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Mondo and Madison Gate are proud to present the premiere vinyl release of Leo Birenberg and Zach Robinson's incredible score to the Netflix streaming phenomenon COBRA KAI. This 3-disc vinyl set features music from the first 3 seasons of the hit series, curated by the composers into themed collections. This exclusive retail version comes pressed on red, white, and blue marble discs. Also featuring all new artwork from the incredible Matt Ryan Tobin and liner notes from composers Leo Birenberg, Zach Robinson, star Ralph Macchio, and showrunners Josh Heald, Jon Hurwitz, and Hayden Schlossberg. Music from the first 3 seasons of the series curated into three collections of music: Disc 1: COBRA KAI - a curated mix of music scoring the most badass dojo in the Vallely Disc 2: MIYAGI-DO - curated selections from the music scoring Laruso Family, and it's ties to the Miyagi legacy. Disc 3: FINAL FIGHTS - the music from all three of the explosive season finale episodes.All of the music has been hand selected, and in many cases expanded from their original form for the most definitive Cobra Kai listening experience available.

The Same Old Blood Rush with a New Touch is the debut studio album by American rock band Cute Is What We Aim For. Following the band's formation in early 2005, they posted demos on Myspace and PureVolume. These demos soon garnered attention from record labels. After a period of time, the group received a call from major label Fueled by Ramen founder John Janick, who signed the band. Vinyl description: Silver colored vinyl

Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene.After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo's Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa.For this third chapter of the acclaimed Wamono series, Yoshizawa and Chintam unheart some of the best and rarest light mellow funk tunes and disco boogie bangers produced in Japan between 1978 and 1988. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

Vinyl LP pressing. The Raincoats, seminal post-punk band, 'godmothers of grunge' and inspiration to a generation of riot grrrls, formed in the late 1970s when Gina Birch met Ana da Silva, becoming one of the most important underground bands Britain has ever produced. Ana and Gina, along with the various musicians who flowed in and out of the band's many formations, created a sound that, while inspired by punk and rock music that had come before, was uniquely and uncompromisingly powerful and female, and which has held a fascination over all those lucky enough to have stumbled across it. ' Nazmia Jamal

Beautiful Garbage is the third studio album from Garbage, initially released on October 1, 2001. The album expanded on the band's musical variety, with stronger melodies, more direct lyrics, and sounds mixing rock with electronica, new wave, hip hop, and girl groups. Featuring newly remastered audio by Billy Bush & Butch Vig, this deluxe edition includes Beautiful Garbage on 2 x 180g Black Vinyl, as well as a 12" 180g of B-Sides and memorabilia.

We welcome a new member to our Resident Evil soundtrack vinyl family with a deluxe four-disc box set for the most recent mainline game. Resident Evil VII: Biohazard looked back to the series' survival horror roots while looking forward technologically, being the first full RE Engine title and optionally playable in VR. By shifting to a first-person perspective, introducing a new protagonist and featuring a distinct setting, RE7 refreshed the formula and won plaudits in the process. The game's international composition team comprised Miwako Chinone, Brian D'Oliveira, Satoshi Hori, Akiyuki Morimoto and Cris Velasco. The score is lower key and more ambient than it's predecessors without skimping on the anxiety and intensity that Resi games are known for. Jordan Reyne & Michael A. Levine also contributed a chilling rendition of the folk song "Go Tell Aunt Rhody." All music has been specially mastered for vinyl and will be pressed onto audiophile-quality, heavyweight 180g discs. These will be housed in spined inners sleeves that slip into a deluxe gatefold box set. Sleeve artwork and design by Capcom and Boris Moncel of Blackmane Design.

Beautiful Garbage is the third studio album from Garbage, initially released on October 1, 2001. The album expanded on the band's musical variety, with stronger melodies, more direct lyrics, and sounds mixing rock with electronica, new wave, hip hop, and girl groups. This brand new edition featuring newly remastered audio by Billy Bush & Butch Vig on 180g black vinyl.

Limited Edition Red / Pink Haze Vinyl

GRAMMYr nominated OneRepublic releases their 5th studio album, Human, featuring the previously released singles "Rescue Me," "Somebody To Love," "Wanted," and "Run."

Limited Edition Silver Vinyl

Unleashing influential albums with devastating anthems for over 30 years, Fear Factory is widely recognized as both crucial and innovative in extreme metal circles. Fear Factory manufactured, demanufactured, and remanufactured a sound that reverberates across several subgenres. "Aggression Continuum" is the band's tenth studio album, their latest since 2015's "Genexus"

The first live Steely Dan album in over 25 years, Featuring Hey Nineteen, Aja, Reelin' in the Years & more on 2LP 180g black vinyl.

Brandi Carlile's new album, In These Silent Days, October 2021 via Low Country Sound/Elektra Records. It's the follow-up to her 2018 album By The Way, I Forgive You, and she recorded it at Nashville's RCA Studio A with producers Dave Cobb and Shooter Jennings. Tim Hanseroth (vocals, bass), Phil Hanseroth (vocals, guitar), Cobb (guitar, percussion), Jennings (piano, organ, synth), Chris Powell (drums, percussion), and Josh Neumann (strings) all appear on the album, and Jess Wolfe and Holly Laessig of Lucius make a guest appearance, adding backing vocals to "You And Me On The Rock."

?John Lee Hooker is not only a mystery but also an interesting man to study. Some, like the author Jacques Demêtre called the musician from Mississippi » the rawest and African of all blues players from a musical point of view«, while the critic Net Hentoff was awestruck by Hooker's unfiltered power of expression that could scare the pants off a listener taken unawares. The numbers on this LP bear witness to the fact that Hooker's musical language could stir one's emotions deeply, even without the meaty 'boom boom'. Each title is like a raw diamond, which is intentionally uncut and is to be perceived with directness. With a stutter and a slur in his speech, the singer declaims his song over a twangy guitar, which is driven along by the rhythmic meter. A final farewell is taken sluggishly and sullenly in the forthright text of 'You Lost A Good Man', and even a song without words ('Misbelieving Baby') ponders a question in a purely instrumental monologue. Apart from a dash of boogie ('Pouring Down Rain') Hooker avoids all manner of sweet sounds and harmonies. He remains austerely raw, mercilessly honest, occasionally unforgiving and denies all thoughts of any kind regarding going 'back to the roots'. This sound IS the root of it all.

Double colored vinyl LP pressing. Mondo Music, in collaboration with Hollywood Records, is proud to present the premiere vinyl pressing of Mark Mothersbaugh's score to Thor: Ragnarok.

Celebrating 10 years since they first recorded together, Tony Bennett & Lady Gaga returned to the studio for another collaboration featuring the very best of the Cole Porter Songbook. Continuing the musical legacy that began with “Lady Is A Tramp,” followed by the GRAMMY winning album, Cheek To Cheek, this new recording captures the evolution of the singular creative and personal relationship of these two world famous artists. Tony, who turns 95 on August 3, 2021, has spent over 7 decades dedicated to performing the Great American Songbook and Lady Gaga who, with Tony by her side, renewed her love of the popular standard and redefined herself in the process. The album features duets as well as solo performances by both artists accompanied by Tony Bennett’s quartet, The Brian Newman Quintet, along with big band and orchestral arrangements by Marion Evans and Jorge Callandrelli.

Vinyl LP pressing. Ship to Shore PhonoCo. Is proud to present the experimental Japanese ambient classic Prologue For Post-Modern Music for the first time on vinyl since it's original release in 1984! Unavailable since it's debut 37 years ago, Masashi Kitamura + Phonogenix's LP can almost be seen as the natural progression from the experimental recordings put out by Brian Eno in the 1970s to the releases The Orb and The Future Sound Of London were famous for in the 90s. Prologue For Post Modern-Music is a mixture of ambient and electronic sounds that is beautifully both classical Japanese and New Age. An album to get lost in.

The only artist to ever achieve #1 albums in SIX consecutive decades, Barbra Streisand’s Release Me 2 is yet another musical gem in her unparalleled career.  The follow-up to her acclaimed 2012 album, Release Me, this new collection contains previously unreleased tracks from Barbra’s vault, including duets with Willie Nelson and Kermit the Frog. With songs by Burt Bacharach, Hal David, Barry Gibb, Paul Williams, Randy Newman, Michel Legrand and Alan & Marilyn Bergman, Harold Arlen, and Carole King, Barbra describes Release Me 2 as, “A lovely walk down memory lane…a chance to revisit, and in some cases, add a finishing instrumental touch to songs that still resonate for me in meaningful ways.” This Exclusive Picture Vinyl is limited to 3,000 units and available exclusively via Independent Record Stores.

On Continua, the Australian Nemesium continue the trajectory begun on the Sentient Cognizance EP, both musically and as a continuation of the dark science fiction horror begun on that initial release. The quintet from Down Under, having risen from the ashes of several earlier metal bands, burst forth near fully formed on Sentient Cognizance, but it is on Continua that the evolution is complete. In this latest evolution, Nemesium present an essentially perfect blend of modern Death Metal, Second Wave Black Metal, hints of the Stockholm Sound, and even traditional Heavy Metal. Riffs ranging from emotionally weighty to outright feral sit comfortably within the bleak, roiling atmosphere of terror call forth by the band. Allow Nemesium to transport you into the void. These are the premium, First Class tickets.

The magnificent and incomparable Muddy Waters performed 3 legendary concerts at the Montreux Jazz Festival throughout the 1970s. Each of these historic concerts were recorded. Muddy Waters name is synonymous with the authenticity, excellence and individuality of the festival and this collection is a celebration of his unique talent. The Montreux Years collection will bring together for the first time, some of the finest moments from Muddy Waters' celebrated performances alongside rare material, unheard since the original recording. Expertly curated by the Montreux Jazz Festival and BMG, restored and remastered in superlative HD audio; The Montreux Years is released on superior audiophile heavy weight vinyl, MQA quality CD and in HD digital. Montreux Media Ventures (MMV) in partnership with BMG are working together to produce and release a premium series of albums and activities, curated from the unique Montreux Jazz festival archive; one of the finest music collections in the world. As part of this exciting new joint venture MMV and BMG have commenced work to establish a new series of deluxe artist collections under the new official Montreux Jazz records imprint. These initial collections; The Montreux Years will bring together the most iconic performances from the most significant artists to perform in the festival's impressive five decade history. The collaboration is an unprecedented curation project. The most extensive exploration of the official archive in the festival's history. Expertly curated by the MJF and BMG teams and overseen by Claude Nobs' partner and president of the Claude Nobs foundation, Thierry Amsallem, who will act as executive producer across the series. The Montreux Years series is a celebration of Claude's love of the artists and passion for the festival and are a fitting tribute to his legacy. The BMG and Montreux Jazz music festival design teams will work in partnership to produce new and authentic creative, faithful to the festival's reputation for iconic artwork.

Formed in Japan in 2010, Babymetal have grown from a national success story into one of the most powerful musical phenomena in the world today. Backed and supported by some of the finest metal musicians their native land has to offer, Sumetal and Moametal began their mission to unify the world through heavy metal and 10 Babymetal Years is the perfect overview of the band's last decade. The special blend of fast driving heavy metal and melodic J-pop defines the unique sound of Babymetal. On this compilation both phases are well represented: the time as a trio and the duo appearances. Their first Best Of-compilation contains one track that is previously unreleased in the western world and also boasts performances by Alissa White-Gluz (Arch Enemy), Herman LI (Dragonforce) and many more.

In the grand tradition of Gravity Falls, we're taking a cue from Grunkle Stan and keeping this product description a wee bit cryptic. After all, the proprietor of the Mystery Shack wouldn't dare reveal all of his secrets in a single breath. Instead, as part of the price of admission (i.e. pre-ordering this decadently vague musical recording), you, dear pre-purchaser, will be invited along on a journey through the unknown with iam8bit, Walt Disney Records, creator Alex Hirsch and composer Brad Breeck. Occasionally, and with absolutely no warning, we'll share glimpses of the album as it takes it's final form, via the interwebs (ephemeral mail... err... e-mail; Twitter seances; etc.), giving you an inside look at what is bound to be the most profoundly definitive musical recording, frankly, ever. Seriously, this is a very special release, many years in the making, excruciatingly manicured by the impeccable duo of Hirsch and Breeck... and it will be unlike anything else you've ever played on a turntable. For now, place your pre-order, then sit back, relax and wonder why you just spent your hard-earned money on a thing you've never even seen.

Even with a discography characterized by confounding expectations, however, nothing will prepare listeners for "Amazing Things" - with it's abundance of styles, emotions and pop culture references making for the most combustible powder keg of a record this side of Limp Bizkit's Chocolate Starfish and the Hot Dog Flavored Water. It is one of the year's best albums, and unquestionably the most eccentric. The roots of "Amazing Things" date back to the latter part of 2018, when Don Broco, in the midst of the lengthy album cycle for "Technology", supported Linkin Park legend Mike Shinoda on his 23-date US tour.

The All Seeing Eye is Wayne Shorter's brilliant and multi-layered album for Blue Note. His goal was to use "a wider range of colors and textures" while continuing his explorations of "life and the universe and God." Joining Shorter are Freddie Hubbard, Grachan Moncur III, James Spaulding, Herbie Hancock, Ron Carter, Joe Chambers, and Wayne's brother Alan Shorter on flugelhorn. The Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Carole King's Tapestry is the rare record that plays in your head the moment it's title, cover art, or songs are mentioned. Ranked the 36th Greatest Album of All Time by Rolling Stone, it is the singersongwriter LP you'd bring to the proverbial desert island if you were limited to one choice. Indeed, one reason Tapestry endures-apart from the flawless songwriting, earnest deliveries, and eloquent performances-owes to the naturalness of the production and songs. King's articulations on love, conviction, friendship, place, sadness, and companionship ring true because there's no doubting their meaning, intent, or sincerity. Tapestry makes you feel. It compels you to get closer to the music and the musicians performing.

