Dance & Electronic

The desire for change stirs from the inside. We either listen to it-or not. Aluna chose to listen. After widespread critical acclaim as one-half of multi-platinum duo AlunaGeorge, the singer, songwriter, and producer established an unpredictable and undeniable signature sound on her 2020 solo debut, Renaissance.

The Third Chimpanzee is the brand new EP from Martin Gore, one of the founding members and primary songwriter of Depeche Mode. Over five brand new tracks Gore explores euphoric modular sounds and develops his career long relationship with electronic music. The EP follows his eponymous album MG in 2015 and SSSS, his collaboration with Erasure's Vince Clarke for their VCMG project. The artwork was created by Pockets Warhol, a capuchin monkey based in Canada who paints for charity. Martin Gore was inducted into The Rock & Roll Hall of Fame as a member of Depeche Mode in 2020.

Anamanaguchi's driving & dynamic debut EP, recorded while the band was still in high school. First released on the legendary chip music netlabel, 8bitpeoples, these are the seeds of the band's hyper-melodic, digital powerpop flavor - "It is recommended that you sing along with the squarewaves."

Sylvie & Babs as a picture disc LP, with new Babs Santini artwork. Was it always supposed to be this way? Who knows? But it won't be around for long. One pressing and that's it, buy or die - you know the drill.

Written throughout 2019 and early 2020, recorded at Milosh’s home studio, United Recording Studios and Revival at The Complex, and mixed by Alan Moulder (Nine Inch Nails, Interpol, My Bloody Valentine, U2, The Killers), Home is familiar in its synthesis of propulsive beats, orchestral flourishes, piano ruminations and sultry, gender-nonconforming vocals, but never have they sounded more cohesive or alive. Home is bookended by celestial cantos sung by the Danish National Girls’ Choir, who Rhye performed with at a landmark concert in Denmark in 2017. Milosh’s voice quivers when he recalls the moment the 49-piece choir poured into the concert hall, enveloping the audience in sound. “I was standing side stage waiting to go on and I got all teary and started choking up because of how beautiful it was,” he said. “I knew I needed to have them on this record.”  Indie Opaque Purple 2LP w/ a special etching on Side D!

