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1. Saint-Saëns: Parysatis, R.312: Introduction Et Air de Ballet No.1

2. Saint-Saëns: Parysatis, R.312: Air de Ballet No.2

3. Saint-Saëns: Parysatis, R.312: Air de Ballet No.3

4. Idir: A Vava Inouva, Pour Chant, Violoncelle Et Harpe (Arr. for Chant, Cello and Harp By Smail Benhouhou ; Antonin Mège)

5. Saint-Saëns: Tarentelle, Pour Flûte Et Clarinette, Op.6

6. Saint-Saëns: Introduction A la Jota Aragonese: Improvisation

7. Saint-Saëns: Jota Aragonese Pour Orchestre, Op.64

8. Saint-Saëns: Istikhbar Mezmoum, Introduction A Mon Cour S'ouvre A Ta Voix, Pour Violon Et Violoncelle: Improvisation

9. Saint-Saëns: Samson ; Dalila, Op.47: Mon Cour S'ouvre A Ta Voix, Pour Violoncelle Et Orchestre (Arr. for Cello and Orchestra By

10. Saint-Saëns: Samson ; Dalila, Op 47: Danse Bacchanale

11. Saint-Saëns: Suite Algérienne en Do Majeur, Op.60: I. en Vue D'alger

12. Anonymous: Introduction A Inqileb - Yabadi El Hosn: Improvisation

13. Anonymous: Inqileb: Yabadi El Hosn (Arr. By Smail Benhouhou)

14. Saint-Saëns: Suite Algérienne en Do Majeur, Op.60: II. Rhapsodie Mauresque

15. Anonymous: Introduction A Leyla: Improvisation

16. Anonymous: Leyla (Arr. By Smail Benhouhou)

17. Saint-Saëns: Suite Algérienne en Do Majeur, Op.60: III. Rêverie Du Soir

18. Salvador-Daniel: Introduction A Chanson Mauresque de Tunis: Improvisation

19. Salvador-Daniel: Chanson Mauresque de Tunis (Arr. By Smail Benhouhou ; Antonin Mège)

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Passionate about travel, Saint-Saëns was strongly influenced by the cultural diversity he encountered in North Africa. Zahia Ziouani, as one immersed in these twin cultures herself, is able to shed new light on the composer's travel-inspired works by reflecting them through the prism of traditional Algerian music, ranging from Ahmed El Alaoui to Idir and performed in the company of Rachid Brahim-Djelloul, this is a fascinating musical dialogue.

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