Commemorating the record's 50th anniversary, mastered from the original master tapes, cut at 45RPM, pressed on MoFi SuperVinyl at RTI, and limited to 10,000 copies, Mobile Fidelity's UD1S box set remains faithful to original album producer Lou Adler's vision of making King (and not just any pianist player) appear seated and playing just for you. The wider grooves allow more information to reach your ears, and MoFi SuperVinyl means the noise floor is as absolutely low as possible. The results mirror what went down in A&M Studios: Lean, simple, direct, and so nakedly real the sonics evoke what might be heard on a professional demo tape.

There's only one Tapestry, and this collectible version weaves together all it's elements in incomparable fashion.Feel the Earth Move: Mobile Fidelity UltraDisc One-Step 180g 45RPM 2LP Box Set Is the Consummate Version of Tapestry and Puts Carole King in the Room. Ranked the 36th Greatest Album of All Time by Rolling Stone: Includes 'You've Got a Friend,' '(You Make Me Feel Like) A Natural Woman,' and 'Will You Love Me Tomorrow?'

Limited 180gm vinyl LP pressing in gatefold jacket. Switchfoot reaches a bold new creative peak on interrobang, the 12th full-length album of the multi-platinum selling rock band's 20+ year career. Working with producer Tony Berg (Phoebe Bridgers, Andrew Bird), Switchfoot recorded the album in a burst of pent-up mid-pandemic creativity throughout last year and into 2021. Fearlessly marrying 60's experimentalism and synth-driven new wave swagger, the band pushed past it's comfort zones and retooled it's sound.

Deluxe CD edition and first time vinyl pressing of the landmark 1993 debut album from Columbus OH goth rockers, The Wake!Special bonus disc contains unreleased mixes, demos and versions heard here for the first time ever!As part of the early '90s wave of goth rock bands, The Wake earned numerous critical accolades and through extensive touring landed on the same bill as NIN, Skinny Puppy, Christian Death, And Also The Trees and more!CD comes in a special mini-LP gatefold while the vinyl comes in limited edition PURPLE!

SEGA and Laced Records have formed a pact to present the music of Yakuza 0 (Ryu ga Gotoku Zero: Chikai No Basho) on vinyl. The double LP set features 27 remastered tracks picked by the Yakuza team. Two heavyweight 180g LPs in light blue and green will come in printed inner sleeves, all housed in a wide-spined outer sleeve. The game's vibrant soundtrack includes a modern - yet often '80s-inflected - blend of pop, rock, and electronic dance styles. The vast array of composition and production talent was led by long-time SEGA composer Hidenori Shoji.

Swift’s album, folklore, now on Beige 2 LP coming July 23rd! "Most of the things I had planned this summer didn’t end up happening, but there is something I hadn’t planned on that DID happen. And that thing is my 8th studio album, folklore," she said, letting fans know she poured all her whims, dreams, fears, musings into the 17 tracks. "I wrote and recorded this music in isolation but got to collaborate with some musical heroes of mine; Aaron Dessner, Bon Iver, William Bowery & Jack Antonoff.

Limited color vinyl pressing of legendary Brazilian psychedelic group Os Mutantes 2020 release. An album inspired by the mysterious Californian desert location of Zzyzx that takes listeners through the Mojave Desert and it's infamous Area 51 with a goal to break down the barriers of music made on Earth. This quirky new record keeps up with the bands trademark sonic collage approach and tendency for cultural irony, an aesthetic prevalent in Os Mutantes' music since their formation in Sao Paulo, Brazil, 1966 and one which has gained them an always growing list of luminaries including the Flaming Lips, David Byrne, Devendra Banhart, Of Montreal and Beck.

Mandala is the fourth Mello Music Group compilation - previous compilations include Mental Liberation, Helpless Dreamer, and Self Sacrifice - featuring Oddisee, Apollo Brown, L'Orange, Quelle Chris, Murs, Milo, Georgia Anne Muldrow and more.The album showcases the ever-evolving roster of top-tier producers and rappers on MMG, many of whom (e.g. Oddisee & Quelle Chris) fill both roles with equal dexterity. Additionally, it features several artists nearby MMG, a testament to their commitment to working with those who possess singular sonic and lyrical abilities.Mandala is at once compact and comprehensive. There is not a minute wasted and not a miss in sight. It is diverse and yet somehow cohesive, tailor made to rock your car speakers and your brain stem. It is MMG's reminder that hip-hop is alive and well, and a reintroduction to a label that's tried never to forget what makes music compelling.With a multitude of producers behind the boards, the soundscapes on Mandala cover the map and the album is all the better for it. Oddisee helms the opener and tracks throughout with a musicality like few in Hip-Hop today. L'Orange brings subtle, jazzy suites to the table, and Quelle Chris provides dusty samples looped over hard-hitting drums as well as anyone else. Each beat is far richer and more inventive, able to play on it's own and provide the perfect complement to the raps at hand.As far as the rhymes are concerned, the rappers on Mandala leave nothing to chance. The MCs on the comp are intelligent and self-aware, capable of the comic, tragic, and in-between at the sound of a snare. They have an old-school reverence for rhyme with a modern state of mind and modern problems. Come-up or comedown, shine or shadow, friend or foe - they are fearless in confronting all fears.Above all, Mandala is a sign of the great and innovative music in the history of MMG.

180 gram opaque white vinyl, Our Lady Peace "Clumsy"

Chunk! No, Captain Chunk! pulled off a magic trick on their 4th album by staying true to their pop-punk/metal path while finding brand new avenues to travel down. Gone Are The Good Days was a redemption in many ways - proving to themselves they had more to say and wringing out something pure from the pandemic era. "The album was a way for us to turn the 2020 bullshit into a better mindset," Bert says. "To give us a better future." Translucent Tiger's Eye 2 LP. Gatefold Jacket.

Anime Limited is proud to present the soundtrack from Hiroyuki Sawano (Promare, Kill la Kill and Kabaneri of the Iron Fortress) for the second season of Attack on Titan! The original soundtrack to this second TV series, first broadcast on Adult Swim in 2017, is composed by prolific and popular Japanese composer Hiroyuki Sawano (Promare, Kill la Kill, Blue Exorcist) and provides a bombastic mix of electronic music, guitar-driven tracks and orchestral overtones.

Deluxe GREEN & YELLOW SPLATTER vinyl version of the newest album from hilarious punk rock pranksters, Green Jelly (formerly Green Jello) - best known for their 1993 hit "Three Little Pigs!" Includes guest musical performances by members of Trailer Park Boys, Suicidal Tendencies, Fishbone, The Dwarves, Piledriver, Hacksaw Jim Duggin, Kittie and other PLUS special cameos by "Weird Al" Yankovic and Wink Martindale! Full color illustrations by the artists who created the '80s trading card phenomenon Garbage Pail Kids, including unique drawings for each song which can be cut out to create trading cards!

Brand new album from Detroit's fun-loving alternative garage rock collective, Electric Six!Streets of Gold is a high-octane collection of cover songs hand-picked by Electric Six itself and showcases the band's eclectic and excellent musical tastes highlighted by Alice Cooper, INXS, Roky Erikson, James Ingram, The Pixies, Love and many more!Includes special recently recorded versions of the band's biggest, most infamous hits, "Danger! High Volgate" and "Gay Bar!"Full publicity campaign planned and set to launch with the release of the first single "Yah Mo B There" along with a full concept video!Available in a deluxe CD digipak as well as in a 2 part vinyl package with the full album on colored vinyl PLUS a bonus 12" single!

The complete original soundtrack from the critically acclaimed anime movie A Silent Voice, produced by Kyoto Animation and directed by Naoko Yamada, and adapted from the award-winning manga of the same name.This emotional journey of ambient music is composed by Kensuke Ushio, whose other soundtrack compositions for anime include the Netflix series Devilman Crybaby and Japan Sinks 2020.

Blues-rock superstar Joe Bonamassa set out to perform his brand-new music for fans amidst a global entertainment shutdown. This led to an incredible live concert at the legendary Ryman Auditorium in Nashville, TN. This special show includes songs from his latest studio album, Royal Tea, which was inspired by his British guitar heroes Jeff Beck, Eric Clapton, and Cream. Joe also performs a few songs from his debut album, A New Day Yesterday, which helped launch his illustrious career. 180 gram 2xLP.

Henceforth & Hooray - it is to be declared herein, that iam8bit has teamed up with the marvelous maniacs, The Game Band (not a musical band) and another equally lovely band, 'the garages' (an actual musical band), to produce our MOST AMBITIOUS VINYL SOUNDTRACK EVER. Said wax & groove artifact is regarding the ongoing cultural event phenomenon known as Blaseball, which prior to this record manifesting into existence, had a reputation for containing absolutely no audio at all. But now, thanks to The Garages, a soundtrack has been concocted, themed upon the historically significant "DISCIPLINE Era," which was allegedly also the first era, inspiring the multi-dozen-member Garages ensemble to write a whole bunch of songs about it, including the global smash hits "The Ballad of the Unremarkable Derrick Kreuger" and "In The Feedback" - each of which have been listened to so many times, the internet gave up counting. This album is so freakin' good, y'all!

The full throttle new album from '90s alternative rock giants, Sponge!Vocalist and founding member Vin Dombroski pours 3 decades of rock music magic into these 11 brand new songs highlighted by a killer lead-off track "Stitch," the raucous "Fits My Addiction," and the powerful ballad "Socially Distant" PLUS a phenomenal new recording of the band's best-known hit "Plowed!" Will be supported by a full publicity campaign including a pro-shot concept video for the album's lead single "Stitch" plus full service to radio and more!Available on both digipak CD and limited edition CLEAR vinyl!

Waxwork Records, in partnership with Back Lot Music and Focus Features, is proud to present Edgar Wright's The Sparks Brothers Original Motion Picture Soundtrack. Pressed to 180-gram vinyl on two vinyl variants of "Pink" or "Black and White Marble" colored vinyl, this deluxe 4xLP includes 42 tracks that take us on a journey through five decades of music with Sparks brothers, Ron and Russell Mael.The Sparks Brothers is a 2021 documentary directed by Edgar Wright and produced by Edgar Wright and Nira Park. Wright often uses music as a fundamental part of his filmmaking, drawing especially from popular music. He was inspired to create a film about the brothers after a life-long obsession with the band. Spending much of their personal lives out of the public eye, this riveting documentary finally sheds light on the Sparks brothers in an intimate way. With commentary by stars like Beck, Thurston Moore, Flea, Duran Duran, and Jack Antonoff, we discover how much of an influence the brothers had over the cinematic and musical world. "If you want to look at Ron and Russell, you have to look at them through one prism. And that prism is cinema." - Alex Kapranos, Franz Ferdinand Formed five decades ago, Sparks is a pop-rock band comprised of two brothers, Ron and Russell Mael. The ever-evolving band has always stayed at the forefront of modern pop by changing it's music styles and visual presentation. With 25 creative and bold albums under their belt, the pop duo has influenced and set the tone for many bands to follow. "Because Sparks went off and did completely different things, they planted the seed and others picked up on it and carried it on, as Sparks went off in another direction. They truly opened musical paths," says producer George Hencken (Soul Boys of the Western World). Waxwork is thrilled to present the vinyl release of The Sparks Brothers as a 4xLP deluxe album package featuring 180 gram "Pink" or "Black and White Marble" colored vinyl, exclusive liner notes by Edgar Wright, and The Sparks Brothers themselves, Ron and Russell Mael, an eight-page booklet, and an 11"x17" poster, all housed in a deluxe heavyweight four-pocket book-style gatefold jacket with matte satin finish with design and layout by Matt Needle. The soundtrack features classic hits by Sparks, including live recordings and a lyric reading by Neil Gaiman.

On Halloween night, this pumpkin-shaped LP will rise from sincere vinyl collections the world over and bring audible presents to all the good girls and boys. Featuring the music of GRAMMY-winning composer/performer Vince Guaraldi, this limited run album includes insightful liner notes by Derrick Bang, Peanuts historian and author of Vince Guaraldi at the Piano. The album includes two of the most beloved tracks in the Guaraldi canon, “The Great Pumpkin Waltz” and “Linus and Lucy.”

Dream Theater, the two-time GRAMMY-nominated and millions-selling legends of progressive music, are pleased to announce the 'Lost Not Forgotten Archives'. This fresh collaboration between the band and record label InsideOutMusic will see the virtuosic quintet's long-standing Ytsejams Records catalog reissued, alongside some brand-new additions to this special collector's series. The third installment in the series is the first of the classic Ytsejams Records catalog to be re-released, and comprises the instrumental demos from Dream Theater's monumental 2003 studio album, Train of Thought, remastered on CD & 2-LP.

Goodfellas (Music From The Motion Picture) - Martin Scorsese's Motion Picture "Goodfellas" needs little introduction. It is widely regarded as one of the greatest films ever made, and the ultimate mob movie. The soundtrack features artists Tony Bennett, Aretha Franklin, The Shangri-las and many more. It is a very rare find on vinyl, having only being pressed in a couple of small runs in the early 1990s. This 1LP release is pressed on blue vinyl.

To celebrate Laced Records' fifth anniversary, and also to mark five years since DOOM ripped & tore up people's expectations of the series, we present two new variants of the quadruple vinyl box set.This 5th Anniversary Standard Edition features traditional black LPs. All music has been specially mastered for vinyl by Joe Caithness and will be pressed onto audiophile-quality, heavyweight 180g discs.The set features 31 tracks composed and sequenced by sonic cyberdemon Mick Gordon. The soundtrack won "Best Music" at The Game Awards 2016, and has continued to gain plaudits as one of the most distinct and innovative scores ever created for a video game.

Lump began in 2018, with a collaboration between Mike Lindsay - a Mercury Prize-winning producer and co-founder of band Tunng, and the GRAMMY-nominated singer-songwriter Laura Marling. "The last record was an experiment," says Lindsay. "And I thought we weren't ever going to do another Lump record." As with the first album, Marling would arrive in the studio without having heard any of Lindsay's music, with the hope that it would bring the lyrics an immediacy and a spontaneity. Having begun studying for a Masters in psychoanalysis, she found she drew heavily on her course texts for this album's lyrics. There were other sources too: half-memories, family stories, strange dreams; things she had read, or been told or imagined. Animal was a word Marling threw into a lyric simply to meet a rhythm. But it seemed to capture the mood of the record, and of the band as a whole. "There's a little bit of a theme of hedonism on the album, of desires running wild," she says."Through Lump we find our inner animal, and through that animal we travel into a parallel universe," adds Lindsay.