On limited Yellow & Black Marble color vinyl. Twenty-plus years into his career, producer/vocalist/songwriter/DJ Matthew Dear remains artistically unpredictable in pursuit of his prescient strain of electronically-formed, organically-delivered indie pop. His work traverses myriad musical worlds, belonging to none. But these fluid moves have not been without a few forks in the road, decisive turns, and what-ifs. Most notable is the pivot-point following Dear's acclaimed 2007 avant-pop LP, Asa Breed, in which he broke away from the 4/4 grid of his techno/house debut Leave Luck To Heaven and into something much more wild and idiosyncratic. Traveling between his adopted Detroit and his home state of Texas throughout 2008 and 2009, Dear amassed a set of personal, playful, looping guitar-centric recordings he'd consider for his next album. Given the new momentum of the hybrid electronic pop of Asa Breed which led to an opening slot for Hot Chip and remixes for '00 heroes like Spoon and Postal Service, Dear decided to shelf the material. He moved ahead to work on his watershed 2010 album, Black City, a steely noir set which earned him a Best New Music on Pitchfork and a worldwide tour with a besuited band. This "lost album" had a sound, a spirited country romp in the techno barn, and it had a rough title, a scribble on one of the CD-Rs passed to Ghostly label founder Sam Valenti IV, Preacher's Sigh & Potion. He never fully walked away from it, and merely kept moving down the road, waiting for the audience to catch up. Over a decade later, that time is now.Preacher's Sigh & Potion finds Dear unknowingly at an intersection in his young run, a burgeoning songwriter at his most freewheeling and unaffected. Dear reflects as he listens back, "I love hearing how free and raw a lot of the production is. As we age, we get trapped in thinking our output or creativity needs to mature as well. Some of that is unavoidable, but listening to these songs reminds me to not think so much. It's important to be in that world without consequence from time to time."In hindsight, there were hints of Preacher's sound on As Breed, but the set still registers endearingly out of step with his eventual direction. This was the first time Dear tapped so directly into his late father's influence as a fingerpicking guitar player in the 1960s and '70s and a gateway to the music of John Prine, Townes Van Zandt, and Emmylou Harris. Dear details: "On one trip down to Austin, I took some of my dad's equipment and tried to lay out a song using what I knew about techno arrangement but use his guitars and various small instruments to layer a more organic loop-based sound. I'd say that was the beginning of this album. Realizing I could apply what I'd been doing in the computer to the other music I loved and grew up with."The twang and tambourine stomp of album opener "Muscle Beach" gets right into it, with Dear's bluesy baritone narrating a country-folk tale of a young man on the run. "Hikers Y" is unmistakably Matthew Dear; building on a locked-in bassline, he delivers a dryly dismissive mantra as a metronome-like pulse that is equal parts porch music talking blues and minimal techno, unafraid to straddle those two worlds. "Supper Times" cycles hypnotically around a major scale loop that gyres off into minor chords skating underneath like a disorienting dream sequence; Dear's vocals hover luminously, obscured in the static as airy synth sounds percolate. It's a bait and switch for "Crash and Burn," the album's most fevered stretch, all bent up guitar strums and slacker-pop harmonica chaos. Brushing up against touchstones like Beck's Odelay era smash and grab-popcentrics, this one doesn't escape unstung by the cactus of Dear's whiz-bang production hallmarks.From the mid-song piano break in "All Her Fits" (a rare Dear chord change) to the gloomy carnival-leaving-town pomp of "Gutters and Beyond," Preacher's Sigh & Potion is filled with the reckless notions of an artist dashing the history of pop and rock, the twang of country, the build and release of techno. Dear is an auteur, and in retrospect, so many of his signatures crop up in these relics from his former self. Dear remembers him well: "It's crazy how music memory exists in a very deep and indescribable tangibility. I know the person who made all these, and remember glimpses of the desk, or studio set up for each recording. I know who wrote these lyrics, and where they were mentally during that process." Revisiting this material now also has Dear thinking about his father's legacy: "He also showed me that anyone can play, and perform for people, regardless of having albums or not. He was a very controlled and skilled guitar player but made it look natural and smooth. He had hundreds of songs in his repertoire and would play them nightly for us in the living room. He lived for music, and I hope I can pass that along to his grandkids."

This is the new Four Tet album on double vinyl format. Pressed on 100% virgin black vinyl at RTI, packaged in a Stoughton full-color old-style tip-on gatefold jacket.

The mysterious Sault return with album number three that was announced when the whole album was played on BBC 6 Music's Gilles Peterson's show. This is the most essential album for 2020. The 18 track album is an absolute joy whilst delivering a powerful message. Each tracks title nods towards revolution, expression and a celebration of black culture. The sound once again mixes R&B, funk, soul and hip-hop together. For fans of classic soul, ESG and groove

Limited opaque red colored vinyl LP pressing. After spending nearly a decade recording and touring with the collaborative psych rock band Quilt, Anna Fox Rochinski has completed her first solo record, Cherry. Though this is her first solo outing, Quilt released three full length records on Mexican Summer between 2011-2016 and toured North America and Europe extensively via High Road Touring and Paper and Iron Booking, respectively. Quilt completed several headlining tours in both continents, as well as opening on tour for bands such as The War On Drugs, Luna, and Woods. Anna's songs have been licensed and used for sync placement extensively, most recently in Netflix's "You", and Quilt signed a publishing deal with Third Side Music in 2016. Their music was featured in many press outlets including NPR and Pitchfork, and was performed live on KEXP, Late Night with Carson Daly, and NPR's Tiny Desk.

Ship to Shore is proud to announce the release of Music System by Makeup And Vanity Set, on vinyl for the first time! Essentially a compilation album consisting of subscriber-exclusive tracks released over several months in 2018 and 2019, Music System is an electronic marvel. Modular synths are layered over one another as IDM beats merge into ambient soundscapes; a literal tangerine dream.

