 2020.

Limited colored vinyl LP pressing. Release from the Canadian-born electronic music pioneer. Garson is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers.

The desire for change stirs from the inside. We either listen to it-or not. Aluna chose to listen. After widespread critical acclaim as one-half of multi-platinum duo AlunaGeorge, the singer, songwriter, and producer established an unpredictable and undeniable signature sound on her 2020 solo debut, Renaissance.

BRONSON, the brand new group by ODESZA and Golden Features, unveils their debut self-titled album on Foreign Family Collective / Ninja Tune. BRONSON is available on clear LP, limited edition black and yellow LP, and CD. GRAMMY-nominated duo ODESZA and acclaimed Australian producer Golden Features have come together to form the powerhouse group BRONSON. The self-titled album BRONSON pushes the soundscapes of their previous projects to explore the darker edges of dance music. The LP features heavyweight collaborations from lau.ra of Ultraista, Gallant, and Totally Enormous Extinct Dinosaurs. The BRONSON album reflects on their respective needs to challenge personal struggles, both internal and external. Moreover, the trio recognized that their own battles were merely microcosms of the surrounding world. The hope was to craft a body of work that was reflective of that duality of lightness and darkness inherent to the human condition.