2021 marks the 50th anniversary of John Denver's Poems, Prayers & Promises - which we are excited to reissue on August 13th! The announcement is May 14th, at which time the data embargo will be lifted, the title can be public-facing, and internet preorders can begin.

Laced Records and Capcom team up once again to bring fans Resident Evil? soundtracks on audiophile-quality vinyl. Pre-orders are now open for the Resident Evil? 4 soundtrack on four LPs, featuring remastered audio from the 2005 Nintendo GameCube? title, and brand new vinyl sleeve artwork by Boris Moncel. Resident Evil 4 fundamentally changed the survival horror series by injecting action gameplay moving to a more action-packed over-the-shoulder camera. The gaming world continues to celebrate it as one of the most tightly designed and inventive video games ever made ? a true classic that inspired many other games across several genres. For the music score, composers Shusaku Uchiyama and Misao Senbongi ratcheted up the tension with layers of unsettling electronic sounds and percussion loops; and also created fan favourite tracks ?Serenity? and ?Save Theme? suffused with anxious, atmospheric synths.

TOMMY BOY REISSUES EXCLUSIVE LIMITED EDITION PRESSING OF NOREAGA'S "N.O.R.E. "ON SEPTEMBER 17, 2021 AS PART OF TOMMY BOY'S 40th ANNIVERSARY CELEBRATIONRaised in Queens, New York, rapper, actor, and media personality Noreaga (N.O.R.E) has spent the better part of the last 3 decadestopping charts, pushing buttons and capturing the world's attention. While he may be known these days as the host of one of themost popular podcasts in the world, "Drink Champs, " it was his earlier work as an unapologetic, energetic MC that helped to catapultthe multi-talented artist into the spotlight.First making waves with his work as one half of duo Capone-N-Noreaga alongside fellow Queens rapper Capone, N.O.R.E.'s career has beenunrelenting since first hitting the charts in 1997. Shortly after the release of their massively successful debut album, "The War Report", Capone landed himself back in prison and N.O.R.E. moved ahead as a solo act, finding further success with his first, self-titled album, "N.O.R.E.".Released in 1998, the album catapulted up the charts, peaking at #3 on the Billboard 200 and went on to be certified platinum by the RIAA.With features from fellow NYC MC's Nas, Kool G Rap, Big Pun and Busta Rhymes and featuring production from then-up-and-comingproducers, The Neptunes and Swizz Beatz, "N.O.R.E.", was praised by critics for it's modern, futuristic sound and helped to further cementN.O.R.E.'s spot as one of the most successful and memorable artists in Hip Hop.Thanks to the massive success of singles like, "Superthug", "N.O.R.E.", and legendary posse cut, "Banned from T.V.", N.O.R.E.'s debut albumhas continued to find success around the world and is without a doubt an undisputed classic amongst Hip Hop heads. As part of their40th Anniversary celebration, Tommy Boy will be reissuing this game-changing album in limited, colored vinyl which is sure to be a musthave for records collectors far and wide.

By going back to basics with Every Good Boy Deserves Fudge, Mudhoney flipped conventional wisdom. Not for the first time - or the last - they would be vindicated. A month after release in July 1991, the album entered the UK album chart at Number 34 (five weeks later, Nirvana's Nevermind entered at 36) and went on to sell 75,000 copies worldwide. A more meaningful measure of success, however, lay in it's revitalisation of the band, casting a touchstone for the future. The record is a major chapter in Mudhoney's ongoing story, the moral of which has to be: when in doubt, fudge it.The album began at Music Source Studio, a large space equipped with a 24-track mixing board - downright futuristic, compared to the 8-track setup that birthed the band's catalytic 1988 debut, "Touch Me I'm Sick." The Music Source session quickly turned into a false start when the results, in guitarist Steve Turner's words, "sounded a little too fancy, too clean." Lesson learned, the band went primitive and got to work at Conrad Uno's 8-track setup at Egg Studio. Named after the cartons pasted on the walls in an optimistic attempt at sound-proofing, Egg boasted a '60s vintage 8-track Spectra Sonics recording console, originally built for Stax in Memphis.So it was that, in the spring of 1991, Mudhoney made Every Good Boy Deserves Fudge. The resulting album is a whirlwind of the band's influences at the time: the fierce '60s garage rock of their Pacific Northwest predecessors The Sonics and The Lollipop Shoppe, the gnashing post-hardcore of Drunks With Guns, the heavy guitar moods of Neil Young, the lysergic workouts of Spacemen 3 and Hawkwind, the gloomy existentialism of Zounds, and the satirical ferocity of '80s hardcore punk. The quartet's special alchemy meant these fond homages never slid into pastiche. Ultimately, Every Good Boy Deserves Fudge epitomised the best of Mudhoney: here was a band reconnecting with it's purest instincts, and in the process reinventing itself. This 30th anniversary edition, remastered by Bob Weston at Chicago Mastering Service, stands as testimony to the creative surge that drove them in this period. The album sessions yielded a clutch of material that would subsequently appear on B-sides, compilations, and split-singles. This edition includes all those tracks, and a slew of previously unreleased songs, including the entire five-track Music Source session.

Considered one of his most successful and most popular albums, No More Tears is Ozzy Osbourne’s sixth solo studio album, originally a top 10 album upon its release in September 1991. Featuring some of Zakk Wylde’s best-ever guitar work, along with four songs co-written by Motörhead’s Lemmy Kilmister, No More Tears contains some of the biggest songs of Ozzy’s career, including the top 5 rock radio hits “No More Tears” and “Mama, I’m Coming Home” (the latter also his highest charting top 40 radio track), along with the Grammy®-winning song “I Don’t Want to Change the World.” The album went on to become quadruple-platinum in the US, becoming one of Ozzy’s two best-selling albums alongside his groundbreaking solo debut Blizzard of Ozz. Format: 2-LP 180 gram black vinyl, housed in a Gatefold jacket.

Double LP heavyweight black vinyl housed in a gatefold sleeve with remastered & remixed audio, and reimagined front cover artwork

On limited Blue Seaglass Wave Translucent vinyl. Last spring, Devendra Banhart and Noah Georgeson started to make a record that was like nothing they had made before - an ambient album that would be both a haven from a suddenly terrified world and a heartfelt musical dialogue between two men who have been friends and collaborators for over two decades. Refuge is an album of profound meditative beauty which offers the listener a much-needed sense of peace and renewal. But while it was recorded in 2020 it's roots go back much further - all the way to the start of their friendship and, beyond that, to the shared sounds and ethics of their childhoods. "When the pandemic began, we realised we needed to make this record," Devendra says. "But we've been talking about it for so long. It's kind of been 20 years in the making." Devendra and Noah met on the night of Halloween, 1999. Noah lived on Castro Street, the epicentre of San Francisco's Halloween celebrations, so their first encounter was in costume. "He was wearing a skirt and I was dressed as Bjorn Borg," Noah remembers. "I wasn't sure if this was Halloween or just him and it was the same for me. His first impression was that I was a French drug dealer." Having established that he was not, in fact, a French drug dealer, they became fast friends. Noah, whose production and mixing credits include Joanna Newsom and the Strokes, came on board as co-producer of Devendra's 2005 album Cripple Crow and they have been working together ever since. Devendra grew up in Venezuela while Noah, six years older, is a native of Nevada City, California. But as they got to know each other, they realised that they had a similar history in the New Age subculture of the 1980s: a world of meditation, Eastern music, the Bhagavad Gita and The Whole Earth Catalog. Childhood memories were coloured by the aromas of health food stores and the sound of New Age labels like Windham Hill Records. "We recognised that in each other," Devendra says. "Our whole childhoods were spent in health food stores. I have visceral memories of a Windham Hill album playing, the old worn-in wood, the Birkenstocks - all the hippie accoutrements. We wanted to make an album that evoked that nostalgic feeling." Twenty years ago, though, this music was deeply unfashionable. "It wasn't cool for a long time," Noah says. "I went to grad school for music composition. Coming from an academically rigorous world, I rejected this kind of music because it's simple, gestural music. It took me a while to come to a place where I was OK with that. It was not our intention to mimic these records but that New Age world is part of the musical foundation." He also cites the influence of the maverick composers Henry Cowell, Lou Harrison and Pauline Oliveros, whose practice of "Deep Listening" was very influential for this record. Oliveros has described "Deep Listening" as "an aesthetic based upon principles of improvisation, electronic music, ritual, teaching and meditation," and came up with the term after she recorded a piece in a cistern. Refuge's track "In A Cistern" is a direct nod to this. It was while making Devendra's 2019 album Ma that the pair finally decided to make their ambient record. At one point there was a rather expensive plan to travel around capturing "natural sounds of the dying world," but the global lockdown in March 2020 demanded a radical change of strategy. Even though they only live a short drive away from each other in Los Angeles, they were unable to meet, so Devendra and Noah had to record their tracks separately and weave them together remotely. "It feels like the most intimate thing we've done but it's the first time we haven't been in the same studio," Devendra says. "This would be the only record we could possibly make like this." Despite complicating logistics, 2020 created an emotional craving for music with this contemplative, therapeutic quality. "It's been such an uncertain, frightening time," Devendra says. "I was turning more than ever to ambient music, particularly Harold Budd. I met Harold a few years ago and we got to play together. In many ways I made this to share with my favourite ambient composer but unfortunately he passed away from Covid last year. That was heartbreaking." "For us, it's not specifically about the last year but it necessarily became about that in a way because of how we had to make it," Noah says, "and it's probably going to resonate that way." The two men approach a similar mood from very different compositional angles, ranging from weightless synth drones to luminous lattices of woodwind and strings. "Noah's are more composed," Devendra says. "Mine are a bit more ethereal. The ambient music I'm interested in is quite utilitarian. It's kind of like incense: it heightens the mood and the environment. The interplay between my ethereal songs and his very definite, clearly constructed songs is complementary." As the tracks took shape, the duo asked musicians in their circle to record parts remotely: Mary Lattimore on harp, Nicole Lawrence on pedal steel, Tyler Cash on piano, Todd Dahlhoff on bass, Vetiver's Jeremy Harris on synthesizer and additional production, and David Ralicke on brass and woodwind. Devendra, who has been studying Vajrayana Buddhism for the last decade, also invited contributions from spiritual teachers. "I probably wouldn't be able to navigate the world if it wasn't for spiritual practice," he says. "Buddhism is about cultivating compassion, for myself and for others." Meditation teacher Sharon Salzberg ("she's one of the people who introduced the word mindfulness to the west") adds a little guided meditation to "Sky Burial", Venezuelan guru Sri Mataji Shaktiananda appears on "A Cat", and Devendra's own Bhutanese teacher Neten Chokling Rinpoche recites a mantra at the end of "Asura Cave", which features field recordings of Buddhist ceremonies Devendra gathered in Nepal. "'Asura Cave' is supposed to feel like travelling from monastery to monastery," Devendra says. "How do you create the feeling of travel when everyone's stuck at home?" There are stories tucked inside Noah's tracks, too. The exquisite final track "Aran in Repose" is an ode to his wife Erin, while the minimalist opener "Book of Bringhi" was inspired by a surprising discovery in one of his parents' spiritual books. "Bringhi is an insect that takes on the likeness of the insect that consumes it, which I thought was such a wild, beautiful, and interesting concept," he explains. Inspired by both memories of the past and the needs of the present, Refuge is an act of companionship and generosity which gives the listener room to breathe. "We're hoping to create a sense of comfort and coming back to the moment," Devendra says. "It's really important to have a little bit of space between us and our anxieties and impulses. What you do with that space is up to you."

Orange colored vinyl LP pressing. Beggars Arkive is excited to announce the LP reissue of Gary Numan's fifth album Warriors. Originally released in 1983 and co-produced with Bill Nelson, the album continues Numan's ambient-funk experimentations and has aged very well.

Classic 1981 Gun Club debut album with bonus material and a 2nd CD of a never before released 1981 live recording.This Deluxe Edition not only features a remastered version of the original classic album, but disc 1 of the CD will include 10 bonus tracks of alternative versions and the original 4 track demos. The 2LP set will have the original LP and will include a download card for the digital versions of the 10 bonus tracks. Both the 2nd CD & 2nd LP will feature the never before released Live At Club 88 - March 6, 1981.This classic 1981 debut album has been digitally re-mastered and comes in beautiful gatefold packaging. The CD package will also include a 16 page booklet. Both the LP & CD versions feature extensive liner notes written by Gun Club drummer Terry Graham, as well as archival photos and other collectable images.The Gun Club recorded a few albums after Fire Of Love, but this debut album with the original band is the one that will always be considered their masterpiece!

Limited 'red planet' colored vinyl LP pressing. Martian pressing of Infest The Rats' Nest.

Live, bootlegger version of L.W. compiled from 2021 Australian performances. Mastered by Noah Mintz of Lacquer Channel Mastering. The album features a reverse groove and is on clear vinyl.

The hits driven Space Jam soundtrack features music inspired by & included in the film. The soundtrack earned mostly good reviews and was successful on the Billboard 200, peaking at #2. The soundtrack also managed to sell very well; it was certified as double platinum less than two months after it's release, in January 1997. In 2001, the soundtrack was certified 6x Platinum. Artists include; Seal, Coolio, Quad City DJ, B-Real (from Cypress Hill), Busta Rhymes, Coolio, LL Cool J and Method Man (from Wu-Tang Clan) amongst others.