Lydia Ainsworth's latest album Sparkles & Debris reflects her usual composer's mindset and instinct for idiosyncratic melodies and structures. It also marks a departure from the more solitary creative process that her previous releases were born from. The record blends live drums, guitars and bass with her signature vast electronic landscapes, samples, programming and voice to create the record's sonic tapestry. "Longing seems to be a major theme running through my songs on this album," says Ainsworth. "Whether that is longing in love, longing to be free from oppression, or longing for the muse of inspiration to make an appearance. I have included some spells and charms in there as well that have proven effective, if any of my listeners want to use them for help with their own desires."

Vinyl LP pressing. 2020 release. The debut album from pseudonymous British music collective that blurs the lines between soul, funk, post-punk and jazz.

BRONSON, the brand new group by ODESZA and Golden Features, unveils their debut self-titled album on Foreign Family Collective / Ninja Tune. BRONSON is available on clear LP, limited edition black and yellow LP, and CD. GRAMMY-nominated duo ODESZA and acclaimed Australian producer Golden Features have come together to form the powerhouse group BRONSON. The self-titled album BRONSON pushes the soundscapes of their previous projects to explore the darker edges of dance music. The LP features heavyweight collaborations from lau.ra of Ultraista, Gallant, and Totally Enormous Extinct Dinosaurs. The BRONSON album reflects on their respective needs to challenge personal struggles, both internal and external. Moreover, the trio recognized that their own battles were merely microcosms of the surrounding world. The hope was to craft a body of work that was reflective of that duality of lightness and darkness inherent to the human condition.

Four years after Ghost Twin's debut for Artoffact Records, the Winnipeg, Canada-based duo returns with Love Songs for End Times, an album that promises to bring some much needed cathartic release through a prism of pop hooks, romantic ballads, heavy anthems and club stompers. Ghost Twin explores the darkness of nostalgia on the new album, due out on Artoffact on June 4th, an approach that signals a turning point for the band. Karen and Jaimz Asmundson, longtime artistic collaborators and husband-and-wife, take turns crooning fatalistic lyrics as elements of 80s synthpop, Industrial, German Techno, French House, and a knack for writing earworms, competing for your attentio

"W" was formed out of the need to give more space and a bigger voice to the women who have inspired Populous over the past few years, the women who continue to be part of his artistic and personal life. A tribute to the feminine and its countless facets, an album of sensual, dreamy, and uninhibited electronica. A calm counter to overtly masculine musical environments and an invitation to an ever-inclusive system.

Estereomance combines elements of soul, funk, electronic, pop, and jazz to create a charming romantic indie blend to represent the melting pot they're from. The debut self-titled album is a 7-song feel-good record that mixes multicultural influences to create a tasteful mix of vintage soul with modern bedroom pop. Available June 26th, the album is about discovering self-empowerment by overcoming life's struggles. It's about finding optimism by forgetting the past and looking up for the future.

Vinyl pressing of the first official concert album from the hugely successful progressive rock band. Tracks were pulled from a large collection of live recordings from their 1974-75 concert tour.

Thievery Corporation's historic concert in 2017 at The JFK Center in Washington, D.C saw their songs re-imagined with orchestral arrangements from some of today's leading young classical composers. The show is now legendary, and those fortunate to attend heard Thievery Corporation in an entirely new way. To honor this show and inspiration it provided, Hilton and Garza have created Symphonik - recorded with Prague's FILMHarmonic Orchestra; engineering and co-production by Gianmaria Conti.

Freeze, Melt, the sixth album from the Grammy-nominated Australian electronic/synth-pop band Cut Copy. Lead single 'Love Is All We Share' earned praise from Rolling Stone ["meditative and immersive"], Stereogum ["hypnotic"], Consequence Of Sound ["a fitting mood for the current state of the world"], Pitchfork, The Line Of Best Fit, and numerous other outlets. Their 2011 album Zonoscope won two ARIA Awards, earned a Grammy nomination for Best Dance/Electronica Album, and reached #2 on Billboard's Dance/Electronic Albums chart, #3 on Australia's ARIA Albums chart, and #8 on the UK's Independent Albums chart. Their most recent album Haiku From Zero [2017] earned praise from NPR ["their finest album in years"], Stereogum [“a rush of infectious grooves and melodies"], Exclaim! ["another strong effort by a band that continue to celebrate the power of dance music"], and DIY. If Haiku From Zero was the party, Freeze, Melt is the Sunday morning comedown. Released independently via their own label imprint, Cutters Records.  