To accompany the unrestrained awesomeness of DC’s Dark Nights: Death Metal comic series, executive producer/composer Tyler Bates (Guardians of the Galaxy, John Wick) presents the Dark Nights: Death Metal soundtrack. Directly inspired by the comic series’ storyline, the diverse soundtrack illuminates the darkest corners of each DC character’s psyche. Limited Edition 7" Single Yellow Flexi Disc. Packaged in polybag with comic book.

Acid Dad is an American alternative-rock band composed of singer-guitarists, Vaughn Hunt and Sean Fahey, and drummer, Trevor Mustoe. Vaughn first started recording the band in his Bushwick, NY basement releasing singles “Brain Body” and their first EP “Let’s Plan a Robbery.” Appearing live in the New York City rock scene in 2016, Acid Dad quickly moved to a world stage with their self-titled debut album, released by Greenway Records in 2018.

During 2020, the band spent their time building a new studio space in Queens, NY, while continuing to independently produce all their own music, art and even building their own guitars. With a new space and vision, the band produced their second LP, “Take It From The Dead,” set to be co-released in June 2021 by Brooklyn’s Greenway Records and psych powerhouse LEVITATION’s label, The Reverberation Appreciation Society.

“Take It From The Dead” features an array of different influences ranging from 90’s neo-psych, modern post-punk and 70’s rock-n-roll. Acid Dad has crafted a record that sounds new, yet feels nostalgic. In contrast to their earlier work, they make use of slower tempos and expand their sound to include songs that are both more intricate and more hypnotic. To accompany the new record, the band spent the last year collaborating with video artist Webb Hunt, producing psych and glitch art videos that form a visual counterpart to the dreamy distortions of their sound.

Franz Ferdinand is the self-titled debut album from the band originally released in 2004.

Call Me By Your Name, the film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman. Summer of 1983, Northern Italy. An American-Italian is enamored by an American student who comes to study and live with his family. Together they share an unforgettable summer full of music, food, and romance that will forever change them.The film received critical acclaim. Critics praised in particular Chalamet, Hammer and Stuhlbarg's performances, Guadagnino's direction and the screenplay. Call Me By Your Name won a variety of awards, including Academy, BAFTA and GLAAD Awards and many more. Sufjan Stevens's song "Mystery of Love" was nominated for the Academy Award for Best Original Song at the 90th Academy Awards.Luca Guadagnino wanted the film's music to be connected to Elio, a young pianist who likes to transcribe and adapt pieces in order to get close to Oliver. The music is used to reflect the time, the characters' family, level of education and "the kind of canon they would be a part of". Guadagnino found himself resonating with Sufjan Stevens' lyricism through his work and initially asked Stevens to record an original song. Eventually, Stevens contributed three songs to the soundtrack: "Visions of Gideon", which was used at the end of the film, "Mystery of Love," which was featured in the film's first trailer and a new rendition of "Futile Devices" with piano. Stevens penned the songs by using the script, the book, and the conversations with the director about the characters. It marks Sufjan Stevens' first soundtrack for a feature film.The vinyl package of Call Me By Your Name includes a poster, an insert and the 180-gram records are housed in 2 exclusive printed innersleeves. This is a limited edition of 20,000 copies on "countryside green" vinyl. The heavyweight jacket has a deluxe leather laminate finish. The records are housed in a customized PVC jacket There's an exclusive CMBYN closing sticker on the back of the PVC jacket.

Double picture disc vinyl pressing. 30th Anniversary edition. Originally released in 1991, Primal Scream's 'Screamadelica' is one of those rare records that's indisputably an era-defining, all-time classic. It's hedonistic collision course of club culture and rock roots made Primal Scream one of the most critically adored bands of recent decades, and took them into the Top 10 for the first time, later becoming the first ever album to win the Mercury Prize. It's singles, including 'Movin' On Up', 'Loaded' and 'Come Together' remain dancefloor and radio favourites to this day.

The BLUE STINGRAYS’ story starts in ‘59...the band formed that summer and created a new sound. that sound was surf music. Like those who roamed the globe for the perfect wave, The BLUE STINGRAYS’ nailed the perfect sound when their twang rang ‘round the world. A singular devotion to surf guitar music became a way of life for them and they considered it to be the only artform profound enough to truly express the passion in man’s soul.

The facts in 2021 :
Upon its original release, the members of Blue Stingrays were touted as iconic yet anonymous surf rock pioneers. Now, after decades of whispers and speculation, the identities of these mysterious musicians have been officially confirmed as guitarist Mike Campbell (Tom Petty and The Heartbreakers/Fleetwood Mac/The Dirty Knobs), bassist Ron Blair (Tom Petty and The Heartbreakers) and drummer Randall Marsh (Mudcrutch).

Deluxe edition. 7 Seconds will reissue their 1984 album The Crew. The new version features remastered audio as well as extensive liner notes including an oral history of the band and reflections by Ian MacKaye, Jello Biafra, Keith Morris, Damian Abraham, Brian Baker, Fat Mike, Roger Miret, BYO founders Mark and Sean Stern, and others.

To celebrate its 30th anniversary, a limited marbled green vinyl pressing of Pixies 1991 album Trompe Le Monde is being released on September 24th 2021. Trompe Le Monde bookended a golden run of landmark records - a mini-album followed by four albums, released in quick succession ' that cemented Pixies as one of the best for a generation. Translated from French to mean 'fool the world', Trompe Le Monde showed the band restless to still push their sound forward. Recorded between Burbank, Paris and London, with producer Gil Norton again at the controls, their fourth album is arguably their most playful with Black Francis's lyrics on UFOs and conspiracy theories keeping things weird while power pop creeps in to amplify the space rock established on predecessor Bossanova.

For the Grateful Dead's second live album, released two years after its predecessor LIVE/DEAD, the band delivered an equally magnificent, but entirely different, Grateful Dead sound. Whereas LIVE/DEAD was a perfect sonic encapsulation of the band at the peak of their Primal Dead era, SKULL & ROSES captures the quintessential quintet, the original five piece band, playing some of their hardest hitting rock 'n' roll (`Johnny B. Goode,' `Not Fade Away'), showing off their authentic Bakersfield bona fides (`Me & My Uncle,' `Mama Tried,' `Me & Bobby McGee'), and some originals that would be important parts of the Dead's live repertoire for the next 24 years (`Bertha,' `Playing In The Band,' `Wharf Rat'). Of course, the Dead were never defined by one specific `sound' and amongst the aforementioned genres and styles the band brought to this album, they also delved deeply into their psychedelic, primal playbook with an entire side dedicated to their 1968 masterpiece `The Other One.' This is one of the most deeply rich and satisfying tracks preserved on an official Grateful Dead album, up there with LIVE/DEAD's `Dark Star' and EUROPE '72's `Morning Dew.' SKULL & ROSES sounds as fresh today as the first time I heard it in 1985, and as fresh as it was upon its spectacularly well-received release in 1971." - David Lemieux

Not only did SKULL & ROSES serve up supremely fine tunes, it was also the one that scored the Grateful Dead their very first Gold record, introduced the world to the iconic skeleton babe Bertha, and asked the questions - Who are you? Where are you? How are you? - giving birth to the first official generation of Dead Heads.

DEAD FREAKS reunite on June 25th for the release of the remastered original album on 180-gram 2LP. We've got exclusive black & white propeller colored vinyl - limited to just 5,000 units. Get it here.

1 CD, 1 Limited Edition Poster (2 versions), 1 Photo Book (2 versions), 2 Lyric Cards, 1 Photo Card (1 of 8 each random), 1 Instant Photo Card, 1 Graphic Sticker (2 versions), 1 Folded Message Card (1 of 7 each random), 1 Photo Stand (2 versions). All sales count towards the Korean Hanteo and Gaon charts. Sales will not count toward the US Billboard charts.  

Under The Pink (2LP)(Black Vinyl) - Featuring the unforgettable "Cornflake Girl," Under The Pink entered the UK charts at #1 upon it's 1994 release, and "God" topped the US modern rock charts. This edition has been recut by producer Jon Astley and delivers the original track listing across 2-LP.

Rock for Light is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. We're proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek and bass player Darryl Jenifer. In addition to new mixes, that version used an altered track order. This reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

Ltd. Gtf. 2 Red LP. First time on vinyl. In the category of 'cult bands' Rose Tattoo has been at the top of the pile since 1976. Their raw style of blues rock that the Australians manage to create out of a hot mix of slide guitars, pounding hooks with sharp and tight rhythm, along with the unmistakable voice of their front man, Angry Anderson, is what gives the fans a welcome feast in todays fast food orientated music business. For over 40 years Rose Tattoo has been at the helm of Australia's rock music scene, reaching cult status, here and overseas. Their sound is hard rock mixed with blues rock influences. With the addition of 6 bonus live tracks, Blood Brothers is set for re-issue on vinyl. It's a rock'n roll album that mixes traditional and modern styles, and is a tribute to previous band members no longer with us. Including "Bad Boy for Love", "Rock 'n' Roll Outlaw", "Nice Boys", "We Can't Be Beaten" and "Scarred for Life".

Second compilation by Habibi Funk, following the success of the first part, featuring a wide range of music from North Africa and the Middle East. This compilation of songs is not meant as a historic reflection of popular music of the "Arab world." It is a very personal selection of songs we grew to like at Habibi Funk. It is music that historically never existed as a unified musical genre. We think it's important to make this distinction and to have the listener understand that the majority of the music on this compilation does not come from the highly famous names of the musical spectrum of North Africa and the Middle East. Instead, the final body compiled for this record consists of some - at least for us - nichey pearls and often overlooked artists; resulting in a diverse range of styles from Egyptian organ funk, disco sounds from Morocco, an example of the lively reggae scene of Libya, political songs from Lebanon, soundtrack music from Alge- ria, a musical union between Kenya and Oman, and much more.

Vinyl LP pressing. Travelogue through a cybernetical soundscape! The future rendered here by Ra seems more dystopian than utopian, and these 1975 guided improvisations are imbued with an underlying violence, alternate twists, bank turns, headchoppers, loops, rolls, sidewinders and drops. It's a dark & glorious journey. Featuring the debut of the complete version of 'Extension Out,' Pathways has been exquisitely mastered from the four-track session reel and includes an insert offering an enlightening glimpse at Ra & co.'s plans for their major label lucre.

Vinyl LP pressing. Sudi Wachspress returns to Tartelet Records with Dance Planet, a third LP of emotionally-charged house music to welcomes you back to the dancefloor. The spirit of true house runs deep in the sound of Space Ghost. Oakland native Sudi Wachspress is intuitively plugged into the romantic, mystical energy of 4/4 club music as a unifying force of empowerment and liberation, carrying the torch from vital forebears like Larry Heard, Alton Miller, and Blaze. His new album, Dance Planet, carries a greater responsibility to spread spiritual affirmations. As the global dancefloor community emerges from a mentally-taxing recess and confronts their social self like it's the first day of school, Space Ghost's message couldn't be more supportive. "Don't be afraid to be yourself, don't be afraid to let go," he intones on "Be Yourself". More than just a beat and a hook, his music is pointedly created to heal and energize. "I'm a big fan of old-school house vocals that have a positive message," says Space Ghost, "tracks that can perhaps enhance your mood or strengthen your confidence in yourself."

With a stunning score by Rodgers & Hammerstein, the 1965 film The Sound of Music boasted a dream cast led by Julie Andrews (Maria) and Christopher Plummer (Captain.) Winner of five Academy Awards including Best Picture and Best Scoring of Music, The Sound of Music made Hollywood history, becoming the most popular movie musical ever made. The soundtrack includes instantly recognizable hits like "My Favorite Things," "Do-Re-Mi," "Sixteen Going on Seventeen" & "The Sound of Music." 8-page booklet.

Recorded Live on Thanksgiving Day 11/27/97 in Pleasure Island, Orlando Florida for the Big Band Radio Broadcast. Sound quality is outstanding. Package includes: Product sticker, Single jacket with one packet, printed inner sleeves and 1 Silver color LP & Clear color LP. This is the first time this package is availabe in this color vinyl. One pressing only with 1,000 units wordwide.

Deluxe/Limited/Special Edition Details: The creator of "Hamilton" and the director of "Crazy Rich Asians" invite you to a cinematic event, where the streets are made of music and little dreams become big... "In the Heights." Lights up on Washington Heights... The scent of a cafecito caliente hangs in the air just outside of the 181st Street subway stop, where a kaleidoscope of dreams rallies this vibrant and tight-knit community. At the intersection of it all is the likeable, magnetic bodega owner Usnavi (Anthony Ramos), who saves every penny from his daily grind as he hopes, imagines and sings about a better life. "In the Heights" fuses Lin-Manuel Miranda's kinetic music and lyrics with director Jon M. Chu's lively and authentic eye for storytelling to capture a world very much of it's place, but universal in it's experience ViNYL

Limited clear colored vinyl LP pressing. Natalie Imbruglia's new album Firebird was written in an array of international locations alongside Albert Hammond Jr of The Strokes, Romeo Stodart of The Magic Numbers, KT Tunstall, Eg White (Adele, Dua Lipa, Sam Smith), Luke Fitton (Little Mix, Girls Aloud), Fiona Bevan (One Direction, Ed Sheeran), Rachel Furner (Little Mix, Jason Derulo, Craig David) and more, touching on themes of independence, vulnerability, the juxtaposition of strength and fragility, revealing Natalie's newfound sense of confidence. In contrast, the album was almost entirely recorded in lockdown, produced remotely by Natalie and My Riot with additional production from Albert Hammond Jr, Gus Oberg (The Strokes, Albert Hammond Jnr) and Romeo Stodart (Magic Numbers).

RESPECT soundtrack starring Jennifer Hudson - 18 tracks; 17 Aretha Franklin covers and one original, all performed by Jennifer Hudson. (2LP's, standard weight black vinyl)

The United States vs. Billie Holiday (Music from the Motion Picture) (gold-colored vinyl)

Lifeforms is the upcoming sixth studio album by American alternative rock band Angels & Airwaves. The album's release marks the longest gap between albums for the band following 2014's The Dream Walker.

Mondo and WaterTower Music are proud to present Tom Holkenborg's epic complete soundtrack to the fan-fueled phenomenon Zack Snyder's Justice League.As pure as any film music expression has ever existed, Holkenborg's nearly-four hour opus is as bombastic and singular as the film it compliments, and we are honored to present the premiere physical release of this staggering work of expression.The filmmaking story behind Zack Snyder's return to his DC Comics juggernaut is well known at this point, but not enough time has been spent on the journey of the film's once-shelved score. The incredible composer behind one of last decade's biggest filmmaking triumphs (MAD MAX FURY ROAD) Tom Holkenborg joined the sadly far too large club of composers, across filmmaking history, to have their blockbuster scores replaced.But the big-budget redemption arc of Zack Snyder's original vision for Justice League presented Holkenborg with the opportunity to build upon what he had started many years ago, with new skills and tools - this time with no other cook in the kitchen but his director and friend.

Double vinyl LP pressing. No Photos on the Dance Floor! Berlin Techno 1992-Today, compiled by Heiko Hoffmann, follows a hugely successful photography and video art exhibition by the same name that was co-curated by Hoffmann and shown at C/O Berlin in late 2019. Part 1 of the vinyl edition focuses on the period between 1992 and 2006, with early 90s tracks by Thomas Fehlmann and Moritz von Oswald's 3MB project (who teamed up with Detroit's Juan Atkins on compilation opener 'The 4th Quarter'), Berlin techno pioneer DJ Tanith and Mijk van Dijk's short-lived project 9-10-Boy, von Oswald's and Ernestus' influential Maurizio alias, and Alec Empire, who would later go on to start influential noise/industrial band Atari Teenage Riot. Further key tracks from the first half of the aughts come from Mo Loschelder and Klaus Kotai's Elektro Music Department label, Sleeparchive and Ableton Live-developer Robert Henke aka Monolake.

The incredible 13th studio album from one of the most most influential experimental rock bands of the post-punk era, the surrealistic proto-industrialists Chrome!Still helmed by long-time Chrome guitarist and mastermind Helios Creed, this line-up welcomes back Hilary "Stench" Hanes who was Chrome's bass player for the band's classic '80s albums (Blood On The Moon, 3rd From The Sun, etc.) as well as familiar faces Tommy L. Cyborg, Aleph Omega, and Lou Minatti XIII!With a Stench brother back in the fold, Chrome have crafted a fiercly driven album that propels the listener forward through sonically twisted guitar noise and cascading synths for one of the most compelling recordings of the band's storied career!Available on CD in a deluxe digipak and limited edition SILVER vinyl with printed inner sleeve!

Once again we teamed up with Ubisoft to bring the music of the high-tech action game Watch Dogs: Legion to good ol' fashioned vinyl. This triple LP set features original score tracks by Stephen Barton and tracks "Rainfall (feat. Tiana Major9)" by Brit Award-winning Stormzy and "In the Jungle" by Baby Knoxx.Watch Dogs: Legion builds on the open-world stealth-action gameplay of it's predecessors, delivering a never-before-seen gameplay innovation. Players can recruit and play as anyone they see in the iconic city of London: an MI6 agent, a tough bare-knuckle fighter, or an inconspicuous old lady. Composer Stephen Barton has amassed an enviable AAA credits list, including co-composition on Call of Duty 4: Modern Warfare (with Harry Gregson-Williams), the Titanfall series, Apex Legends, and Star Wars Jedi: Fallen Order. For Watch Dogs: Legion's pulse-pounding original score, Barton blends a dizzying array of electronic and percussive elements, with flashes of breakbeat and layers of atmospheric ambiance. 25 tracks specially mastered for vinyl will be pressed onto three audiophile-quality, heavyweight 180g discs.Five sides include music, with the sixth side featuring a custom etching of the iconic DedSec pig mask. LPs will be housed in a deluxe triple gatefold.

The original album is newly re-mastered by Bob Ludwig from the original master tapes and personally overseen by Brian May. The LP is presented in 180g heavyweight black vinyl in spined sleeve with printed inner bag.

Over the course of various record-breaking albums, Volbeat has racked up #1 songs and multi-platinum certifications all over the planet. Hokus Bonus is a vinyl-only collection of all bonus tracks from their previous albums.

In 2018 Craft returned to strike terror once again with their long-awaited album White Noise and Black Metal. Serving as their first new record in over seven years, White Noise and Black Metal sees the notorious and highly influential Swedish black metal band reclaiming their throne as one of the most intimidating and caustic entities in the underground. A cold and calculated attack on hope and the light, Craft spew nihilism and negativity in it's purest forms. White Noise and Black Metal is a true manifesto of hostility, and a testament to the genre's most elite and uncompromising band!

This 3-CD/1-LP set includes a newly remastered version of the original studio album on both CD and vinyl, plus unreleased early versions, instrumentals, and alternate takes along with a complete concert recording from 1997.

The daring movie is a sweeping emotional drama powerfully exploring the unbreakable bond between fathers and sons. It tells the story of a motorcycle stunt rider (Gosling), who considers committing a crime in order to provide for his newborn child, an act that puts him on a collision course with a cop-turnedpolitician (Cooper). Mike Patton, American singer-songwriter and multi-instrumentalist best known as the lead singer of the alternative metal/experimental rock bands Faith No More and Mr. Bungle delivers a sweeping and brooding score. Like a red thread, his music guides the audience through this multi-generational story often linking characters and locations.

After a year of silence UK based band Trash Boat returned in February with their new single "He's So Good", a song about familial ties being destroyed by people not being able to accept LGBTQ members of their family. The song set the stage for Trash Boat's new album Don't You Feel Amazing?, which was produced by Grammy award winning producer Jason Perry (Molotov, Don Broco, McBusted) and will be released on August 13th, 2021. The album tackles more serious issues (sexuality, drugs, hate) than their previous two releases and sonically expands from their pop punk roots bringing in influences that range from metal to hip-hop.

The seagulls in the sand have heard our prayers! Mondo and Milan Records are proud to present the soundtrack to Lionsgate's instant cult classic comedy BARB AND STAR GO TO VISTA DEL MAR.One of our favorite films of the year so far, BARB AND STAR GO TO VISTA DEL MAR is a one-of-a-kind film with an equally unique soundtrack that will have you singing to the seagulls on the beach as we reemerge from lockdown this summer.Beleaf it or Not, the musical comedy masterpiece was released just this year from the creators of BRIDESMAIDS (Kristen Wiig and Annie Mumolo, writers and the titular stars of the film). Featuring show-stopping Busby Berkley style dance numbers, love ballads for an audience of seagulls, EDM remixes of My Heart Will Go On, musical interludes by Richard Cheese, and an incredible score that blends espionage with calypso by Dara Taylor and Christopher Lennertz, it's an incredibly unique listening experience - almost as exciting as riding a Banana Boat.Featuring liner notes by Barb and Star themselves (Kristen Wiig and Annie Mumolo), composers Christopher Lennertz and Dara Taylor, and all new artwork from Johnny Dombrowski, and pressed on 180 Gram split color 180 Gram Pink and Yellow Culotte vinyl, you'll love it with all of your fart.

The Trey Anastasio Band went on tour in January 2020 intending it to be a warm-up for studio dates. The band was firing on all cylinders, reflected by the fiery sets and intense crowds. The pandemic cancelled the studio plans but producer Vance Powell told Trey "there was already enough great material on tape from the tour to make the best TAB album ever." It was named Burn It Down, a line from 'Set Your Soul Free,' because it encapsulated exactly what had been happening onstage every night.

Limited gold colored vinyl LP pressing. My Echo is a studio album from American singer-songwriter Laura Veirs, originally released on October 23, 2020.

Capstan is a high energy mix of pop punk, prog rock, and post-hardcore. They blend deeply emotional lyrics and melodic choruses with high energy technical instrumentals and heavy breakdowns. Drawing inspiration from acts across the genre-sphere, they’ve truly created a sound of their own. Capstan has relentlessly toured across the US, Canada, and Europe over the last few years, supporting acts like Silverstein, Bayside, Trash Boat, Set It Off, and taking part in the final Vans Warped Tour in 2018. SEPARATE is the followup to their 2019 debut album Restless Heart, Keep Running.

Limited vinyl LP pressing includes bonus CD edition and poster. Join the ManiaCult! The 2021 album from grinding technical death metal svenGORElis Aborted tells the tale of leader Wayland Thurston's attempt to summon Lovecraftian demons and bring on the end of the world. It's a bleak mission summed up in a bleak album, which blazes beneath a blackened sky. With a sound as sinister and snaking as the heads that worm their way out from Thurston's back, it's no wonder Aborted have influenced deathgrind, tech death, deathcore and just death metal as a whole!

Limited 1870gm red colored vinyl LP pressing. When they first met, Jimmy Messina was already a well-established success story, having produced and played with the legendary band Buffalo Springfield and later with the country-rock pioneers Poco. Kenny Loggins, meanwhile, was a young singer-songwriter with far less experience, but with talent to burn as evidenced by early compositions like "House At Pooh Corner" and "Danny's Song." Their first Greatest Hits package, Best of Friends followed later in 1976 and put a bow on their studio work, gathering such beloved hits as "Angry Eyes," "House At Pooh Corner," "Danny's Song" and "Your Mama Don't Dance." Gatefold colored 180g vinyl LP reissue from Friday Music mastered by Joe Reagoso at Friday Music and Capitol Mastering.

Standard black vinyl release of Lindsay Lohan's sophomore album `A Little More Personal (RAW)' featuring the hit single "Confessions of a Broken Heart (Daughter to Father)"

Limited green colored vinyl LP pressing. Fourth studio album by the American hard rock group. Lead singer Brent Smith has described the album as 'a message of empowerment, perseverance, and inspiration that I think speaks to fans that have been with us since the beginning as well as those who are just learning about who we are and what we're about.' The album includes the single 'Bully' and debuted at #18 in the UK Albums Chart.

Limited edition Japanese LP pressing. Square Enix. 2021.

The Grammy® Award winning Almost Famous soundtrack is reissued as a super deluxe 6LP 180-gram vinyl boxset with 47 songs from the film including Led Zeppelin, Fleetwood Mac & 6 Stillwater songs. Unreleased songs: “Tiny Dancer (Almost Famous Version)” with Elton John & cast, The Who’s “Amazing Journey / Sparks (Almost Famous Version)” & more. Collectibles include a Stillwater poster, concert tickets, 40-page book & the William Miller cover story on Stillwater as a ’73 Rolling Stone newsprint.

Breakfast in New Orleans Dinner in Timbuktu is Bruce Cockburn's 1999 album written to encourage his fans to look forward to the new century, while learning from the past. It contains a travelogue in the album's lyrics, both to familiar places of home and family as well as social imperatives from visits to developing countries. Through it all is Cockburn's reflections on the dynamics between men and women and spiritual mysticism. Musically the album features the vocals of three women who appear throughout the album. Jonell Mosser sings on two songs, including the hit single "Last Night of the World"; Margo Timmins of Cowboy Junkies on the sultry "Mango" and a cover of the Fats Domino nugget "Blueberry Hill", and most significantly for the album's consistency, Lucinda Williams appears on four tracks. Her standout track is "Isn't That What Friends Are For", a tender song of friendship is made more poignant by Williams' ability to convey deep emotion. Twenty-two years after it's original release, Breakfast in New Orleans Dinner in Timbuktu is finally available on vinyl. Originally part of the now sold-out limited-edition 50th Anniversary box set from 2020, this album is now available on it's own, to complete Bruce Cockburn fans' collections.

Quartet Records and Metro-Goldwyn-Mayer present the premiere LP release of the electrifying funk/jazz/groove masterpiece score by David Shire (THE CONVERSATION, ALL THE PRESIDENT'S MEN, RETURN TO OZ, ZODIAC) for Joseph Sargent's famous classic urban thriller THE TAKING OF PELHAM ONE TWO THREE (1974), starring Walter Matthau, Robert Shaw, Martin Balsam and Hector Elizondo.Based on the popular novel by John Godey, the film is about four men, dressed alike in trench coats, who take a subway car hostage and demand $1 million in ransom. In crafting his music to PELHAM, David Shire invented one of the most individual and exceptionally well-realized scores from the 1970s. Conscious that the sounds of the subway and excitement would crowd the film's sound mix, the composer shrewdly elected to energize the frequency spectrum from below and above. The foundation of the composer's hand-picked roster of musicians provides a pervasive, fat-bass 'womp, womp, womp' ostinato with weight and heft courtesy of angry tuba, snarling trombones, electric bass and timpani; the ceiling comes from screeching reeds, explosive trumpets, tinkling (electronic) piano and feverish percussion. Drums, utilizing both rock and jazz rhythms, provide forward propulsion.This David Shire classic never had an LP release at the time, although it was eagerly requested by fans throughout the years. In 1995, it was finally released on CD by Retrograde Records-the first album produced by Lukas Kendall, which led to the birth of the essential and sorely missed Film Score Monthly label. This premiere vinyl release contains the same music as the previous CD edition (with around 15 minutes of music not included in the film). The sound has been entirely restored and mastered by Chris Malone from tapes courtesy of the composer's archive. Pressed on 180 GM black vinyl, the package includes a 2-page insert with the original poster art and an essay by Tim Greiving about the film and score, including a new and exclusive interview with Mr. Shire.

Nearly five decades since his debut LP, the songs on Jackson Browne’s new album Downhill From Everywhere sustain the soulful intimacy of his first release, combined with a power and wisdom gained from a life pursuing positive change.

Box set including "NieR Replicant -10+1 Years- / Nier", "NieR Replicant -10+1 Years- / Kaine", "NieR Replicant -10+1 Years- / Emil", and "NieR Replicant -10+1 Years- / Devola & Popola", which were released on the same day. The cover artwork and box set are all illustrated by Shiro Miwa, a manga artist and illustrator. In addition, an original paper record stand is included as a box set bonus.

Limited red colored vinyl LP pressing. 1992 release, the third album from the Death Metal band, Tomb Of The Mutilated was their last album to feature founding guitarist Bob Rusay. The album was banned in Germany, due to the violent cover and the extreme nature of the lyrics.