In 2014, Dan Snaith aka Caribou released Our Love to overwhelming critical acclaim. Caribou returns now with his new studio album Suddenly, a warm, untamable, and constantly surprising record about family and the changes we go through as those relationships evolve. Most prominently, Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family-universal themes that can catch you off guard and change your life in a heartbeat. Those dramatic moments are part of a slower process. These moments rear their heads, for good or bad, during the everyday flow of life. "There's a tension between those sudden things which blindside you and the more glacial, gradual day-to-day changes," he observes. "We are so caught up in the immediate-the details that require our attention every day-that we can be blind to the bigger forces shaping us. That's why so often when something drastic happens suddenly, it catalyzes all sorts of changes in our lives. Our perspective shifts." Suddenly is in the music, too. This is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor, this album is littered with swerves and left turns. "I wanted to balance the familiar-the sound that people associate with my music-against these moments of surprise," Snaith says. As his passion and joy in music-making remains as fresh as ever, Suddenly is the purest example of this yet.

GRAMMY®-nominated U.K. duo Disclosure will release their new album, ENERGY on the August 28th. A spectrum of talented artists are featured; Common, Kelis, Kehlani & Syd, Aminé, slowthai and more. The duo has worked diligently to use environmentally responsible products by focusing on recycled and sustainable materials across all formats. Indie Limited-Edition 2LP on clear 180-gram vinyl. Recycled/FSC packaging mix with printed inner bag, sugarcane wrap. Includes download card.

Grimes started producing music when she had to learn the program Logic for her neuroscience class. Shortly thereafter she had a viral myspace page, which allowed her to start booking shows and focus full-time on music. She lived in a crack den in Montreal with no heat (where she got frostbite twice and her neighbor was bludgeoned to death in the hallway), playing raves until her 2012 breakout, Visions, which was recorded during a 2 week speed binge wherein she did not leave her bedroom. Upon the success of this album, Grimes attempted to enter society as a regular human, which has clearly not gone super well but has nonetheless been entertaining. She’s since become an award winning music video director as well as a music writer, producer, engineer, singer-songwriter. She’s toured globally to sold out crowds, headlined festivals, and is now moving into the space of corporate surrealism. She recently had experimental eye surgery only available to the upper class. She is putting out her final earth album February 21st 2020.

On Time Out of Time is a suite of works originally commissioned for the 2017 installations 'ER=EPR' and 'Orbihedron' by artists Evelina Domnitch and Dmitry Gelfand (in collaboration with Jean-Marc Chomaz and LIGO) for the exhibition, 'Limits of Knowing' at Martin-Gropius-Bau, Berlin by curator, Isabel de Sena. These works utilize, among other things, exclusive source recordings from the interferometers of LIGO (Laser Interferometer Gravitational-Wave Observatory) capturing the sounds of the merging of two distant massive black holes, 1.3 billion years ago. The CD and Digital formats feature two tracks: The 40-minute title track, "On Time Out of Time," as well as "4(E+D)4(ER+EPR)", a live track recorded during the aforementioned installation. The vinyl LP format features two exclusive mixes of the title track: "On Time Out of Time" on the a-side; and "On Time Out of Time (The Lovers)" on the b-side, made especially for the vinyl format.

With a hugely impressive over a million combined album sales and over a billion streams under their belt, Tycho are the Grammy-nominated electronic music project led by Scott Hansen as primary composer, songwriter and producer. Respected for both their musical output and Scott’s graphic design work, under the ISO50 moniker, Tycho has produced and released a hugely successful back catalogue which has drawn comparisons to the likes of Boards of Canada, Ulrich Schnauss and Jon Hopkins. The highly anticipated release of Tycho’s fifth studio album Weather is an exciting progression from his previous output, with most of the new tracks being vocal lead, while still retaining the signature Tycho sound. The sonic shift is enhanced by a collaboration with a young exciting new voice - vocalist Saint Sinner who will be joining the live band following her time in the studio. The release will see Mom + Pop partner for this exciting new chapter in the artist’s career.