• 180 gram yellow splatter colored vinyl
• Originally released April, 19th 2011 
• Showcases Brian’s legendary and world-class skills as a musician.
• Features “Go-Go Godzilla!” from the official Soul Surfer soundtrack.

Limited pink colored vinyl LP pressing. Ten bands re-issue their albums on pink colored vinyl, all for one cause. This is the eighth year for the initiative that has raised over $250,000 for Red Door Community, an organization that provides community support for both those diagnosed with cancer and their caretakers. 2021's set includes releases by The Hold Steady, Grandaddy, The Allman Brothers, Bush, Plain White T's, Less Than Jake, Primal Scream, Umphreys' McGee, Minus The Bear and Tom Tom Club. Infamous for timeless hits such as "Wordy Rappinghood" and "Genius of Love," Tom Tom Club was formed by Talking Heads founders Chris Frantz and Tina Weymouth. 2012's Downtown Rockers, served as the group's first collection of new material in more than a decade and was recorded after touring throughout 2011. The EP features Tom Tom Club's effervescent, energetic and upbeat fusion of hip-hop, reggae, afrobeat and funk on such tracks as "Downtown Rockers," "Won't Give You Up," "You Make Rock and Roll," "Kissin' Antonio" and "Sweets To The Sweet."

Los Angeles based band, Los Lobos, have always been inspired by their surroundings and the place they call home. Their music is influenced by rock and roll, Tex-Mex, country, zydeco, folk, R&B, blues, brown-eyed soul, and traditional music such as cumbia, boleros and norteños. With Native Sons the band set out to showcase all of these influences with their own take on the songs of Los Angeles from some of the cities greatest songwriters. Native Sons features 13-songs from well known LA artists such as Buffalo Springfield, WAR, Jackson Browne and the Beach Boys as well as deep cuts from the Jaguars, The Basters and The Premiers. The album title track is the sole original composition written by the band. 

Limited coloreds vinyl pressing. Skatune Network teams up with emo/punk label Counter Intuitive Records to bring you the 14-track crossover collection Ska Goes Emo, Vol. 1!

Valtari is Sigur Rós' sixth studio album which was initially released in 2012 on XL Recordings. Sigur Rós started recording Valtari, described by the band as 'an avalanche in slow motion' in 2009 co-producing it themselves with Alex Somers in Reykjavik, Iceland. The title means 'roller' in English with Jónsi saying it kind of fits with the album because it's "big and slow and rolls over you slowly." Completely out of print worldwide Valtari will now be re-released via the bands own label, Krunk released on double heavy weight vinyl.

The Men's hugely influential album Leave Home came out during an exciting time in New York City. DIY lofts and shitty bars littered downtown Manhattan and North Brooklyn. The Acheron had just opened it's doors. Kill Your Idols had broken up. Toxic State Records was just getting started with Crazy Spirit, Dawn of Humans, Hank Wood and Perdition EP's. The city was alive with punk and noise and filth. And right at that time, The Men were the show to be at. Every gig was dripping with sweat. Hallways and sidewalks were packed between sets. Chaos reigned in the pit. The Men hit like a bag of hard cement, a hardcore band with a familiar sound but with an aura of absolute chaos and intensity, like everything was on the brink of going off the rails at every moment of their set, a downhill freight train with no brakes. During these shows one's focus could shoot back and forth between the intimidatingly angry-eyed, bald-headed Chris Hansell (who went on to front Warthog) and the long haired hippie punks Mark Perro, Nick Chiericozzi and Rich Samis, that made up the surrounding band. Just one of the many juxtapositions the band embraced. If The Men were a chapter in Michael Azzerad's Our Band Could Be Your Life, the early EP's and cassettes would obviously be Minor Threat and Black Flag, while Leave Home would likely be... Sonic Youth. It was just before they made the full jump into each record being a smorgasbord of underground genres, from dream pop to folk; before they had tracks called "Country Song," for example. But it was a preview of what was to come. Leave Home was a pivot from pure hardcore punk (some might even call it mysterious guy hardcore), as the band got lost in the groove in a way one couldn't on a straight up punk record. That groove was so strong on "If You Leave...," "," and "Bataille," while they spaced out on "Shitting With The Shaw," and stayed as aggro as ever on "LADOCH." But of course, Leave Home had a re-recording of their hardest track to date, "Think," making it clear that they were still the moshers we all had come to know and love. If The Men raised their flag as an important New York punk band with Immaculada, they started waving it in the freakiest way with Leave Home. There is no doubt that Leave Home was one of the most influential records of the last decade. You can hear their mark everywhere from Ty Segal and The Oh Sees to Milk Music and Hank Wood. Few bands have traversed as many genres as The Men and even fewer have done it so well. It is a testament to the band's undying authenticity and adventurism that the record sounds as timeless and urgent now as it did when it blew the doors of New York punk off it's hinges ten years ago, leaving a giant hole for bands of all kinds to come racing through.

Limited gold and pink colored vinyl LP pressing. Reissue of the classic 1969 album by two soul legends at the very top of their game - Ike & Tina Turner. "Features the dynamic singing and instrumental soul duo in a committed R&B performance that sparkels with fine production from Ike Turner. Tina is powerful and persuasive in the title tune, plus 'Poor Little Fool' and 'You Got What You Wanted'." (Billboard 1969).

Demon Records presents Distortion: Live, the fourth and final edition in a series of expansive vinyl box sets chronicling the solo career of legendary American musician Bob Mould. Bob Mould’s career began in 1979 with the iconic underground punk group Hüsker Dü before forming the beloved alternative rock band Sugar and releasing numerous critically acclaimed solo albums. The final volume in the series features 8LPs of live recordings from across Mould’s solo career.

Also Available: 

Vol.1: Distortion: 1989-1995 [8LP Box Set] 
Vol.2: Distortion: 1996-2007 [Signed 140-Gram Clear Splatter Vinyl] 
Vol.3: Distortion: 2008-2019 [Signed 140-Gram Clear Splatter Vinyl] 
Vol.4: Distortion: Live [Indie Exclusive Limited Edition Signed 140-Gram Clear Splatter 8LP Box Set] 

Recorded in the San Fernando Valley just a stones throw away from the infamous Van Nuys Blvd. cruising scene, it’s no wonder from the debut long player from The Rugged Nuggets hits hard and demands to be turned up loud with the windows rolled down. Delivering west-coast cool at it’s finest. With swooning strings, breezy guitars and tough as nails drums, Odds & Ends epitomizes a mellow vibe, but is undeniably cool.

First ever CD & vinyl reissue of the legendary 1992 cassette-only, self-released demo from political punk icons Anti-Flag!Includes early versions of the classics "Drink Drank Punk," "Fuck Police Brutality," and "Red, White & Brainwashed" PLUS 10 songs not found on the band's 1996 label debut album!This is punk rock in it's rawest, roughest and purest form!Includes the special 18th track - a ferocious cover of Mission Of Burma's "That's When I Reach For My Revolver!"Available on digipak CD & colored vinyl!

Limited pink colored vinyl LP pressing. Ten bands re-issue their albums on pink colored vinyl, all for one cause. This is the eighth year for the initiative that has raised over $250,000 for Red Door Community, an organization that provides community support for both those diagnosed with cancer and their caretakers. 2021's set includes releases by The Hold Steady, Grandaddy, The Allman Brothers, Bush, Plain White T's, Less Than Jake, Primal Scream, Umphreys' McGee, Minus The Bear and Tom Tom Club. Bristling with guitar acrobatics and infectious melodies, Minus the Bear's fifth studio full-length album, 2012's Infinity Overhead, marked not only a return to form in direction, instrumentation and creation but also one of the band's most aggressive and confident records to date. The veteran Seattle-based fivesome reunited with former member and longtime producer Matt Bayles (Mastodon, Isis, Cursive) to create a guitar-laden 10-track record that is heavy both on technicality and pop songcraft and showcases the band doing what they do best; interesting, guitar-based, big sounding rock.

Demon Records presents Distortion: Live, the fourth and final edition in a series of expansive vinyl box sets chronicling the solo career of legendary American musician Bob Mould. Bob Mould’s career began in 1979 with the iconic underground punk group Hüsker Dü before forming the beloved alternative rock band Sugar and releasing numerous critically acclaimed solo albums. The final volume in the series features 8LPs of live recordings from across Mould’s solo career.

Also Available: 

Vol.1: Distortion: 1989-1995 [8LP Box Set] 
Vol.2: Distortion: 1996-2007 [Signed 140-Gram Clear Splatter Vinyl] 
Vol.3: Distortion: 2008-2019 [Signed 140-Gram Clear Splatter Vinyl] 
Vol.4: Distortion: Live [Indie Exclusive Limited Edition Signed 140-Gram Clear Splatter 8LP Box Set] 

Limited pink colored vinyl LP pressing. Consisting of 18 tracks, each song is written in the first person, attempting to humanize the detached media reportage of each associated event. The first 14 tracks form part of a 55-minute song cycle, with the last 4 having been recorded later (and originally released as a second disc to stress their independence from the song cycle). The album was nominated for a Grammy Award for Best Surround Sound Album and reached the Top 25 in the US and UK album charts. It was awarded "Album Of The Year" in Classic Rock and German magazine Eclipsed. The Incident marked another step forward in the incredible journey of the band that began as a solo studio project and grew to a multi-Grammy nominated act and one of the world's most revered live bands.

Chrissie Hynde has announced details of her brand-new album of Bob Dylan covers, Standing in the Doorway: Chrissie Hynde sings Bob Dylan. The songs were recorded in lockdown by Chrissie and her Pretenders bandmate James Walbourne, almost entirely by text message. James would record an initial idea on his phone and send it off to Chrissie to add her vocal, before the tracks were mixed by Tchad Blake (U2, Arctic Monkeys, Fiona Apple). The nine-track album will be released via BMG on LP and CD on August 20^th.

NYC-based alternative/Americana singer-songwriter Jesse Malin follows up 2019's Sunset Kids with the new Wicked Cool Records release, Sad and Beautiful World which takes it's name from a line in Jim Jarmusch's 1986 cult-classic Down By Law. The 18-track collection was largely produced by Malin's long-time guitarist Derek Cruz and Geoff Sanoff with Sunset Kids producers Lucinda Williams and Tom Overby helming "Backstabbers" and "The Way We Used To Roll." Malin notes that, "This one is for the survivors, the dreamers, the leavers and the believers. My music has always been about rebirth and redemption. Sad and Beautiful World is for those who pick up the pieces and find beauty in the madness." Sad and Beautiful World features Ryan Adams, Dave "Immy" Immergluck of the Counting Crows, Tommy Stinson of The Replacements, and more.

Vader's "De Profundis" was described at the time as "a perfect mixture of Slayer and Morbid Angel". Today, the album is considered a classic in the Death Metal scene. The new re-mastered reissue presents the album on vinyl for the first time ever. Gold & Bone w/ black splatter

Third Eye Blind follow-up 2019's Screamer with their seventh studio album, Our Bande Apart. Written and recorded in the last days of the lockdown lead single "Box of Bones" concerns itself with the ambivalence and stakes of relationships under pressure. It was the first recording session for the band since before lockdown and one can hear the exuberance they have playing together in the same room again. The second single will be "Again."

Limited Edition 2LP 'Extermination Splatter' 140g Vinyl in gatefold sleeve. Pressed on stunning Double 140 Gram Extermination Splatter vinyl and in a gatefold sleeve with retro-style illustrations. Alert all Anti-Dalek Force agents - a Dalek vinyl invasion is imminent! Four stories of galactic terror and global invasion, taken from Terry Nation's Dalek Annuals of the 1970s. The Daleks have been Doctor Who's No.1 enemy since 1963, recognised globally as one of the most iconic sci-fi aliens. These stories have nostalgic appeal for the children of the 1970s. Doctor Who stars Nicholas Briggs (the voice of the Daleks), Louise Jameson (Leela) and Matthew Waterhouse (Adric) plus 'man of many voices' Jon Culshaw.

In 2020 Brooklyn's Holy Hive introduced us all to something we didn't know we needed. Homer Steinweiss' thickly pocketed drumming paired with Paul Spring's floaty falsetto vocal produces a sound that's like a salve. It's been dubbed Folk Soul and Holy Hive not only expertly overlay the more apparent musical aspects of folk and soul-but they also draw from the more profound: being able to pull traditions from the past and make them their own. When Homer wasn't playing drums for Lady Gaga or Adele or Bruno Mars, he'd produce Paul's solo folk records. Along with original bassist and frequent collaborator Joe Harrison, these sessions proved to be Holy Hive's foundation. And their first record, Float Back to You, expertly combined what each musician does best: Paul's heady, reflective approach to folk with Homer's universal classic soul sound. With their new record released on Big Crown, Holy Hive's beautifully simple-and-sparse Folk Soul sound is back-but updated. With new influences and the challenge of creating and capturing music during a global pandemic, this new self-titled album, is more personal, more reflective. The first single off of Holy Hive, "I Don't Envy Yesterdays," picks up right where Homer and Paul left off. The song weighs the question of time and the human condition-a deeply thoughtful and typically tricky subject-but in a light, almost easy-breezy way. Homer's drumming provides the song a space, a kind of breathing room. Written in the Yucca Valley desert before the world broke in 2020, it's no wonder Paul's voice drifts and darts on top of it all like a heat shimmer. They describe three distinct phases when piecing together Holy Hive: this first stage was pre-pandemic in California while traveling as a group, then-like the rest of us-they were separated, creating together but apart, and lastly an explosion of output once they reunited in New York. There is a natural but subtle evolution for Holy Hive on this record. Homer and Paul drew from new and maybe more obscure-yet-honest influences. It's still very much Folk Soul-how could it not be. But, like all artists, they've taken in what they've made and how they've made it, only to push it into new places. We know of Holy Hive's ability to lyrically convey the abstract and complex in poetic and palatable ways. But where the first record was soulfully silver-tongued with chill songs about love and affection, Holy Hive widens the lens with these novel influences, reflecting the points both Homer and Paul are in their own lives. "We put the utmost importance on having lyrics that mean something to us," Homer explains. "A lot of the songs on the first record were fun, but could be kind of surface. On this record, we wanted to be more personal-we wanted to write more about life."

Harold Melvin & the Blue Notes were an American soul and R&B vocal group. One of the most popular Philadelphia soul groups of the 1970s, the group's repertoire included soul, R&B, doo-wop, and disco. Founded in Philadelphia, Pennsylvania in the middle of the 1950s as The Charlemagnes, the group is most noted for several hits on Gamble and Huff's Philadelphia International label between 1972 and 1976, although they performed and recorded until Melvin's death in 1997. Despite group founder and original lead singer Harold Melvin's top billing, the Blue Notes' most famous member was Teddy Pendergrass, their lead singer during the successful years at Philadelphia International. The remaining members of the Blue Notes have reunited for Soul Train Cruises in 2013, 2015, and 2017.

It's been said that writing about music is like dancing about architecture (impossible and absurd). But what about singing about movies? Sufjan Stevens and Angelo de Augustine have paired up for a collaborative project that does just that. A Beginner's Mind is their debut album that contains 14 songs (loosely) based on (mostly) popular films. The source material is highbrow, lowbrow, and everything in between. The music is folksy, sweet, sincere and harmonically effervescent-Simon & Garfunkel with New Age flourishes. This album runs the gamut and has fun with it, even while it's songwriters remain fully rooted in the melancholy folk idioms they are known for.Daniel Anum Jasper, a pioneer of Ghanian movie poster painting, was commissioned to paint a series of new works for A Beginner's Mind. His paintings are a graphic simulacrum for the same sense of wonder, wordplay, and intrigue that shape A Beginner's Mind. By transforming old films into vital new songs, Stevens and de Augustine ask us to consider ourselves from a previously unconsidered vantage point-a new way of seeing and hearing-an exercise that's as necessary and relevant now as it's ever been.

In 2018, legendary heavy metal vocalist and pop culture pillar DEE SNIDER turned the heavy music world on its axis with his transformative full-length, For The Love Of Metal. Produced by HATEBREED frontman Jamey Jasta, the album re-cemented the undeniable prowess of the iconic Twisted Sister singer with its modernized mastery and take-no-prisoners attitude. Three years later, with one of the most collectively tumultuous times society has ever experienced behind him, DEE SNIDER triumphantly returns with the potent full-length follow up Leave A Scar. Once again produced by Jamey Jasta, with co-production, mixing and mastering by drummer Nick Bellmore, Leave A Scar sees DEE SNIDER & Co. continuing in the invigorated direction of For The Love Of Metal, infusing a dose of classic heavy metal flavor that longtime fans will rush to embrace. Like a scar itself, Leave A Scar is an illuminating plentitude of angst etched in time – serving as a musical refuge and expressive output for Dee. But in turn, this auditory time capsule written to express the anger, unease and pain he experienced during lockdown emerges as not only blisteringly heavy, but relentlessly powerful. Heads will bang within seconds of the hard-charging opening notes of ultra-catchy album starter and lifer anthem “I Gotta Rock (Again)”, instantly setting the stage for the non-stop onslaught of metallic mainstays to come. Tracks like the brutal “Time To Choose” – featuring the primed guest vocal attack of Cannibal Corpse’s George "Corpsegrinder" Fisher – and mosh-ready “The Reckoning” showcase the album’s heavy assault, without sacrificing the harmonic goodness evident on tracks like the unrelenting, hooky thrasher “All Or Nothing More” and melodic, metal-core inspired “In For The Kill”. Energetic single of strength “Down But Never Out” encapsulates the chunky riffage and driving drums palpable throughout the album, while searing “Before I Go” provides one of the album’s most massive, memorable choruses and chilling lyrics. The album closes with victorious ballad “Stand”, a call for listeners to take a stand and make their voices heard. Each of the 12 tracks on Leave A Scar not only further bolster DEE SNIDER’s position as one of the most celebrated frontmen of all time, showcasing that his vocal delivery and commanding swagger is as strong as ever, but that he is nowhere near stopping. If For The Love Of Metal ignited DEE SNIDER’s eminent surge into a new era – Leave A Scar sets it ablaze.

Limited rose colored vinyl LP pressing. Offering a multi-faceted LGBT+ experience, this stellar LP, pressed onto rose coloured vinyl, brings together old and new for the most fabulous musical accompaniment to your 2021 summer. Side A, entitled 'Queer Club Classics', provides the perfect throwback snapshot of all your favourite queer tracks, including worldwide hits such as Cher's 'Believe' and Chaka Khan's 'I'm Every Woman'. Whilst Side B, entitled 'New Age Anthems', is an assortment of the best music from more recent years. This collection combines tracks from LGBTQ+ artists such as the indie-legends Tegan and Sara, and pop pioneer L Devine, as well as popular songs within the LGBTQ+ community such as Lizzo's charismatic feel-good bop, 'Juice'.

AFI are leaders, not followers. A collective in a perpetual state of creative evolution as fluid as the evocative figures contorting on the cover of Bodies, their newest collection of songs. The record is a snapshot of unrelenting artists in motion, unconcerned with compromise or outside demands.

AFI's unshakeable connection with their audience is a testament to the band's knack for reinvention, renewal, and exploration, anchored by an unblemished authenticity. AFI songs are embedded in the spiritual DNA of a legion of supporters and Bodies is further demonstration of AFI's unwavering commitment to artistic exploration, a dark conjuration of an uncapturable muse.

The band initially summoned a steady subcultural groundswell in the mid-90s, devoid of careerist ambitions. The band first made music as teenaged misfits in an obscure Northern California town, steadily assembling a dense catalog over the years marked by its diversity and authenticity. Davey Havok, Adam Carson, Hunter Burgan and Jade Puget keep their eyes fixed on the present and future, ensuring their position as a uniquely vibrant artistic force remains steadfast and strong.

Like similarly artistically-minded iconic bands, AFI's ever-evolving identity has kept their sound, themes, and overall image fresh. A place in rock n' roll history assured by magical musical androgyny, both post-modern and timeless, AFI remains guided by the flames of authenticity and determination that defined their first ten albums and are sure to drive the next ten and beyond.

The Sophtware Slump... On A Wooden Piano - So this new "The Sophtware Slump" isn't a recontextualization of old songs as a stealth anthology for newcomers. This newly recorded "The Sophtware Slump" with the songs' skeletons are the same, but the bones dance differently. Slower songs like "Undearneath the Weeping Willow" make a natural transition to this sparer presentation. Greater revelations occur with the once louder songs like "The Crystal Lake" and "Chartsengrafs." The effect at times is that of unfolding an origami dinosaur and refashioning it into a swan. The album's sharp melodic sense isn't dampened at all, but the words step forward, which only enhances the aspirational lift at album's end, about aiming toward the sky.

Limited clear colored vinyl LP pressing. Bubbling up from the psychedelic tar pits of L.A., Frankie and the Witch Fingers have been a constant source of primordial groove for the better part of the last decade. Formed and incubated in Bloomington, IN before moving west to scrap with Los Angeles' garage rock rabble, the band evolved from cavern-clawed echo merchants to architects of prog-infected psych epics that evoke a shift in reality. Sidewalk is the first full-length album from Frankie and the Witch Fingers. Originally released on cassette in 2013, then released on vinyl in 2017 by Permanent Records. Now, totally remastered, re-packaged, and re-imagined by Greenway Records, the Witch Fingers' most fuzzed-out bubblegum nightmare looks and sounds better than ever!

Flying Lotus follows the release of his sweeping epic Flamagra and his Producer of the Year Grammy nomination for Thundercat's It Is What It Is, with an expansive original soundtrack for Netflix's new anime series, Yasuke.

Flying Lotus is the executive producer & composer of Yasuke, which retells the story of feudal Japan's first African samurai who served with Oda Nobunaga. The series is directed by LeSean Thomas, stars Lakeith Stanfield and features Takeshi Koike as its lead designer.

Flying Lotus' score for Yasuke is an unforgettable titan in his musical canon, drawing enhanced influence from prior instrumental and vocal works alike, while looking towards the future uncompromisingly. The music lies heavily steeped within the legacy of jazz and electronic instrumentation, with select feature appearances by longtime friends and collaborators: Thundercat, Denzel Curry and Niki Randa.

Limited 180gm yellow colored vinyl LP pressing. Nearly Human is a 1989 album by rock musician Todd Rundgren. It was his first release in four years, although he had been active as a producer in the intervening years. Many of the album's songs deal with loss, self-doubt, jealousy, and spiritual recovery. It was also the first collaboration between Rundgren and Michele Gray, a singer and ex-model who helped organize the sessions. Gray sang background vocals, both on the record and on subsequent tours, and the pair later married.

The first ever covers album from one of the finest and longest lasting American punk bands around today, The Queers!Take a trip with Joe Queer and company through some of rock's earliest songs like The Beach Boys' "Be True To Your School," "Love Potion #9," "Deadman's Curve," "The Kids Are Alright," "(I'm Not Your) Steppin' Stone" and lots more - all filtered through the unique pop-punk aesthetic that's all the Queers' own!Will be available on digipak CD and on colored vinyl with original artwork and a full-color printed inner sleeve!

Recorded near the band's hometown in England, the CD/Blu-ray & vinyl is a 16-track live album filmed at The Mill. The release's content spans the band's 33 year career

The first ever covers album from one of the finest and longest lasting American punk bands around today, The Queers!Take a trip with Joe Queer and company through some of rock's earliest songs like The Beach Boys' "Be True To Your School," "Love Potion #9," "Deadman's Curve," "The Kids Are Alright," "(I'm Not Your) Steppin' Stone" and lots more - all filtered through the unique pop-punk aesthetic that's all the Queers' own!Will be available on digipak CD and on colored vinyl with original artwork and a full-color printed inner sleeve!

Motörhead in 1981 was a band of extremes; a flammable mix of non-stop celebration over their rising success and punishing graft, underscored by an inter-band powder-keg dynamic. After recording Ace Of Spades, it had shot to number four in the UK; the killer breakthrough after Overkill and Bomber had done essential groundwork, late 1980’s Ace Up Your Sleeve UK tour was a triumphant lap of honour that spilled into the recording of No Sleep ‘Til Hammersmith. The album took its title from an inscription painted on one of the trucks, referencing the 32 gigs they were playing with only two days off. The track listing ended up featuring three tracks from Ace Of Spades, five from Overkill, Bomber’s title track and two from their self-titled debut. Originally released on 27th June 1981, Lemmy is quoted as saying of it “I knew it’d be the live one that went best, because we’re really a live band. You can’t listen to a record and find out what we’re about. You’ve got to see us.” Upon release No Sleep ‘Til Hammersmith went straight to number one, their first and only in the UK and is still the most necessary live album of all time. The No Sleep ‘Til Hammersmith album; brand new remaster created from the original tapes. Pressed on vinyl as a triple album in a 20 page bookpack. Includes a live album of a newly unearthed, previously unreleased concert from the Short Sharp Pain In The Neck tour.

Heavy weight tip-on Gatefold package with Vellum insert

AFI are leaders, not followers. A collective in a perpetual state of creative evolution as fluid as the evocative figures contorting on the cover of Bodies, their newest collection of songs. The record is a snapshot of unrelenting artists in motion, unconcerned with compromise or outside demands.

AFI's unshakeable connection with their audience is a testament to the band's knack for reinvention, renewal, and exploration, anchored by an unblemished authenticity. AFI songs are embedded in the spiritual DNA of a legion of supporters and Bodies is further demonstration of AFI's unwavering commitment to artistic exploration, a dark conjuration of an uncapturable muse.

The band initially summoned a steady subcultural groundswell in the mid-90s, devoid of careerist ambitions. The band first made music as teenaged misfits in an obscure Northern California town, steadily assembling a dense catalog over the years marked by its diversity and authenticity. Davey Havok, Adam Carson, Hunter Burgan and Jade Puget keep their eyes fixed on the present and future, ensuring their position as a uniquely vibrant artistic force remains steadfast and strong.

Like similarly artistically-minded iconic bands, AFI's ever-evolving identity has kept their sound, themes, and overall image fresh. A place in rock n' roll history assured by magical musical androgyny, both post-modern and timeless, AFI remains guided by the flames of authenticity and determination that defined their first ten albums and are sure to drive the next ten and beyond.

Heavy weight tip-on Gatefold package with insert

THE REPRISE YEARS (1968-1971) features newly remastered versions of Joni Mitchell’s first four studio albums - Song To A Seagull (1968), Clouds (1969), Ladies Of The Canyon (1970), and Blue (1971). In the case of Song To A Seagull, the original mix has been recently updated by Mitchell and mixer Matt Lee. The cover art for THE REPRISE YEARS (1968-1971) features a previously unseen self-portrait Mitchell drew during the time period and includes an essay by Grammy winning singer-songwriter Brandi Carlile. The collection is presented on four 180 gram LPs in premium packaging and is a limited edition of 10,000. 