LP version. Holy Fuck have announced new album Deleter, previewed with the video for acclaimed latest single "Luxe" featuring Hot Chip's Alexis Taylor. Arriving at a moment where attention spans are shot and anxieties are going into overdrive, Deleter, Canadian band Holy Fuck's fifth studio album, is a defiantly full-bodied affair. Polyrhythmic and pleasure-focused, Deleter sees Brian Borcherdt, Graham Walsh, Matt Schulz, and Matt "Punchy" McQuaid utilizes their signature sound - seamlessly fusing the gauzy drive of krautrock and deep house's dreamy ineffability, expertly blending purring motorik percussion with the sort of fuggy synthetic fizz and tang they are renowned for. From the thrusting minimalism of opener "Luxe" through to the triumphant chug of closing track "Ruby", via club-ready rollocker "Free Gloss" and the cosmic clatter of "San Sebastian", Deleter is a record that joins the Holy Fuck dots within their widescreen, technicolor, crescendo-heavy sound. Also features Angus Andrew and Nicholas Allbrook.

'The legendary Aphex Twin returns bringing the heat once more! One of the most spectacular and critically lauded artists in the world, the Collapse EP is one surely not to be missed!!! For nearly three decades Aphex Twin has reigned as The God of Electronic Music. His tunes have packed dancefloors, soundtracked late night sessions and highlighted festivals around the globe. The emotional crescendos he manages to sculpt from his melodies take the listener on a roller coaster of feelings. Also known as Richard D. James, the Duke of Rave has built a career on frollicking visuals and beastly bangers, but this doesn t mean the man cannot trade in a whole plethora of emotions, Avril 14th is a sumptuous celestial patchwork of sadness and euphoria, whilst Come to Daddy is without doubt the most petrifying song in the universe. The Collapse EP falls between these, affirming him as the very best electronic wizard in the game! The Collapse EP is a juicy bag of delights. Extending the flamboyant paths that Aphex Twin has consistently managed to forge through his dizzying career. From the utterly exhilarating T69 collapse to the complete and utterly bonkers, instantaneous and life affirming abundance10edit[2 R8's, FZ20m & a 909] featuring vertigo inducing high hats and sauntering arrangements with some brain scrambling noise thrown in for good measure!

Limited 180gm audiophile vinyl LP pressing. The English-Irish electronic/dance duo Moloko released their first album Do You Like My Tight Sweater in 1995. It is one of their most experimental records, before moving on to a more mainstream approach. Roisin Murphy is carrying the album with her versatile vocals, both in range and style, while Mark Brydon created the breakbeats, sound effects and groovy disco lines. This is electronica at it's best, danceable and funky. The album includes their hits 'Fun for Me' and 'Dominoid', besides fan favorites like 'Day for Night' and 'Where Is the What If the What Is in Why?'. They never slowdown in their exiting music and absurd lyrics, but that is exactly what makes this record unforgettable. Pure joy to be danced on all night.

Vinyl LP pressing. Digitally remastered edition of this 1971 album from the Canadian-born electronic music pioneer. Garson is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers.

The legendary Warp Records duo Autechre return with their first physical releases since 2013's Exai. Originally aired across four, two-hour shows on NTS Radio, NTS Sessions is an archival release of this lauded new and original music. 8CD in printed inner wallets with foil block to each cover. Housed in a rigid slipcase wrapped in printed offset stock with foil block to cover.

Limited 180gm vinyl LP pressing. Everything Is Wrong is the third studio album by Moby, originally released in March 1995. Moby was one of the most controversial figures in techno music, alternately praised for bringing a face to the notoriously anonymous electronic genre and scorned by hordes of techno artists and fans for diluting and trivializing the form. In either case, Moby was one of the most important dance music figures of the early 1990s, helping bring the music to a mainstream audience both in England and in America. Last available on vinyl in 1995.