Includes the Definitive Albums 

It may be tempting to reduce Convocations into a longform ambient anomaly within Sufjan Stevens' vast catalogue. It is, however, neither an anomaly nor entirely ambient. This is not a side project. From his numerous dance scores for New York City Ballet to instrumental albums such as Enjoy Your Rabbit, Aporia, and The BQE, Stevens spends at least half his working life making largely instrumental music, as he has for decades. And though the first ten pieces, dubbed "Meditations," unfurl as gorgeous states of reflective new-age grace, this is by no means an ambient enterprise. Stevens invokes the lessons of Morton Subotnick, Maryanne Amacher, Christian Fennesz, Brian Eno, and Wolfgang Voigt here. As musically erudite as it is emotionally experienced, Convocations can be dissonant, vertiginous, rhythmic, repetitive, urgent, or calm-that is, all the things we undergo when we inevitably live through loss, isolation, and anxiety. Indeed, Convocations moves like a two-and-a-half-hour requiem mass for our present times of difficulty, it's 49 tracks allowing for all these feelings to be felt. The album is divided into five sonic cycles, each replicating a different stage of mourning. "Meditations" work toward acceptance and resolution, of coming to terms with the day's news even if it stings. The subsequent "Lamentations" slink, sputter, and sometimes grind, as sadness transmutes to anger and back again. The rhythmic drift and glitchy strata of "Revelations" allow for confusion and catharsis, of asking just why the world or the heavens have wronged us. With it's bright tones, occasional sweeps of strings, and scrambled voices, "Celebrations" offers furtive bits of fondness, though the nostalgia is never far removed from the news that prompted it. The final nine "Incantations" are lessons for those of us who remain, gorgeous and galvanizing reminders that our time here is as limited as the possibilities for how we spend it are infinite. Convocations occasionally soothes and sometimes hurts; when it's done, you're left with a renewed sense of wonder for being here at all.In fact, Stevens made Convocations in response to (and as an homage to) the life and death of his father, who died in September last year, two days following the release of The Ascension. It is, then, ultimately an album about loss, and an album that reflects a year in which we have all lost so much. One could easily compare this project to Stevens' album Carrie & Lowell, which he wrote following his mother's death. But this is something entirely different. A new time, a new season, a new life lost, a new reckoning, a new kind of isolation, grief, despair, frustration, confusion, and the search for happiness and hope for the future. This is not a personal record, but a universal one. Convocations is built on a shared experience that seeks to be honest about how complicated grief can be in these difficult times-the pain, the anxiety, the unknown, the absolute joy of memory. This is also an album made in lockdown, when we were all cloistered in whatever space we had. So long as the science and statistics hold, Convocations arrives just as we begin to emerge from a year whose losses we will calculate for a lifetime. It is, then, right on time, as we begin to process our grief and try to carry on with it. -Grayson Haver Currin

1983's Curse marks an intersection of styles and influences that form The Legendary Pink Dots sound: a deft balance between pop arrangements and sonic experiments, ornamented imagery, somber double-entendres, Gothic yet witty arrangements, experimentalism, and psychedelics. Curse rises as an artistically successful turning point to the beginnings of the era of the Dots' best '80s releases

I’ll Be Your Mirror: A Tribute to the Velvet Underground & Nico, is a contemporary tribute to the Velvets debut, with each of the album’s songs performed by one of the band’s noteworthy artistic descendants. Featured artists include Kurt Vile & the Violators, Sharon Van Etten, Iggy Pop & Matt Sweeney, Michael Stipe, Matt Berninger of The National, Courtney Barnett, King Princess, Fontaines D.C. and more. Wide Spine Jacket. Indie Exclusive Yellow 2 LP.

This is the tenth anniversary edition of Frank Turner's fourth album 'England Keep My Bones'. This is the album that saw Frank step up from underground, cult status to mainstream success. It features the hit singles 'Peggy Sang The Blues', 'If Ever I Stray' and 'I Still Believe' and 'Wessex Boy' both of which Frank performed at the Olympic Opening Ceremony in 2012. At the end of the album campaign in April 2012 Frank headlined a sold out Wembley Arena. This tenth anniversary edition includes beautiful new artwork.

London-based trio Public Service Broadcasting have created their own unique brand of art rock (call it History Rock) that dives deep into a historical subjects and creates a compelling body of work around the chosen theme. Bright Magic is named after a collection of short stories by Alfred Döblin. The album is primarily about Berlin as a magnet for creative people and creativity and the city as a canvas or a prism for refracting ideas and spreading them in new and interesting ways. As with all PSB releases there has been thorough research into the subject and a meticulous level of detail. The album was written and recorded entirely at, Hansa Studios in Berlin and the artists resided there for the 6 month duration. Hansa is a world-renowned facility responsible for classic albums by the likes of David Bowie, Iggy Pop and Depeche Mode. The artwork was designed by Berlin artist Torsten Posselt, who has a long relationship with the Erased Tapes label, and has designed art for the likes of Nils Frahm, Olafur Arnalds, Kiasmos and Rival Consoles among others.

Originally released in 1986 and considered a more "serious" release, with themes of war and politics, Island of Jewels ranks among the more accessible releases in the vast catalog of The Legendary Pink Dots. Focusing more on songwriting than on studio wizardry or sonic experiments, interesting industrial sounds and memorable melodies abound. Remastered.

Vinyl LP pressing. In February 1964, Eric Dolphy assembled a quintet of modern jazz visionaries with Freddie Hubbard - trumpet, Bobby Hutcherson - vibraphone, Richard Davis - bass, & Tony Williams - drums, & headed into Rudy Van Gelder's studio to record what would stand as his masterwork: Out to Lunch! Dolphy possesses the revolutionary spirit of the avant-garde while keeping a foot firmly planted in the feeling of swing, perfectly captured from the opening Monk tribute "Hat and Beard" to "Straight Up and Down."

Comprised of Naomi “Nai Palm” Saalfield (guitar, vocals), Paul Bender (bass), Simon Mavin (keys), and Perrin Moss (drums), the twice-Grammy-nominated group Hiatus Kaiyote returns to announce their new album Mood Valiant via Brainfeeder Records / Ninja Tune.

The new project comes after the band has been sampled on songs by The Carters (Beyonce & Jay-Z), Kendrick Lamar, Anderson .Paak, Chance The Rapper, and Drake — with whom Nai Palm collaborated with on Scorpion.

The band travelled to Rio de Janeiro in late-2019 to work on the album with legendary Brazilian arranger Arthur Verocai, which led to the infectious lead single “Get Sun” (feat. Arthur Verocai).

The album was a six year journey, but is more of a hustle than a hiatus — it is an act of love, of courage, of brother-and-sisterhood, of altered perspective.

“Hiatus Kaiyote’s music stretches and bends every parameter.” - Jon Pareles / The New York Times

Brand new re-pressing of the soundtrack to the cult indie comedy starring a young Ben Affleck, Glory Daze!Includes tracks by punk rock heroes NOFX, Sublime, The Vandals, Bouncing Souls, The Mr. T. Experience, Assorted Jelly Beans, and lots more!Limited edition eye-popping PINK vinyl!

Reissue on vinyl of the seventh PJ Harvey studio album White Chalk. The album was produced by PJ Harvey, Flood and John Parish and originally released in September 2007. White Chalk features the singles ‘When Under Ether’, ‘The Piano’ and ‘The Devil’. Reissue is faithful to the original recording and package, with cutting by Jason Mitchell at Loud Mastering under the guidance of original co-producer John Parish.

Vinyl version of Juanes's "Origen" a lovingly curated collection that reimagines some of the most important songs & artists that shaped his own early musical vision. 2 vinyl LP features some of the biggest hits in Latin music history including "El Amor Despues Del Amor". "Origen" was hailed as "one of the most anticipated albums of 2021" by Rolling Stone.

Kacey Musgrave’s latest album, star-crossed, is a bold, empowering, and personal series of songs that displays 6x GRAMMY Award winner’s growth as one of the finest singer/songwriters of our time. It’s the follow-up to Golden Hour, which earned Kacey her 3rd #1 Billboard Country Album and distinguished her as only the third artist to win Album Of The Year at the GRAMMY Awards, CMA Awards, and ACM Awards.

This 2 LP and 1 CD 20-track compilation spans the band’s career from 1995 – 2007 – a prolific period when the band released several of their biggest hits, and they had great success in many key global markets. The collection includes b-sides, live tracks, acoustic versions, radio performances, international releases and other non-album tracks. All but 2 of the tracks are unavailable to stream on Spotify or Apple Music in the US and all currently unavailable on any physical format.

Tattoo You celebrates 40 years with the release of a brand new Super Deluxe 5 LP Boxset which includes the newly remastered version of Tattoo You, Lost & Found: Rarities, and Still Life: Wembley Stadium 1982. Also included is a 124-page book featuring over 200 rare photos from recording sessions and their world tour, plus interviews with producer Chris Kimsey and photographer Hubert Kretzscmar. The package includes a special lenticular sleeve.

Vinyl LP pressing. 2021 release, the fifth album from the alt-rock band.

On their new full-length - the first new music since The Waterfall (2015) - My Morning Jacket reaffirm the rarefied magic that has made them so beloved, embedding each song with moments of discovery, revelation and ecstatic catharsis. It comes after a near permanent hiatus for the band until performing four shows in summer '19 left them with a new energy. Jim James engineered/produced at 64 Sound in LA where the band spent weeks in intentional seclusion emerging with their self-titled 9th album.

After releasing their 2010 album Treats on Mom+Pop--which became an indie classic, deemed 'Best New Music' by Pitchfork, 'phenomenal' by Paste Magazine, 'pop smarts' by Rolling Stone, and a 'game-changer' by Stereogum--Sleigh Bells have returned to the label for their fifth studio album, Texis, out September 10, 2021, the day after their sold-out Treats 10-Year Anniversary show at Webster Hall and ahead of a headline US tour throughout October and February. 

DANCE GAVIN DANCE / TREE CITY SESSIONS 2 : Tree City Sessions 2 is the third live album by Dance Gavin Dance. 2X VINYL LP

The first live Steely Dan album in over 25 years. Featuring Hey Nineteen, Aja, Reelin' in the Years & more.

Legendary hits from one of the most successful American singers of the century, B.J. Thomas!Includes recently recorded versions of classics like "Raindrops Keep Falling On My Head," "Hooked On A Feeling," "Another Somebody Done Somebody Wrong Song," "I'm So Lonesome (I Could Cry)" and several more!B.J. Thomas has over 20 Top 40 smashes and his songs are a staple on adult contemporary radio stations!Available on CD and in a gorgeous gatefold jacket and SILVER vinyl!

"The dancer wants to get in a groove and stay there until he has exhausted his invention or his body. The timescale and momentum of any physical activity is vastly different from the attention span of listening."Albert Goldman "A good remix is when the remixer's sonic fingerprint is present, without sounding forced. It should feel like it's own story, with at least some of the same characters as the original." Khruangbin The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work. Moulton's first commercial remix, a reworking of BT Express' appropriately-named 'Do It 'Till You're Satisfied', which stretched it from three minutes to a luxurious five, assisted the band in securing it's first Billboard R&B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Scott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos' 'Professional Widow'). Khruangbin are no slouches when it comes to the remix themselves. They've been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they're taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. "We write our music to be interpreted; this is another wonderful interpretation of the music," reassure Khruangbin. "There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves." The choice of remixers for this album is neither arbitrary nor accidental. They're not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled 'White Gloves' on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I've known Laura for number of years; plus she is also godmother to one of Felix Dickinson's kids. Doesn't get much more intimate than that, right? Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. "A good remix deconstructs, recontextualizes, or simply extends a good time," say the band. Amen and out. Bill Brewster

French cyberpunks Perturbator crashed onto the scene with an insane force. A perfect rehash and improvement upon 1970s and 1980s analog synthesized film scores - recounting Escape from New York, Halloween, and Blade Runner - Perturbator became known as the face of dark synthwave. The Parisian artist's cult early releases were whispered about in all the right circles before catapulting into the limelight with the release of his breakthrough album Dangerous Days in 2014. Forever restless with the confines of genre, Perturbator's sound continued to evolve with the follow-up landmark releases of The Uncanny Valley (2016) and the surprise New Model EP (2017). High-quality 180-gram vinyl 2LP pressing cut at 45-RPM for optimum fidelity and housed in gatefold packaging.

Celebrating the 25th anniversary of R.E.M.’s tenth studio album, New Adventures in Hi-Fi. This special pressing—replicating the original gatefold package—offers the newly remastered album across 2-LPs, pressed on 180-gram vinyl, with lacquers cut by Kevin Gray at Cohearent Audio. The platinum-selling album features the singles “Bittersweet Me,” “Electrolite,” and “E-Bow the Letter.”

Collection of unreleased demos written for the seventh PJ Harvey studio album White Chalk, including demos of ‘When Under Ether’, ‘The Piano’ and ‘The Devil’.  Features brand new artwork with previously unseen photos by Maria Mochnacz. Artwork is overseen by Maria with Rob Crane. Mastering by Jason Mitchell at Loud Mastering, under the guidance of long time PJ Harvey producer John Parish.

Things Take Time, Take Time is an assured leap forward for Barnett; a breakthrough really. This is Barnett at her most relaxed, creative and joyful. An exquisite look at the intimate, private world created by Barnett and drummer/producer Stella Mozgawa (Warpaint, Cate le Bon, Kurt Vile). It's consequently her most beautiful and intimate record to date.

The hits driven Space Jam soundtrack features music inspired by & included in the film. The soundtrack earned mostly good reviews and was successful on the Billboard 200, peaking at #2. The soundtrack also managed to sell very well; it was certified as double platinum less than two months after it's release, in January 1997. In 2001, the soundtrack was certified 6x Platinum. Artists include; Seal, Coolio, Quad City DJ, B-Real (from Cypress Hill), Busta Rhymes, Coolio, LL Cool J and Method Man (from Wu-Tang Clan) amongst others.

Devin Townsend brings to you the Devolution Series: a grouping of oddities and interesting material that he would like people to hear, but that aren’t necessarily a ‘major release’. The series will include all the quarantine songs and concerts, as well as various live shows from the past few years. The first release, “Devolution Series #1 - Acoustically Inclined, Live in Leeds”, is a remixed and remastered version of the ‘Live in Leeds’ show that was originally included on the Empath Ultimate Edition as video asset. A cool acoustic show that deserves to be heard, now available as an audio version.

Following in the tradition laid down by Cannabis Corpse's earlier releases, each song on 2011's Beneath Grow Lights Thou Shalt Rise is inspired by a classic death metal track - this time around Morbid Angel and Deicide get the Cannabis treatment! Cannabis Corpse are not a joke band. Sure, they'll fire up a bowl and chug a beer, but then they'll rip your face off with a brutal old-school death metal assault, the likes of which haven't been seen since the seeds of the genre first began to grow.