Underworld and Iggy Pop announce Teatime Dub Encounters due for release on July 27th via Caroline. The 4 track EP is the result of a few clandestine hotel room recording sessions that began a few weeks after Underworld and Iggy Pop each released their last albums on the same day (3/18/16). It is neither historical nor a tribute to past work; it is the work of artists in motion, engaged in a process that they both bring to all of their work – one that uses spontaneity as a spur for creativity.

Vinyl LP pressing includes digital download and housed in a gatefold sleeve. Incunabula, the debut full-length offering from Autechre finally made available again on vinyl, having been out of print on vinyl since 2001. Having first emerged onto a post-acid house 1993, Incunabula was released as part 7 of the now legendary Artificial Intelligence series of albums and compilations from Warp. A series that gave us early records from artists who went on to sculpt the electronic landscape both in and out of the club. Being lined up against such contemporaries as Black Dog Productions (Balil and Plaid) Aphex under his Polygon Window guise, Richie Hawtin's FUSE project, Speedy J, B12 & on the series' closing compilation, artists as diverse as Seefeel, Richard H Kirk & The Higher Intelligence Agency. Incunabula set the tone for the following landmark albums from Ae, huge caustic dissections of sound that almost resemble vast mathematical equations more than they do club fodder (though tracks like the breakbeat whip crack of Doctrine and the acidic euphoria of Maetl, which when deployed by the right DJ will go off). For those just arriving at the edge of Ae's world and are looking for an entry point into the sprawling discography of the group, or those of you looking to delve into the pre-MaxMSP archives, this is the record for you. There is not much we can say that has not been said before, but this truly is a landmark album of UK electronica, a legendary recording that still even after twenty-six years still sounds like a future we are yet to arrive at. Included with this release is a download of an original Autechre live set, previously only available in the Autechre webstore, with artwork by long time creative collaborators The Designers Republic.

Brightons Go! Team return with new single Semicircle Song out on 1 December on long term label home Memphis Industries. Semicircle Song is taken from The Go! Teams new album SEMICIRCLE due 19 January. These are dark and difficult times. We dont need some chancer with an acoustic guitar and a series of concerned hashtags to tell us that. What we need is a band to believe in, who stand for something other than naked careerism, who give us a rock to cling to on stormy days. A band who still have faith in the power of pop music to transform the world, who dream in technicolour, who see beauty in the little things, who shun tepid perfection, who rejoice in the mistakes and the chance encounters that lead us somewhere new. Who remind us what it was like to be young and naive and idealistic and in love. Who throw everything into the pot to create music that is joyfully, effervescently alive. Now more than ever, we need The Go! Team. Its no secret that The Go! Team is the brainchild of one man, Brighton-based melody obsessive Ian Parton. But its membership has never been exclusive: at one time or another, The Go! Team has included on its squad-sheet everyone from Deerhoof to Chuck D to a legion of undiscovered Soundcloud singers. Unlike the groups previous album, 2015s The Scene Between which was essentially a solo project, following the dissolution of the previous Go! Team line-up Ian began work on their fifth album SEMICIRCLE with the vital input of current live band players Simone Odaranile (drums), , Angela Maki Won-Yin Mak (vocals and guitar) and original Team members Sam Dook (guitar) and Ninja (irrepressible rapping).

2020 release. Oneohtrix Point Never returns with a new self-titled album, Magic Oneohtrix Point Never, out on October 30th 2020. It is the fourth full-length for Warp Records and follows his last, Age Of (2018). The eponymous title is taken from Lopatin's original Oneohtrix Point Never moniker - a misheard play on the Boston soft-rock radio station Magic 106.7. Musically, the album takes in all elements of OPN's output of the last 13 years, from the deconstructed New Age plunderphonics of Replica and R Plus Seven, to the alt rock and chamber pop songwriting of Garden Of Delete and Age Of and the symphonic, cinematic nature of the scores for Uncut Gems, Good Time and his production work for other artists; making self-titling the record both a reference to his roots while entrenched in the present. Lopatin has long been engaged with radio as a mode of aleatory listening.